Although not a contender for "British Band of the Millennium" -- let Oasis and Blur argue over that mantle -- Pulp is easily one of the most diverse and dedicated bands on that side of the pond to (struggle to) make it big. Led by charismatic and chameleon-like Singer-Songwriter Jarvis Cocker, Pulp have undergone multifarious changes in their twenty-one-year career, but there have been some consistent points along the way. On any given album, you'll find Cocker singing in his lovely, Bowie-based baritone behind which a piano, synths, and mid-tempo bass, guitars and drums create a pretty, sad and subtle ballad. It's hardly indicative of all their material, though -- on the song "Countdown," for instance, electronic drums and synths create Alt-Dance music that aligns the band more with Depeche Mode than with other rock groups. And then there are the finely-crafted, well-written Glam rockers: no holds are barred, and every instrument plus the kitchen sink writhes in wonderful musical bombast, almost an anthem with strong hooks and melodies and Cocker's voice rising and falling, emoting and sneering, ironic and vulnerable, leading the fray to pop heaven. Pulp may not be challenging Oas... See More
Pulp Concert Films
The Beat is the Law: Fanfare For The Common People
Runtime: 1 hr 31 minGlastonbury Festival, 1995: The Stone Roses pull out of their headline set after a mountain bike accident and Rod Stewart is unavailable. As last minute replacements, Pulp take to the stage to face 80,000 people. They deliver a set regarded as one of the best in the festival’s history and are catapulted to the forefront of the Britpop movement—an achievement that ten years earlier seemed like an impossible dream. Made with the full cooperation of Pulp, The Beat is the Law brings together original interviews, performances, promos, newly unearthed live footage and home videos to tell the story of Pulp and their contemporaries’ journey from the darkest industrial depths of Sheffield to the pinnacle of pop via the consciousness-raising techno/house of Warp Records. Featuring original interviews with Pulp’s Jarvis Cocker, Russell Senior, Candida Doyle and Nick Banks, plus Richard Hawley (Longpigs), Mark Brydon (Chakk/FON/Moloko), Rob Gordon (FON/Warp), Adi Newton (Clock DVA) and many more!
Pulp Top Tracks
Call The Cops
Runtime: 56 minHappy Mondays were, along with the Stone Roses, the defining band of the Madchester scene in the late eighties and early nineties. Their music combined rock and house elements in a unique fusion which, coupled with Shaun Ryders biting lyrics, became the soundtrack of the era. This program captures the band on their first American tour in 1990 in support of their bestselling album Pills n Thrills And Bellyaches. It combines brilliant full performance footage from The Sound Factory in New York with behind the scenes material to give a really intimate portrait of the band at their peak. There are also cameo appearances from Keith Allen and the late Tony Wilson, founder of Factory Records.
Live at the O2 Arena
Runtime: 53 minWhen they released their self-titled debut album in the UK in January 2004, Franz Ferdinand were hailed as the first great new band of the year.
Unbelievable hype swirled around the new Scottish four-piece as they burst into the charts with their unmistakable debut. Their debut single garnered many pleasing reviews and made the band one of the most talked about of the year. With heavy-guitars and loveable beats, this is essentially post-pop melodic fun with hints of rock from the punk scene - all mashed together in a rebellious, yet fun-loving, way.
Live at Isle of Wight Festival
Runtime: 1 hr 22 minThe English rock band James take over the stage at The Isle of Wight Festivals with attractive performances of their best-known singles including "Come Home," "Sit Down," "She's a Star," "Laid," and many more.
Morrissey 25 Live
Runtime: 1 hr 32 minMORRISSEY 25: LIVE is a legacy concert film marking 25 years of the solo career of one of the world’s most iconic and enigmatic performers. Shot during Morrissey’s most intimate gig in decades at the Hollywood High School in Los Angeles on 2 March 2013, this now legendary concert includes many classic tracks from the artist’s prolific repertoire and is an unmissable cinema event for fans worldwide.
Runtime: 1 hrThree years of candid camera on the road with Blur, from Reading 1991 through the dark ages of the EEC in 1992 and then on to Modern Life. This 126 minute tour film features live footage including scenes from Glastonbury ’92, the Heineken Music Festival ’94 in Nottingham, and festivals in Germany, Denmark and Sweden. It is a fascinating rockumentary about the early days of one of the most influential bands of the 1990s.
Runtime: 33 minA significant footnote in rock 'n' roll's chequered history, 'Glange Fever' is the rockumentary to end all rockumentaries. A fascinating and faintly ridiculous film following the adventures the Diamond Hoo Ha Men (aka Gaz & Danny from Supergrass) on their UK live club tour throughout December 2007. An unsettling behind-the-scenes peek into life on the road with the world's finest sequin-suited glange rock duo.
Runtime: 1 hr 18 minPrimal Scream's seminal album "Screamadelica" defined a generation. It's mix of rock, dance, dub, gospel and more caught the zeitgeist of the early nineties to perfection and it went on to win the inaugural Mercury Music Prize in 1992 and consistently be named as "Best Album Of The Nineties" and appear in numerous "All Time Best Albums" lists. This show, filmed on November 26th 2010 at London's Olympia, was the first time that Primal Scream had performed the whole album live and it became one of the "must see" gigs of the year. The band was accompanied by a brass section and a gospel choir with back projections specially created for the event. The result was a stunning musical and visual triumph and proved, if it needed to be, that Screamadelica is one of the finest albums ever made and that Primal Scream are one of the truly great live bands.