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Although not a contender for "British Band of the Millennium" -- let Oasis and Blur argue over that mantle -- Pulp is easily one of the most diverse and dedicated bands on that side of the pond to (struggle to) make it big. Led by charismatic and chameleon-like Singer-Songwriter Jarvis Cocker, Pulp have undergone multifarious changes in their twenty-one-year career, but there have been some consistent points along the way. On any given album, you'll find Cocker singing in his lovely, Bowie-based baritone behind which a piano, synths, and mid-tempo bass, guitars and drums create a pretty, sad and subtle ballad. It's hardly indicative of all their material, though -- on the song "Countdown," for instance, electronic drums and synths create Alt-Dance music that aligns the band more with Depeche Mode than with other rock groups. And then there are the finely-crafted, well-written Glam rockers: no holds are barred, and every instrument plus the kitchen sink writhes in wonderful musical bombast, almost an anthem with strong hooks and melodies and Cocker's voice rising and falling, emoting and sneering, ironic and vulnerable, leading the fray to pop heaven. Pulp may not be challenging Oas... See More

Pulp Concert Films

  • The Beat is the Law: Fanfare For The Common People


    Year: 2011

    Runtime: 1 hr 31 min

    Glastonbury Festival, 1995: The Stone Roses pull out of their headline set after a mountain bike accident and Rod Stewart is unavailable. As last minute replacements, Pulp take to the stage to face 80,000 people. They deliver a set regarded as one of the best in the festival’s history and are catapulted to the forefront of the Britpop movement—an achievement that ten years earlier seemed like an impossible dream. Made with the full cooperation of Pulp, The Beat is the Law brings together original interviews, performances, promos, newly unearthed live footage and home videos to tell the story of Pulp and their contemporaries’ journey from the darkest industrial depths of Sheffield to the pinnacle of pop via the consciousness-raising techno/house of Warp Records. Featuring original interviews with Pulp’s Jarvis Cocker, Russell Senior, Candida Doyle and Nick Banks, plus Richard Hawley (Longpigs), Mark Brydon (Chakk/FON/Moloko), Rob Gordon (FON/Warp), Adi Newton (Clock DVA) and many more!

Pulp Top Tracks

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