The Grateful Dead
Born out of the burgeoning West Coast hippie scene in San Francisco's Haight-Ashbury district during the late '60s, and inextricably linked to psychedelic experimentation, the Grateful Dead blended psychedelic folk music and a transformative live experience that grew into the largest, most devoted and longest lived cult following in the history of popular music. Deadhead culture rapidly became more ubiquitous than the music -- the Dead's friendly jams, laid-back tunes and open attitude towards bootlegging inspired a tightly knit community that followed the band around the country and traded tapes of concerts years after they'd been recorded. The Dead's concert performances live forever in the often-altered minds of those who attended show after show, and in thousands of hours of recorded material. The majority of these Dead bootlegs were recorded really well and sound like someone took the time to master and equalize them. Hardcore Deadhead classics like "Jack Straw" re-emphasize why the band's live shows were a musical phenomenon. Those who identified best with the Workingman's Dead and American Beauty LPs will be pleased to know that there is an overwhelming amount of well-record... See More
The Grateful Dead Concert Films
Classic Albums: Anthem To Beauty
The Grateful Dead
Runtime: 60 minThis installment of the Classic Albums series follows the making of two Grateful Dead albums, the fiercely experimental Anthem of the Sun and the understated masterwork American Beauty, which spawned melodic gems like "Sugar Magnolia" and "Ripple." Between the archival scenes and contemporary interviews with band members, the program shows a band making seismic in roads in pop music and five young guys coming to terms with artistry, mortality, and, yes, the pursuit of happiness. There is priceless footage of Neal Cassady driving Ken Kesey's bus and of the Dead, surrounded by martini sipping hipsters, on Playboy After Dark. The best scenes involve band members talking about specific songs (you will never hear Phil Lesh's "Box of Rain" again without thinking of it as a gift to his dying father) or deconstructing a tune by playing each track separately. Intimate and surprisingly cohesive, Anthem to Beauty is a rare glimpse into how the Dead's magic was made.
Dear Jerry: Celebrating the Music of Jerry Garcia
Runtime: 2 hr 34 minThe two and half hour concert film audio recordings feature over 20 once-in-a-lifetime performances honoring Jerry Garcia. Performers include Phil Lesh & Communion, Bob Weir, Bill Kreutzmann's Billy & the Kids, Mickey Hart, Eric Church, Jimmy Cliff, The Disco Biscuits, Peter Frampton, David Grisman, Jorma Kaukonen, Los Lobos, Buddy Miller, Moe., O.A.R., Grace Potter, Allen Toussaint, Trampled By Turtles, Widespread Panic, and Yonder Mountain String Band. Produced by Blackbird Presents blackbirdpresents.com
The Grateful Dead Top Tracks
Mr. Mojo Risin': The Story of L.A. Woman
Runtime: 59 min“Mr. Mojo Risin’: The Story of L.A. Woman’” is the story of the making of the Doors’ last album with Jim Morrison, “L.A. Woman”. 2011 marked the 40th anniversary of the album’s release and this program goes into detail of how the album came about, its recording and what was happening to the band at the time. The story is told through interviews with Ray Manzarek, Robbie Krieger and John Densmore plus contributions from Jac Holzman, founder of their label Elektra Records, Bill Siddons, who was their manager, Bruce Botnick, engineer and co-producer of the album and others associated with The Doors at this time. The show includes archive footage of The Doors performing both live and in the studio, classic photographs, and new musical demonstrations from the Doors. “Mr. Mojo Risin’: The Story of L.A. Woman” is part of The Doors Digital Festival on Qello Concerts: www.QelloConcerts.com/vip/TheDoorsDigitalFestival
The Doors Digital Festival is a curated collection of concerts and documentaries of, not only The Doors, but also of other artists that fans of The Doors will love.
Ladies and Gentlemen
The Rolling Stones
Runtime: 1 hr 22 minThis Legendary Rolling Stones concert film, shot over four nights in Texas during the "Exile on Main Street" tour in 1972, was released in cinemas for limited engagements in 1974 and has remained largely unseen since. Now, restored and remastered, "Ladies and Gentlemen" makes its first authorised appearance on Film. This is one of the finest Rolling Stones concerts ever captured on film and features outstanding performances of classic tracks from the late sixties and early seventies.
The Torture Never Stops
Runtime: 1 hr 57 minFrank Zappa's New York Halloween 1981 concerts were filmed Live at The Palladium. This 'thing' entitled "The Torture Never Stops” was created in its entirety by FZ from the original concert production and intended by the Artist as one of 3 Television Specials. This is the longest version of the three - the others, "You Are What You Is" and "Dumb All Over", having actually aired. Halloween was Frank Zappa’s favourite holiday, and New York was the site of Frank Zappa Halloween concerts for years! The billion and a half airings by MTV of the concerts (non-edited) followed on closely from the release of the double album “You Are What You Is” in September of that year on Frank Zappa’s own recently founded and thoroughly independent label, Barking Pumpkin. Much of the set list is drawn from that work. All Frank Zappa shows were unique experiences with Zappa on guitar and baton, leading his band on flights of improvisation and drawing ever more intense performances from them. “The Torture Never Stops” cements Zappa’s reputation as one of the most innovative and challenging composers and performers of the 20th century.
Live at the Royal Albert Hall
Runtime: 2 hr 6 minCream's short original existence from 1966 to 1968 belies their status as one of the most influential rock bands of all time. They released four studio albums that were hugely successful around the world and had a number of hit singles on both sides of the Atlantic. In May 2005 Cream reunited for a sequence of concerts over four nights at London's Royal Albert Hall. Filmed in high definition, this concert features tracks filmed across the four shows including many of their best loved songs. Despite a gap of nearly 40 years the band quickly reignited the chemistry that had contributed so much to their legendary status and delivered four magnificent concerts that delighted the fans who had snapped up the tickets.
Classic Albums: Aja
Runtime: 50 minA vivid portrait of a '70s record that is still as fresh and memorable today as when it was released more than two decades ago. Pioneering pop/jazz band Steely Dan, formed by Donald Fagen and Walter Becker in the early seventies, had already secured five Top 40 albums before the release of Aja in 1977. Aja, however, was to prove to be the biggest selling album of Steely Dan's illustrious career, reaching No. 3 on the Billboard chart and spending a year in the Top 40. Becker and Fagen, renowned for their relentless perfectionism in the recording studio, recall the history of an album that was a year in the making, but rewarded with a Grammy Award and three hit singles. Steely Dan's Aja has proven to be one of the most outstanding jazz-rock albums in the history of popular music and now its story is told in this fascinating documentary.
I’ll Do Anything: Live in Concert
Runtime: 1 hr 45 minJackson Browne's I'll do Anything Live In Concert features over 90 minutes of music from Jackson's entire body of work. Recorded during his 2012 Tour at the Paramount Theatre in Denver, CO, the release also features Sara Watkins, Sean Watkins, Tyler Chester, Fritz Lewak, and Val McCallum.
Sensation - The Story of Tommy
Runtime: 1 hr 20 minThe Who’s seminal double album “Tommy”, released in 1969, is a milestone in rock history. It revitalised the band’s career and established Pete Townshend as a composer and Roger Daltrey as one of rock’s foremost frontmen. The first album to be overtly billed as a “rock opera”, “Tommy” has gone on to sell over 20 million copies around the world and has been reimagined as both a film by Ken Russell in the mid-seventies and a touring stage production in the early nineties. This new film explores the background, creation and impact of “Tommy” through new interviews with Pete Townshend and Roger Daltrey, archive interviews with the late John Entwistle, and contributions from engineer Bob Pridden, artwork creator Mike McInnerney plus others involved in the creation of the album and journalists who assess the album’s historic and cultural impact.
Classic Albums: Damn The Torpedoes
Runtime: 56 minThis film tells the story behind the creation of this great rock 'n' roll album and the dramatic transformation in the band's career that took place following its release. Through interviews, new and archive performances and analysis we discover how Tom Petty, Mike Campbell, Benmont Tench, Ron Blair and Stan Lynch created their songs and sounds with the help of Co-Producer Jimmy Iovine and Engineer Shelly Yakus.
In Concert: Live at the BBC Radio Theatre
Runtime: 1 hr 16 minSir Van Morrison takes to the stage at The BBC Radio Theatre for an intimate In Concert performance. Belfast born ‘Van the man’ is among popular music's true innovators and arguably one of the most influential vocalists in the history of rock and roll. The Grammy winning Celtic soul troubadour has been fusing R&B, jazz, blues, and Celtic folk throughout his musical career and in this special, he performs a selection of tracks, old and new from his revered back catalogue of work to his new album ‘Keep Me Singing’.
Live at the Summer Camp Music Festival, Day 3
Runtime: 2 hr 27 minFrom modest beginnings in a Buffalo basement over two decades ago to today’s multifaceted success, the members of moe. have never lost sight of the earnest, elemental goals that they aspired to from their very first show: to deliver honest, heartfelt music and to ensure the audience has a good time. Considerate and conscientious in their actions and decision-making, moe.’s refreshingly unpretentious attitude has won them a devoted legion of dedicated fans (ranging from seasoned concert-goers to eager young newcomers) and has given rise to a thriving cottage industry – a self-contained nation-state in which the band and their audience live as equals, thriving on a reciprocal appreciation rare in today’s increasingly fragmented musical landscape. 2010 marks the twentieth anniversary of moe.’s frontline of Rob Derhak (bass, vocals), Chuck Garvey (guitar, vocals), and Al Schnier (guitar, keyboards, vocals), who continue to perform together with the addition of drummer Vinnie Amico and percussionist and multi-instrumentalist Jim Loughlin. Keeping a consistent lineup intact and productive over two decades is no small feat. moe.’s saga is made all the more remarkable because they have consistently done so on their own terms, as independent artists who actively manage their own affairs while staying well ahead of industry and technological developments, including successfully self-releasing their own music and offering instant on-site digital concert recordings at their shows.
Live at The Electric Forest Festival Day 2 part I
The String Cheese Incident
Runtime: 1 hr 12 minOver the past two decades, The String Cheese Incident has emerged as one of Americas most significant independent bands. Their 17 year history is packed full of surreal experiences, epic moments, groundbreaking involvement and huge accomplishments.
Live in Holland, 1976
Runtime: 54 minLittle Feat are one of the most influential American bands of the seventies. Founded by Lowell George and Bill Payne in L.A. during 1969; they produced a series of highly original albums over the next decade featuring an eclectic blend of rock 'n' roll, blues, country, folk, soul, and jazz before the death of Lowell George in 1979, which brought the first phase of the band's existence to an end. This film captures the band's performance at the famous Dutch festival Pinkpop on June 7th, 1976 and captures the band's classic line-up at the peak of their powers performing many of their best known tracks.
Classic Albums: The Band
Runtime: 59 minComprised of Rick Danko, Levon Helm, Garth Hudson, Richard Manuel and Robbie Robertson, The Band's self-titled sophomore effort spent 24 weeks in the Billboard Top 40. The album was released at a time when the US album charts were taken over by the psychedelic rock movement, and despite this, the album had the aforementioned chart success and would go on to sell over one million copies. This edition of the "Classic Albums" series focuses on The Band's follow-up to "MUSIC FROM BIG PINK". Featuring classics such as "Up On Cripple Creek", "The Night They Drove Old Dixie Down", and "Rag Mama Rag", the story of the album is told through interviews with surviving members of The Band, fellow musicians Eric Clapton, Don Was, and George Harrison, and vintage footage. The Band is a classic album!
Live at Great Woods
The Allman Brothers Band
Runtime: 1 hr 31 minRecorded in September of 1991, originally for Japanese TV, The Allman Brothers Band’s beloved Live At Great Woods showcases the classic American rock band reaching a new generation of audiences. Original band members Gregg Allman, Dickey Betts, Butch Trucks and Jaimoe were joined by new guitarist Warren Haynes, bassist Allen Woody and percussionist Marc Quiñones in one of the most powerful lineups in the group’s history. This set – recorded before a crowd of nearly 20,000 adoring fans at the Great Woods Center for the Performing Arts in Massachusetts – features a top-notch set of fan favorites, with a fiery acoustic mini-set included for good measure. This release of Live At Great Woods fills a crucial gap in The Allman Brothers Band’s videography: after years of demand, fans can experience the original longform video version of this concert (previously only available on VHS and LaserDisc), with no interruption of the main feature. Finally, fans have nothing standing between them and the top-notch performances of this set.
Crosby, Stills & Nash
Runtime: 2 hr 33 minCrosby, Stills, & Nash join forces for their first live performance video in over 2 decades! Filmed during their 2012 tour, CSN 2012 includes many of the trio's classic hits, some new and unreleased songs, and a rare performance of "Suite: Judy Blue Eyes."
Jimi Plays Berkeley
Runtime: 1 hr 13 minThis special, expanded edition of Jimi Plays Berkeley showcases some of Jimi's finest ever performances filmed over two concerts at the Berkeley Community Theatre on May 30, 1970. The film documented the political unrest and student uprisings in Berkeley juxtaposed against such legendary Hendrix live performances as "Johnny B. Goode," "Star Spangled Banner," "I Don t Live Today" and "Purple Haze."
This deluxe edition also includes:
A new, digitally restored transfer from the original 16mm negative. More than fifteen minutes of newly discovered, previously unseen documentary and performance footage of such classic songs as "Voodoo Child (Slight Return)," "Machine Gun" and "Hear My Train A Comin'" not featured in the original film release.
Runtime: 1 hr 12 minRecorded in 1994, Bob Dylan - MTV Unplugged is a brilliant, quietly impassioned performance by one of pop music's most significant figures. Fronting his empathetic five-piece band (Bucky Baxter excels on dobro, mandolin, and pedal steel guitar; Bob himself plays frequent "rhythm leads" on his Martin), Dylan performs four of his best-known and potentially most overdone tunes in the 73-minute show; but "All Along the Watchtower," "The Times They Are A-Changin'," "Like a Rolling Stone," and "Knockin' on Heaven's Door" all sound great, with Dylan, as is his wont, re-casting both the arrangements and melodies. Even better is the obscure "John Brown" (written in the early '60s), a driving, biting war protest song of the kind that made him famous, while "Dignity," a lesser-known tune from the '90s, is filled with great lines ("Met Prince Phillip at the home of the blues... said he was abused by dignity"), and "Shooting Star" revisits Oh Mercy, Dylan's best '80s album. Through it all, Dylan says nary a word, although he does smile and shake some hands (even removing his shades) at the end. And as good as it may be, this show is most likely different from every Dylan concert before or since, a sure sign of an artist in no danger of becoming irrelevant.