One of the 1990s' greatest success stories, Radiohead came to prominence largely on the success of their distorted, ingratiating single "Creep." Drolly repeating "I'm a creep / I'm a loser" in the pounding wake of arena rock guitars wasn't going to win them any artistic grants, but those lyrics and bouts with piercing feedback would not be soon forgotten. It wasn't until The Bends (1995) that Radiohead transcended the formula, crafting the patient, heart-wrenching "Fake Plastic Trees" and the magnetic, sunshine-driven "Black Star." Thom Yorke's signature falsetto began to operate in a more deeply emotional capacity at this point. Finally producing to the caliber of their songwriting, Radiohead's OK Computer demonstrated a staggering attention to detail, probably ranking as one of the greatest commercial artistic successes of the '90s. Rarely does a record offer masterpieces in varying moods. From the thunderously suspenseful "Airbag" to the moody chime of the blustery "Let Down," Radiohead emerged victorious. The alt-rock superstardom and critical gushing that followed pushed them into their darkest and most creative space yet, and they delivered the electronic-tinged Kid A in 2000... See More
Radiohead Concert Films
Meeting People is Easy: A Film by Grant Lee about Radiohead
Runtime: 1 hr 34 minMEETING PEOPLE IS EASY presents a visual diary of Radiohead's 1997-98 world tour in support of their acclaimed album OK COMPUTER. The film includes behind-the-scenes and concert footage of the innovative band in Barcelona, Paris, New York, and Tokyo. Interviews with band members Thom Yorke, Jonny Greenwood, Colin Greenwood, Ed O'Brien, and Phil Selway, along with director Grant Gee's artfully probing camera, provide candid, revealing insights into the difficulties of dealing with the unwelcome label of "rock star." This often melancholy documentary features clips of songs such as "Lucky," "Airbag," "A Reminder," "Paranoid Android," "Street Spirit," and "Electioneering."
The Astoria London Live
Runtime: 1 hr 7 minIn this 1994 concert performance from English alternative rock superstars Radiohead, the band plays a seventeen-song set that includes such hits as "Creep", "Fake Plastic Trees", and "Pop is Dead" before a live audience at London's famed Astoria.
Radiohead Top Tracks
The Battle of Mexico City
Rage Against The Machine
Runtime: 1 hr 35 minOutside Mexico City's Sports Pavilion, hundreds of young Rage fans rattle metal fences and throw rocks at the increasingly nervous police. Inside, a seething crowd of 5,000 lucky ticket holders cram into the cavernous pavilion chanting anti-government slogans and poking their middle fingers into the thick, sweaty air while waiting for Rage Against the Machine to storm the stage.
One of the greatest live acts in music history, Rage only affirms that fact with this show. Whatever club, theater, arena, or stadium they're in, the opening of each Rage Against the Machine show always feels like a grenade has gone off. But this night it was as if a truckful of bombs blew up as the band tore into the opening salvo of "Testify." Fans cascaded toward the stage like rippling waves stopping only to pogo up-and-down like jackhammers.
Longtime supporters of various political causes in Mexico, Rage were performing for the very first time in Mexico City. The connection between the band and the audience is electric. From the early "all hell can't stop us now" chant in "Guerilla Radio" to the blood-curling screams in the finale of "Freedom," there is an urgency at this show that is unrivaled. This is live rock & roll as it's meant to be heard: fierce, funky, uncompromising. This is Rage Against the Machine in their finest hour.
Live at The Cutting Room
Runtime: 22 minThere is something truly unique about the music that pours out of the four lads who comprise the experimental, indie outfit, Alt-J. It has a sparkling, melodious quality in the way the guitars fizzle in a bed of digital mist. But there are odd chanting harmonies, crunchy riffs that'll snap your teeth, and, most notably, a disjointed, percussive approach that's mightier than all. It's all helped to stew a bit of a phenomenon on the band's side of the Atlantic. Why just today the band snatched themselves a nomination for the prestigious Mercury Prize for their debut, An Awesome Wave (which is just about the best way to describe what lies within). Here in the US, the band is currently spreading the gospel one city at a time. Recently, that meant a quick stop at The Cutting Room Studios in NYC for a live-to-air session with our friends at KEXP Seattle. In its' aftermath, we're obviously converted...and we don't think you stand a chance either.
Kurt Cobain: About a Son
Runtime: 1 hr 37 minAn intimate and moving meditation on the late musician and artist Kurt Cobain, based on more than 25 hours of previously unheard audiotaped interviews conducted with Cobain by noted music journalist Michael Azerrad for his book "Come As You Are: The Story of Nirvana." In the film, Kurt Cobain recounts his own life - from his childhood and adolescence to his days of musical discovery and later dealings with explosive fame - and offers often piercing insights into his life, music, and times. The conversations heard in the film have never before been made public and they reveal a highly personal portrait of an artist much discussed but not particularly well understood.
Classic Album: Screamadelica
Runtime: 58 minThis Classic Albums series tells the story behind the making of this legendary album. There are contributions from all the band members, main producer Andrew Weatherall, Creation Records founder Alan McGee and many others involved in the creation of this masterpiece.
Primal Scream's seminal album Screamadelica was released in 1991, and synthesized the band's rock 'n' roll roots with the dance culture of that time; for many, the album's sound and imagery came to be regarded as quintessential symbols of the acid house era, perfectly catching the spirit and mood of the early 90s.
Using rare archive footage and special performances, this film tells the story of Screamadelica and its hit singles and dance anthems Loaded, Movin' On Up, Come Together and Don't Fight It, Feel It. From the formation of the band in Glasgow to winning the first-ever Mercury prize, the band members explain the record's inception with insights from main producer Andrew Weatherall, Creation Records founder Alan McGee and many others involved with or inspired by this joyful record.
Live at Montreux 2008
Runtime: 1 hr 29 minThe Raconteurs (Jack White, Brendan Benson, Patrick Keeler and Jack Lawrence) came to Montreux in 2008 as part of the tour in support of their second album “Consolers Of The Lonely”. They delivered a great performance of their distinctive brand of rough, tough rock ‘n’ roll with great tunes and even better guitar licks featuring many of their best known tracks including “Steady, As She Goes”, “Many Shades Of Black”, “Broken Boy Soldiers”, “Salute Your Solution” and more.
The Beat is the Law: Fanfare For The Common People
Runtime: 1 hr 31 minGlastonbury Festival, 1995: The Stone Roses pull out of their headline set after a mountain bike accident and Rod Stewart is unavailable. As last minute replacements, Pulp take to the stage to face 80,000 people. They deliver a set regarded as one of the best in the festival’s history and are catapulted to the forefront of the Britpop movement—an achievement that ten years earlier seemed like an impossible dream. Made with the full cooperation of Pulp, The Beat is the Law brings together original interviews, performances, promos, newly unearthed live footage and home videos to tell the story of Pulp and their contemporaries’ journey from the darkest industrial depths of Sheffield to the pinnacle of pop via the consciousness-raising techno/house of Warp Records. Featuring original interviews with Pulp’s Jarvis Cocker, Russell Senior, Candida Doyle and Nick Banks, plus Richard Hawley (Longpigs), Mark Brydon (Chakk/FON/Moloko), Rob Gordon (FON/Warp), Adi Newton (Clock DVA) and many more!
Live at the O2 Arena
Runtime: 53 minWhen they released their self-titled debut album in the UK in January 2004, Franz Ferdinand were hailed as the first great new band of the year.
Unbelievable hype swirled around the new Scottish four-piece as they burst into the charts with their unmistakable debut. Their debut single garnered many pleasing reviews and made the band one of the most talked about of the year. With heavy-guitars and loveable beats, this is essentially post-pop melodic fun with hints of rock from the punk scene - all mashed together in a rebellious, yet fun-loving, way.
Live at Soundstage
Runtime: 53 minChicago-based Wilco take the stage with their blend of idiosyncratic pop sounds from their most recent album Yankee Hotel Foxtrot. Highlights include "War on War" and "Jesus, Etc." The critically acclaimed group reveals not only inimitable musicianship, but also a wide range of music with hints of country, rock, punk and, perhaps most of all, experimentalism.
One Mile High...Live
Runtime: 1 hr 33 minAfter a five year break, 2012 saw Garbage back in the spotlight with a new studio album "Not Your Kind Of People" followed by their first world tour in seven years. Filmed on this tour at the Ogden Theatre in Denver, Colorado on October 6th, "One Mile High...Live" is the first ever film of a full Garbage concert. Charismatic singer Shirley Manson leads from the front propelled by the twin guitars of Steve Marker and Duke Erikson and the powerhouse drumming of Butch Vig with Eric Avery providing bass guitar for the live shows. The band mix highlights from the new album with classic tracks from across their career to produce the ultimate Garbage live experience.
Runtime: 1 hr 36 min‘Biophilia Live’ is a concert film directed by Peter Strickland and Nick Fenton and produced by Jacqui Edenbrow that captures the human element of Björk’s multi-disciplinary multimedia project: Biophilia. recorded live at Björk’s show at London’s Alexandra Palace in 2013, the film features Björk and her band performing every song on ‘Biophilia’ and more using a broad variety of instruments – some digital, some traditional, and some completely unclassifiable. the film has already been hailed as “a captivating record of an artist in full command of her idiosyncratic powers” (variety) and “an imaginative stand-alone artwork” (hollywood reporter) and is a vital piece of the grand mosaic that is ‘biophilia.’
Runtime: 1 hr 10 minThe Gorillaz have only ever performed live 7 times, once at the 2006 Grammys with Madonna, five times last year at the Manchester Opera House and once in 2001 at The Forum in London. This concert film is pieced together from their five show stint at the Manchester Opera House last year. The tracklisting is essentially their latest Grammy winning album Demon Days, with `Hongkongaton', a B-side to their single `Dirty Harry' and `Latin Simone (Que Pasa Contigo)' from their debut self-titled album thrown on the end.
Live at The Enmore Theatre
Runtime: 1 hr 19 minInterpol is an American indie rock band formed in 1997 in New York City. Here they perform at The Enmore Theatre, in Sydney, Australia, on January 4, 2011.
Runtime: 1 hr 15 minOn the 19th of August, Placebo performed a unique one-off show for MTV Unplugged at the London Studios in the UK. Here we present the results of this incredible show.The band were encased in spectacular LED box during the performance, from where they belted out some of their most well-loved tracks such as 'The Bitter End' and 'Every You Every Me.' Some new gems were dropped in for good measure, alongside surprise guests Joan As Police Woman and Majke Voss Romme (Broken Twin). No Placebo show would be complete without some signature cover versions and this set did not disappoint, from the breath-taking opener to the show- Sinead O'Connors 'Jackie' to a melancholy version of Pixies 'Where Is My Mind'
Runtime: 1 hrThree years of candid camera on the road with Blur, from Reading 1991 through the dark ages of the EEC in 1992 and then on to Modern Life. This 126 minute tour film features live footage including scenes from Glastonbury ’92, the Heineken Music Festival ’94 in Nottingham, and festivals in Germany, Denmark and Sweden. It is a fascinating rockumentary about the early days of one of the most influential bands of the 1990s.
Live at Rome Olympic Stadium
Runtime: 1 hr 57 minThis second live album from the English neo-prog superstars sees them bring their preposterously epic, stadium-sized live show to their Italian fans. The accompanying concert film, the first ever captured in 4K "ultra-high definition," presents the show in all its glory, featuring pyrotechnics, video walls, and acrobats as the band live out their rock god dreams, vamping it up for the cameras for all they're worth as they blast through hit after hit.
Live at Earl’s Court: The Reflektor Tapes
Runtime: 1 hr 51 minArcade Fire released their live film recording "Live at Earls Court," in 2015. It was recorded during the band’s shows at Earls Court in London, during the Reflektor Tour in 2014 and it features some of the most fan-appreciated tracks.
R.E.M. By MTV
Runtime: 1 hr 47 minOn April 5, 1980 four college pals-Bill Berry, Peter Buck, Mike Mills and Michael Stipe-took the stage together for the first time to play at a friend's birthday party. The band they started that night stayed together for thirty years and changed the shape of rock music. R.E.M. By MTV tells R.E.M.'s story in their own words, through three decades of performances and interviews R.E.M gave to MTV channels in the USA and around the world. Featuring revealing, never-before-seen footage, R.E.M. By MTV tells the amazing story of a band that did it their own way, and changed how a generation of musicians after them did it, too.
Live at Soundstage
Runtime: 40 minQuintessential alternative rockers, Sonic Youth, celebrate free-form experimentalism while reinforcing their performance-art driven tradition in this Soundstage performance. The band, which settles just outside the realm of definition, delivers a part rock, part free-form noise, part avant-garde punk performance which features a new song "Sympathy for the Strawberry."
Runtime: 1 hr 32 minRiding high on the phenomenal success of A Rush of Blood to the Head, Coldplay is in peak form on Coldplay Live 2003. This concert was filmed (on Super-16mm film) and recorded in Sydney's Horden Pavilion on July 21 and 22, 2003, during an exhaustive year-long world tour, and the medium-sized arena provides a fitting stage for the London-based rock quartet, not so grand as to overwhelm the music, but large enough to indicate their large and loyal following, which includes enthusiastic fans of either gender. Especially when played in DTS 5.1 surround, this 90-minute concert is richer, thicker, and (of course) louder than Coldplay's studio recordings, lending a wall-of-sound expansiveness to the band's signature sound, which draws from such diverse influences as Genesis, Pink Floyd, The Verve, U2, and their own unique sonic landscape. "Politik" gets the gig off to a rousing start, and other impressive highlights include "Daylight," "Yellow," the as-yet-unreleased new song "Moses," and the popular hits "In My Place," "Clocks," and "The Scientist." And while the concert visuals are slick and professional, this film--the latter containing a truncated 70-minute version of the same performance--are best appreciated for their pristine audio quality.