One of the 1990s' greatest success stories, Radiohead came to prominence largely on the success of their distorted, ingratiating single "Creep." Drolly repeating "I'm a creep / I'm a loser" in the pounding wake of arena rock guitars wasn't going to win them any artistic grants, but those lyrics and bouts with piercing feedback would not be soon forgotten. It wasn't until The Bends (1995) that Radiohead transcended the formula, crafting the patient, heart-wrenching "Fake Plastic Trees" and the magnetic, sunshine-driven "Black Star." Thom Yorke's signature falsetto began to operate in a more deeply emotional capacity at this point. Finally producing to the caliber of their songwriting, Radiohead's OK Computer demonstrated a staggering attention to detail, probably ranking as one of the greatest commercial artistic successes of the '90s. Rarely does a record offer masterpieces in varying moods. From the thunderously suspenseful "Airbag" to the moody chime of the blustery "Let Down," Radiohead emerged victorious. The alt-rock superstardom and critical gushing that followed pushed them into their darkest and most creative space yet, and they delivered the electronic-tinged Kid A in 2000... See More
Radiohead Concert Films
Meeting People is Easy: A Film by Grant Lee about Radiohead
Runtime: 1 hr 34 minMEETING PEOPLE IS EASY presents a visual diary of Radiohead's 1997-98 world tour in support of their acclaimed album OK COMPUTER. The film includes behind-the-scenes and concert footage of the innovative band in Barcelona, Paris, New York, and Tokyo. Interviews with band members Thom Yorke, Jonny Greenwood, Colin Greenwood, Ed O'Brien, and Phil Selway, along with director Grant Gee's artfully probing camera, provide candid, revealing insights into the difficulties of dealing with the unwelcome label of "rock star." This often melancholy documentary features clips of songs such as "Lucky," "Airbag," "A Reminder," "Paranoid Android," "Street Spirit," and "Electioneering."
The Astoria London Live
Runtime: 1 hr 7 minIn this 1994 concert performance from English alternative rock superstars Radiohead, the band plays a seventeen-song set that includes such hits as "Creep", "Fake Plastic Trees", and "Pop is Dead" before a live audience at London's famed Astoria.
Radiohead Top Tracks
Live At Reading
Runtime: 1 hr 37 minRanked #1 in Kerrang Magazine's "100 Gigs That Shook The World" and voted as "Nirvana's #1 Greatest Moment" by fans in an NME poll, Nirvana's historic August 30, 1992 stands as a watershed moment in the history of rock. While the show's centerpiece was a performance of nearly the entire Nevermind tracklist, also noteworthy were early performances of three as yet unrecorded songs which wouldn’t be released until 2 years later on In Utero: "All Apologies," "Dumb," and in its first ever public performance, "Tourettes." The career-spanning setlist also reached back to the band's 1989 Sub Pop debut album, Bleach, for "Blew," "About A Girl," "School," "Negative Creep" and first single "Love Buzz," and even further back to the mid-'80s for "Spank Thru." Other songs from the Reading set would appear in studio form on the Incesticide compilation later in the year: "Aneurysm," "Been A Son" and "Sliver." Additionally, the band played a pair of beloved covers by two bands that helped shape the formative Nirvana sound– "The Money Will Roll Right In" by Fang and "D-7" by The Wipers.
Live at the O2 Arena
Runtime: 53 minWhen they released their self-titled debut album in the UK in January 2004, Franz Ferdinand were hailed as the first great new band of the year.
Unbelievable hype swirled around the new Scottish four-piece as they burst into the charts with their unmistakable debut. Their debut single garnered many pleasing reviews and made the band one of the most talked about of the year. With heavy-guitars and loveable beats, this is essentially post-pop melodic fun with hints of rock from the punk scene - all mashed together in a rebellious, yet fun-loving, way.
Runtime: 1 hr 18 minPrimal Scream's seminal album "Screamadelica" defined a generation. It's mix of rock, dance, dub, gospel and more caught the zeitgeist of the early nineties to perfection and it went on to win the inaugural Mercury Music Prize in 1992 and consistently be named as "Best Album Of The Nineties" and appear in numerous "All Time Best Albums" lists. This show, filmed on November 26th 2010 at London's Olympia, was the first time that Primal Scream had performed the whole album live and it became one of the "must see" gigs of the year. The band was accompanied by a brass section and a gospel choir with back projections specially created for the event. The result was a stunning musical and visual triumph and proved, if it needed to be, that Screamadelica is one of the finest albums ever made and that Primal Scream are one of the truly great live bands.
Live at Casino De Paris
Runtime: 1 hr 12 minSinuous, unpredictable indie rock and a dense, intense show! Their first album, released in 2012, gave this young English band from Leeds access to stages around the world. Within months, they became the toast of Europe and won the prestigious British Mercury Prize. In 2014, the band released their second album and have been playing legendary venues ever since.
Live at Soundstage
Runtime: 40 minQuintessential alternative rockers, Sonic Youth, celebrate free-form experimentalism while reinforcing their performance-art driven tradition in this Soundstage performance. The band, which settles just outside the realm of definition, delivers a part rock, part free-form noise, part avant-garde punk performance which features a new song "Sympathy for the Strawberry."
Morrissey 25 Live
Runtime: 1 hr 32 minMORRISSEY 25: LIVE is a legacy concert film marking 25 years of the solo career of one of the world’s most iconic and enigmatic performers. Shot during Morrissey’s most intimate gig in decades at the Hollywood High School in Los Angeles on 2 March 2013, this now legendary concert includes many classic tracks from the artist’s prolific repertoire and is an unmissable cinema event for fans worldwide.
In Session: 2008
Runtime: 12 minSnow Patrol performs live at the intimate In Session in 2008. The Session, features performances of Take Back The City,” The Shutters, Chasing Cars.” The Session concludes with an interview with Snow Patrol.
One Mile High...Live
Runtime: 1 hr 33 minAfter a five year break, 2012 saw Garbage back in the spotlight with a new studio album "Not Your Kind Of People" followed by their first world tour in seven years. Filmed on this tour at the Ogden Theatre in Denver, Colorado on October 6th, "One Mile High...Live" is the first ever film of a full Garbage concert. Charismatic singer Shirley Manson leads from the front propelled by the twin guitars of Steve Marker and Duke Erikson and the powerhouse drumming of Butch Vig with Eric Avery providing bass guitar for the live shows. The band mix highlights from the new album with classic tracks from across their career to produce the ultimate Garbage live experience.
Guitar Center Sessions
Runtime: 57 minAn intimate concert and interview with alternative rock, CAKE. Performances include "Short Skirt/Long Jacket", "Mustache Man", "Sick of You", "Long Time", "Bound Away" and "Love Your Madly". With host, Nic Harcourt.
Island 50 Festival: Live
Runtime: 1 hr 10 minIf the 50th anniversary of what was once the greatest independent record label in the world isn't a good excuse for a memorable party, then I don't know what is. Chris Blackwell's Island Records championed everything from reggae and African music to British rock and folk, promoting dozens of major artists in the process from Bob Marley to U2.
The Beat is Law - Fanfare For The Common People
Runtime: 1 hr 31 minGlastonbury Festival, 1995: The Stone Roses pull out of their headline set after a mountain bike accident and Rod Stewart is unavailable. As last minute replacements, Pulp take to the stage to face 80,000 people. They deliver a set regarded as one of the best in the festival’s history and are catapulted to the forefront of the Britpop movement—an achievement that ten years earlier seemed like an impossible dream. Made with the full cooperation of Pulp, The Beat is the Law brings together original interviews, performances, promos, newly unearthed live footage and home videos to tell the story of Pulp and their contemporaries’ journey from the darkest industrial depths of Sheffield to the pinnacle of pop via the consciousness-raising techno/house of Warp Records. Featuring original interviews with Pulp’s Jarvis Cocker, Russell Senior, Candida Doyle and Nick Banks, plus Richard Hawley (Longpigs), Mark Brydon (Chakk/FON/Moloko), Rob Gordon (FON/Warp), Adi Newton (Clock DVA) and many more!
Live at the Grand Olympic Auditorium
Rage Against The Machine
Runtime: 2 hr 4 minRage Against The Machine return to their hometown of Los Angeles for an uncompromising, incendiary set in Live At The Grand Olympic Auditorium, the final dates of their Battle of Los Angeles tour and the band's last shows until their 2007 reunion.
Runtime: 1 hr 15 minOn the 19th of August, Placebo performed a unique one-off show for MTV Unplugged at the London Studios in the UK. Here we present the results of this incredible show.The band were encased in spectacular LED box during the performance, from where they belted out some of their most well-loved tracks such as 'The Bitter End' and 'Every You Every Me.' Some new gems were dropped in for good measure, alongside surprise guests Joan As Police Woman and Majke Voss Romme (Broken Twin). No Placebo show would be complete without some signature cover versions and this set did not disappoint, from the breath-taking opener to the show- Sinead O'Connors 'Jackie' to a melancholy version of Pixies 'Where Is My Mind'
Runtime: 1 hr 10 minThe Gorillaz have only ever performed live 7 times, once at the 2006 Grammys with Madonna, five times last year at the Manchester Opera House and once in 2001 at The Forum in London. This concert film is pieced together from their five show stint at the Manchester Opera House last year. The tracklisting is essentially their latest Grammy winning album Demon Days, with `Hongkongaton', a B-side to their single `Dirty Harry' and `Latin Simone (Que Pasa Contigo)' from their debut self-titled album thrown on the end.
R.E.M. By MTV
Runtime: 1 hr 47 minOn April 5, 1980 four college pals-Bill Berry, Peter Buck, Mike Mills and Michael Stipe-took the stage together for the first time to play at a friend's birthday party. The band they started that night stayed together for thirty years and changed the shape of rock music. R.E.M. By MTV tells R.E.M.'s story in their own words, through three decades of performances and interviews R.E.M gave to MTV channels in the USA and around the world. Featuring revealing, never-before-seen footage, R.E.M. By MTV tells the amazing story of a band that did it their own way, and changed how a generation of musicians after them did it, too.
Runtime: 1 hrThree years of candid camera on the road with Blur, from Reading 1991 through the dark ages of the EEC in 1992 and then on to Modern Life. This 126 minute tour film features live footage including scenes from Glastonbury ’92, the Heineken Music Festival ’94 in Nottingham, and festivals in Germany, Denmark and Sweden. It is a fascinating rockumentary about the early days of one of the most influential bands of the 1990s.
Live at Rome Olympic Stadium
Runtime: 1 hr 57 minThis second live album from the English neo-prog superstars sees them bring their preposterously epic, stadium-sized live show to their Italian fans. The accompanying concert film, the first ever captured in 4K "ultra-high definition," presents the show in all its glory, featuring pyrotechnics, video walls, and acrobats as the band live out their rock god dreams, vamping it up for the cameras for all they're worth as they blast through hit after hit.
Live at Earl’s Court: The Reflektor Tapes
Runtime: 1 hr 51 minArcade Fire released their live film recording "Live at Earls Court," in 2015. It was recorded during the band’s shows at Earls Court in London, during the Reflektor Tour in 2014 and it features some of the most fan-appreciated tracks.
Runtime: 33 minTo support the release of Weezer (The Red Album), Weezer held a relatively small hootenanny tour, in which they traveled across the country playing songs along with fans in acoustic jam sessions.
Runtime: 1 hr 36 min‘Biophilia Live’ is a concert film directed by Peter Strickland and Nick Fenton and produced by Jacqui Edenbrow that captures the human element of Björk’s multi-disciplinary multimedia project: Biophilia. recorded live at Björk’s show at London’s Alexandra Palace in 2013, the film features Björk and her band performing every song on ‘Biophilia’ and more using a broad variety of instruments – some digital, some traditional, and some completely unclassifiable. the film has already been hailed as “a captivating record of an artist in full command of her idiosyncratic powers” (variety) and “an imaginative stand-alone artwork” (hollywood reporter) and is a vital piece of the grand mosaic that is ‘biophilia.’
Runtime: 1 hr 32 minRiding high on the phenomenal success of A Rush of Blood to the Head, Coldplay is in peak form on Coldplay Live 2003. This concert was filmed (on Super-16mm film) and recorded in Sydney's Horden Pavilion on July 21 and 22, 2003, during an exhaustive year-long world tour, and the medium-sized arena provides a fitting stage for the London-based rock quartet, not so grand as to overwhelm the music, but large enough to indicate their large and loyal following, which includes enthusiastic fans of either gender. Especially when played in DTS 5.1 surround, this 90-minute concert is richer, thicker, and (of course) louder than Coldplay's studio recordings, lending a wall-of-sound expansiveness to the band's signature sound, which draws from such diverse influences as Genesis, Pink Floyd, The Verve, U2, and their own unique sonic landscape. "Politik" gets the gig off to a rousing start, and other impressive highlights include "Daylight," "Yellow," the as-yet-unreleased new song "Moses," and the popular hits "In My Place," "Clocks," and "The Scientist." And while the concert visuals are slick and professional, this film--the latter containing a truncated 70-minute version of the same performance--are best appreciated for their pristine audio quality.