R.E.M.

On April 5, 1980 four college pals-Bill Berry, Peter Buck, Mike Mills and Michael Stipe-took the stage together for the first time to play at a friend's birthday party. The band they started that night stayed together for thirty years and changed the shape of rock music. R.E.M. By MTV tells R.E.M.'s story in their own words, through three decades of performances and interviews R.E.M gave to MTV channels in the USA and around the world. Featuring revealing, never-before-seen footage, R.E.M. By MTV tells the amazing story of a band that did it their own way, and changed how a generation of musicians after them did it, too.

MORRISSEY 25: LIVE is a legacy concert film marking 25 years of the solo career of one of the world’s most iconic and enigmatic performers. Shot during Morrissey’s most intimate gig in decades at the Hollywood High School in Los Angeles on 2 March 2013, this now legendary concert includes many classic tracks from the artist’s prolific repertoire and is an unmissable cinema event for fans worldwide.

This Classic Albums series tells the story behind the making of this legendary album. There are contributions from all the band members, main producer Andrew Weatherall, Creation Records founder Alan McGee and many others involved in the creation of this masterpiece.

Primal Scream's seminal album Screamadelica was released in 1991, and synthesized the band's rock 'n' roll roots with the dance culture of that time; for many, the album's sound and imagery came to be regarded as quintessential symbols of the acid house era, perfectly catching the spirit and mood of the early 90s.

Using rare archive footage and special performances, this film tells the story of Screamadelica and its hit singles and dance anthems Loaded, Movin' On Up, Come Together and Don't Fight It, Feel It. From the formation of the band in Glasgow to winning the first-ever Mercury prize, the band members explain the record's inception with insights from main producer Andrew Weatherall, Creation Records founder Alan McGee and many others involved with or inspired by this joyful record.

The B-52s performed their first ever gig in February 1977. 34 years later, on Valentine’s Day 2011, they returned to their home town of Athens, Georgia to celebrate with this brilliant live show. Wig-wearing, boa-draped, glitter-covered fans came to join in and saw the band deliver a sizzling 90 minute set that turned Athens’ Classic Center into a cosmic dancehall. A B-52s live show is always the best party in town, yet here in front of their home crowd they even managed to turn it up a notch further. Packed with all their fan’s favorites, this is high spirited good time rock ‘n’ roll packed with great tunes, wild romance, blood pumping grooves and a lot of fun!

After a five year break, 2012 saw Garbage back in the spotlight with a new studio album "Not Your Kind Of People" followed by their first world tour in seven years. Filmed on this tour at the Ogden Theatre in Denver, Colorado on October 6th, "One Mile High...Live" is the first ever film of a full Garbage concert. Charismatic singer Shirley Manson leads from the front propelled by the twin guitars of Steve Marker and Duke Erikson and the powerhouse drumming of Butch Vig with Eric Avery providing bass guitar for the live shows. The band mix highlights from the new album with classic tracks from across their career to produce the ultimate Garbage live experience.

This is the stuff of legend. Born to Run had been released to unanimous acclaim. Bruce and band went to the U.K., where they were hyped as the band to see-and with the stakes so high, they didn’t back down. These are definitive performances. “Thunder Road” has never sounded more naked and vulnerable. “Tenth Avenue Freeze-Out” is clutch, a tight, affirmative performance that swings and punches with authority. “Spirit in the Night” slinks and unfolds like the New Jersey shoreline. The mix from Bob Clearmountain points up the band's incomparable chemistry, unlocking the magic and spotlighting the instruments while never sacrificing the wall of sound. By 1975, Springsteen had a complex web of songs with the most inventive structures imaginable. From the ethereal organ haunting the ghosts of “Lost in the Flood” or the simple piano accompaniment driving “For You” to the wistful memories of “Backstreets” and the urban sprawl of “Jungleland,” Bruce and The E Street Band were never more operatic or intense.

Single Video Theory is a music documentary directed by Mark Pellington that follows the making of Yield, the fifth album by the American alternative rock band Pearl Jam. The film was shot in 16mm film over three days in November 1997 in downtown Seattle. It features interviews with the band members and behind-the-scenes footage of the band's rehearsal sessions for its shows opening for The Rolling Stones. The documentary illustrates how the band began to widen the songwriting responsibilities of its members, with bassist Jeff Ament credited with writing "Pilate" and "Low Light", and guitarist Mike McCready taking part in writing "Given to Fly" with vocalist Eddie Vedder. It was the first insight into the band's inner workings of its recording sessions, which had previously been shielded from the public.

To support the release of The Red Album, Weezer held a relatively small hootenanny tour, in which they traveled across the country playing songs along with fans in acoustic jam sessions.

For some aging music fans and kids with a passion for musical history, The Replacements are rock and roll defined. This Minneapolis quartet took a teenage-punk attitude, threw it in a blender with classic and pop rock, and then poured it into a Middle American pint glass. Over the band's 12-year existence, its live sets were magical, a total mess, or both-depending on your mood and the members' respective blood alcohol levels. Gorman Bechard's remarkable history of the 'Mats takes us from their first show as the Impediments to their 1991 onstage breakup in Chicago, and everywhere in between. Bechard bravely eschews including the band's music, photos, and live footage, instead relying solely on the fans: their well-kept memories, hilarious anecdotes, and differing points of views about the foursome's wildly varied discography and infamous antics. Bechard has recruited an impressive roster of influential fans: musicians such as Husker Du, Babes in Toyland, The Decemberists, The Hold Steady, Archers of Loaf, Titus Andronicus, and Goo Goo Dolls; writers such as Jack Rabid, Legs McNeil, Robert Christgau, Jim DeRogatis, and Greg Kot; and actors such as George Wendt, Tom Arnold, and Dave Foley. Sprinkled in among that esteemed group are the more mainstream fans, who often give the most insightful and heartfelt perspectives of all. Follower or not, after taking in COLOR ME OBSESSED, you'll be ready to run home, gather some 'Mats albums, and design a perfect soundtrack of your own.

MEETING PEOPLE IS EASY presents a visual diary of Radiohead's 1997-98 world tour in support of their acclaimed album OK COMPUTER. The film includes behind-the-scenes and concert footage of the innovative band in Barcelona, Paris, New York, and Tokyo. Interviews with band members Thom Yorke, Jonny Greenwood, Colin Greenwood, Ed O'Brien, and Phil Selway, along with director Grant Gee's artfully probing camera, provide candid, revealing insights into the difficulties of dealing with the unwelcome label of "rock star." This often melancholy documentary features clips of songs such as "Lucky," "Airbag," "A Reminder," "Paranoid Android," "Street Spirit," and "Electioneering."

In December last year, U2’s groundbreaking iNNOCENCE + eXPERIENCE Tour returned to the French capital for two very special shows. This concert film captures all the energy and excitement of the band’s critically acclaimed live show - “U2 reinvent the arena show” (Rolling Stone). Filmed on 31 cameras, in front of an audience of 18,000 fans, U2 – iNNOCENCE + eXPERIENCE – Live in Paris puts viewers inside the Paris arena with Bono, Adam Clayton, The Edge and Larry Mullen Jr, and features a guest performance from Eagles of Death Metal. Staged in the round, the tour features multiple performance areas plus a state of the art 100 foot LED screen suspended above a 118 foot walkway running the length of the arena floor, as well as an innovative suspended sound system serving every corner of the arena. U2 – iNNOCENCE + eXPERIENCE - Live In Paris sees the band perform fan favourites from latest album ‘Songs of Innocence’, with highlights featuring Cedarwood Road, Song For Someone and an acoustic version of Every Breaking Wave, as well as career- spanning staples including I Will Follow, Pride (In the Name of Love), Vertigo, Sunday Bloody Sunday, Until The End of the World, Beautiful Day, Where The Streets Have No Name and many more. Warning: This work contains flashing lights & images that may affect those with photo-sensitive epilepsy.

The Counting Crows know how to have fun. Lead Singer Adam Duritz rocks his way through an evening in which poetry seems to explode from the band's repertoire of blues/rock/country hits. Fresh off the release of their greatest hits album Films About Ghosts (taken from a line in the song "Mrs. Potter's Lullaby"), the band reflects on its 10-year history in a Soundstage episode that highlights the iconic "Mr. Jones," along with other up-tempo tunes including "Hangin' Around," "Rain King" and "Mrs. Potter's Lullaby." Duritz slows down in the mournful rendition of "A Long December" but reinvigorates the mood with the rootsy "American Girls." Other hits featured include "Recovering the Satellites," and "She Don't Want Nobody Near."

With over ten million albums sold worldwide, including one multi-platinum album (Stunt) and two platinum albums (Maroon and Rock Spectacle) in the U.S., Barenaked Ladies are one of Canada's greatest musical exports. Now, they cross the border once again for their first-ever live DVD Talk to the Hand: Live in Michigan. With a blend of classics including "One Week," "Pinch Me" and "If I Had $1000000," and hits from the recent releases Barenaked Ladies Are Me and Barenaked Ladies Are Men, this concertshows not only why Barenaked Ladies remain loved by their many fans, but also why they are one of the world's greatest touring bands.

Chicago-based Wilco take the stage with their blend of idiosyncratic pop sounds from their most recent album Yankee Hotel Foxtrot. Highlights include "War on War" and "Jesus, Etc." The critically acclaimed group reveals not only inimitable musicianship, but also a wide range of music with hints of country, rock, punk and, perhaps most of all, experimentalism.

Elvis Costello brings his solo show Detour to the Liverpool Philharmonic Hall. Combining classic songs performed with guitar or at the piano with reminiscences of his family, life and career, it is by turns touching, humorous, thoughtful and uplifting. The set features recent songs such as “Church Underground” and “Jimmie Standing In The Rain” alongside much loved tracks from across his career including “Watching The Detectives, ” “A Good Year For The Roses, ” “Accidents Will Happen, ” “Shipbuilding” and “I Can’t Stand Up For Falling Down” all given a new twist in their solo renditions. The show also features guest appearances by sister act Larkin Poe.

Discreet genie, it’s a Music-Man (with capital Ms) that’s coming to Eurockennes. Since Loser in 1993, Beck trims his mix of styles. Sometimes groove, sometimes soft, sometimes rock, psyched or hip-hop. Beck, multi-instrumentalist and talented producer has offered to the last twenty years, it must be admitted, serious masterpieces.

Jane's Addiction is an American alternative rock band formed in Los Angeles, California in 1985. They were one of the first bands to emerge from the early 1990s alternative rock movement to gain mainstream media attention and commercial success in the United States. Their initial farewell tour launched the first Lollapalooza festival, an alternative rock showcase. Here they perform at The Enmore Theatre, in Sydney, Australia, on February 23, 2010.