Sweden's Opeth specialize in doom-laden, downtrodden epics that combine elements of '70s Progressive Rock, melodic Death Metal, and Scandinavian folk music. Their songs move through blazing Metal sections, somber acoustic guitar picking, classical piano interludes, and majestic dual guitar harmonizing -- often without revealing any discernible underlying theme until, say, the tenth listen. Songs run in the ten minute range (though twenty isn't out of the question), with very little repetition. Listening takes patience, for one thing, as well as a fondness for the cold, dark gray atmosphere and borderline self-pitying sense they exude. Then there are the vocals, which alternate between deep growls that could send a bear cowering back into his cave, and clean, melodic singing that could put a crying baby to sleep within seconds. Clearly, this band isn't for everyone, but they haven't become one of the most talked about underground Metal bands of the last decade-plus for nothing.
Opeth Concert Films
Live at Enmore Theatre
Runtime: 1 hr 55 minWe got the opportunity to attend one of the most anticipated metal gigs of the year so far. The lights went down and the mighty Opeth entered the stage with the crowd roaring for them. Opeth blew the roof off the Enmore in Sydney, playing as amazingly as they always do. After they were all plugged in they began playing one of their hit songs. Effortlessly the members of Opeth themselves were getting lost in the music and drawing you in with them into a tranced atmospheric dimension as lead vocalist and guitarist Mikael Åkerfeldt’s voice carried through the venue.
Opeth Top Tracks
A Band Called Death
Runtime: 1 hr 36 minFilmmakers Mark Christopher Covino and Jeff Howlett profile obscure, early-1970s Detroit proto-punk outfit Death, who disbanded before releasing a single album, but who were vindicated nearly 30 years later when their 1974 demo tape was released to much fanfare. Formed by three Detroit siblings six years before the Sex Pistols stormed the airwaves with "God Save the Queen," Death's blisteringly aggressive music was initially dismissed by record labels more interested in cashing-in on the glitzy disco craze. As contracts were cancelled and debts mounted, the band that ushered in a dangerous new era of music vanished into obscurity. Three decades later, however, the discovery of Death's only demo reveals just how far ahead of their time the band really was.
Future Sequence: Live at the Fidelitorium
Between The Buried And Me
Runtime: 1 hr 53 minThe concept behind "Future Sequence: Live at the Fidelitorium" is in contrast with Between the Buried and Me's ambitious and impressive live stage production. This film features the band in a small studio setting in which they perform "The Parallax II: Future Sequence" album in its entirety at the Fidelitorium outside Winston-Salem, NC.
Live at Brixton
Runtime: 1 hr 37 minOn February 11, 2012, Mastodon took the stage at London's O2 Academy, Brixton capping off the band's world tour for their fifth studio album, "The Hunter." This sold out performance was the band's first show at Brixton. In addition to performing their latest songs "Curl of the Burl," "Black Tongue," and "Dry Bone Valley" the band dug into their catalog performing "Colony of Birchmen," "Capillarian Crest," and "Iron Tusk." Critics said this 23-song set list captures "an intense display of dark riffs and crushing choruses." Rolling Stone says "'The Hunter' demonstrates how contemporary radio rock can still be made with imagination, precision and a majestic sense of force."