Old Crow Medicine Show
Old Crow Medicine Show, along with Chatham County Line and the Hackensaw Boys, belong to a new wave of Southern groups, filtering bluegrass and old time through a hip, post-indie sensibility. A mix of Yanks and Rebels, the band spent the late '90s busking their way across the eastern United States, playing nearly every street corner between Roanoke and Ithaca. Eventually, the daughter of country-folk icon Doc Watson caught their act outside a drugstore in Boone, a mountain town in North Carolina's Blue Ridge Mountains. This led to an appearance at Watson's annual MerleFest. Old Crow Medicine Show soon settled in Nashville, where Marty Stuart took them under his wing and helped hone their chops. Though the group's albums top just about every Americana chart out there, their mix of Appalachian string-band music, gritty alt-country and soulful rag is considered progressive within the bluegrass scene. This progressive quality extends to their lyrics, which often address the many issues facing modern Appalachian residents. Perfect example: "Methamphetamine," off 2008's Tennessee Pusher, is one of modern American folk's hardest-hitting anthems.
Old Crow Medicine Show Concert Films
Live at The Orange Peel and Tennessee Theatre
Old Crow Medicine Show
Runtime: 1 hr 14 minDirected by Lee Tucker (who also directed the band's videos for "Wagon Wheel" and "Tell It To Me"), Live at the Orange Peel and Tennessee Theatre was recorded over two nights in December 2008 and features performances of 20 songs-15 of which are from the band's three studio albums (OCMS, Big Iron World, Tennessee Pusher) - including "Tell It To Me," "Down Home Girl," "Alabama High-Test," and "Wagon Wheel." The video also includes five tracks from their live repertoire not found on their three studio albums: "Wheeling Breakdown," "Raise A Ruckus," "Reuben's Train," "Sally Anne" and "Shack #9."
Old Crow Medicine Show Top Tracks
A Backyard Session with Deer Tick
Runtime: 15 minFollowing their weekend residency as Newport Folk Festival's house band, Deer Tick shot down to Manhattan to perform for the Baeble crew in our backyard. The Providence locals hosted and headlined the festival's three consecutive after parties at the Newport Blues Cafe, and on the third evening, the group performed their forthcoming studio record Negativity in its entirety. The following day, frontman John McCauley told us that he couldn't wait until September 23rd, which would be the eve of the album's release. Fast forward a month and a half, and here we all are today, session video in tow, with the impending release of their superb, fifth record less than 24 hours away.
How To Grow A Band
Runtime: 1 hr 29 minThis intimate documentary follows mandolin virtuoso (and MacArthur Foundation “Genius”) Chris Thile through a turning point in his life and musical career. By age 26, Thile had already reached some significant career highs, winning a couple of Grammys for both his solo records and his work with the platinum-selling, pop-bluegrass trio Nickel Creek. But, in a move that stunned fans, Thile and Nickel Creek went on “indefinite hiatus” while Thile paused to re-asses and, in many ways, start over. HOW TO GROW A BAND is about what happened next.
Live at M Studio
Runtime: 17 minLos Angeles rock quartet Dawes are conformed by a great, American musical tradition. Lurking in the folds of their amplified crunch of guitars, road ready rhythms, and soulful blasts of organ lay stories that are weary and lonesome...the product of a life lived out of a suitcase, traveling between far flung places. Laurel Canyon, Woodstock, Haight-Ashbury... You know these places, you know their significance. What started with bands like Crosby, Stills, Nash, and Young, Joni Mitchell, Bob Dylan and The Band lives on in Dawes' snarly riffs and stories. Rock and roll's past colliding with the present in the best way possible
That's Dawes, that's their live show, that's their latest release Nothing Is Wrong. Here though, in our latest session vid, the band try on something different...something a bit more informal and intimate. With nothing more than their mighty harmonies and an acoustic guitar, the band gives a glimpse into their most private world with three cuts from Nothing Is Wrong, emulating those moments when guitars are pulled out on tour buses, in hotel rooms, or quiet backstage retreats. After all, Dawes are a traveling band, the kind of group that can't go without that pounding pavement rumbling under their tires. The road, after all, is the greatest musical tradition.
Live At First Avenue
Trampled By Turtles
Runtime: 1 hr 14 minWith six albums to their credit and a word-of-mouth reputation that draws legions of die-hard fans to their must-see-to-believe live shows, Minnesota roots music hybrid Trampled by Turtles finally release their first ever, highly anticipated live concert recording – Live at First Avenue. Captured over 3 sold-out nights at the legendary Minneapolis rock venue, First Avenue, celebrating TBT's 10th Anniversary in 2013, this video features songs from all six of Trampled by Turtles' albums, including fan favorites like “Codeine”, "Wait So Long" "Midnight on the Interstate" and TBT's version of the Pixies’ classic, “Where is My Mind?”. While they never set out to be a “bluegrass” band, the band employs the same time-honored tools of the trade – guitar, acoustic bass, banjo, mandolin and fiddle – as their ‘grass-fed country cousins'. But their soul-deep differences in influences, attitude and attack, from their quicksilver, deadly accurate picking to their lonesome, hauntingly spare ballads, make for a very different musical beast indeed.
Live at Hangout Music Fest 2014
The Avett Brothers
Runtime: 1 hr 15 minThe Avett Brothers are an American folk rock band from North Carolina. The band is made up of two brothers, Scott Avett and Seth Avett, as well as Bob Crawford (double bass) and Joe Kwon (cello). Mike Marsh (drums), Tania Elizabeth (violin) and Paul Defiglia (keyboard) are touring members of the band, with Kwon featured on recordings from 2007's Emotionalism and later. In this full-length music feature the band takes up the stage at the Hangout Music Fest in 2014 to perform their most beloved hits such as “Head Full of Doubt/Road Full of Promise,” “Down with the Shine, ”Pretty Girl from Chile,” “I and Love and You,” and many more.
Live at Austin City Limits
Runtime: 1 hr 29 minNashville, TN – On August 19, 2013, Jason Isbell and his band The 400 Unit, stepped out onto the stage in front of a live audience in Austin, TX to film his first appearance on the longest running original music series in the U.S., Austin City Limits.
Isbell performs songs from his critically acclaimed, award-winning album Southeastern along with songs from throughout his career, including fan favorites “Outfit” and “Decoration Day”. The set closed with a rousing rendition of the Rolling Stones’ “Can’t You Hear Me Knocking”, a live staple.
In September, Isbell won Artist of the Year, Song of the Year (“Cover Me Up”) and Album of the Year for Southeastern. In October, Isbell reached a major milestone by selling out three consecutive nights at Nashville’s historic Ryman Auditorium.
Live at Factory Theatre
Runtime: 2 hr 1 minWhen the bespectacled alt-country legend took to the stage at The Factory Theatre armed with just his bouzouki and larger-than-life attitude, every ear in the place was in the palm of his hand right from the get-go. Planting himself by the microphone in front of a hushed crowd, Earle kicked off proceedings with the sprightly ‘Waitin’ For The Sky to Fall’.
Black Ice Vérité
Drive By Truckers
Runtime: 1 hr 5 min"This truly is Armageddon." said the local Athens, GA meteorologist on the seemingly sub-zero night last winter that the Drive-By Truckers were scheduled to play live at the 40 Watt. Luckily no snow, ice or hail could stop the band from firing up the room as they performed their critically acclaimed 12th LP, English Oceans, in full. Titled Black Ice Verite, fans will be able to re-live this concert experience as a live film. As the final track on English Oceans,"Grand Canyon" brings together both the record and the band's 40 Watt performance, as it is an emotionally overwhelming elegy for Craig Lieske. Lieske was a longtime member of DBT's touring family, a former manager of the 40 Watt Club and a key player in the city's experimental music scene. Lieske died suddenly of a heart attack in January 2013 following the first night of the band's three-night homecoming stand in Athens. English Oceans is dedicated to him.