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Muddy Waters And Friends

Muddy Waters was one of the few key players of the postwar Chicago Blues scene who actually influenced the music that influenced him. His swollen, grandiloquent vocals were an instrument unto themselves and his beefy electric slide playing breathed new life into music heavily influenced by the Delta Blues. Waters, who grew up on the Mississippi Delta in Clarksdale listening to the music of Son House, moved to Chicago in 1943. In 1948, he recorded "I Can't Be Satisfied" and "I Feel like Going Home." The former became his first national R&B chart topper, and influenced the Rolling Stones' "I Can't Get No Satisfaction," and his 1950 song "Rollin' Stone" inspired the band's name. Waters assembled one of the meanest bands in blues history, the Headhunters, comprised of Little Walter, Baby Face Leroy Foste, and Jimmy Rogers. In 1951, Waters cranked out four hits, "Louisiana Blues," "Long Distance Call," "Honey Bee," and "Still a Fool" which rapidly climbed the charts and prompted Leonard Chess (founder of Chess Records) to play on the 1952 hit, "She Moves Me." Waters' renditions of "You Shook Me" and "I Just Wanna Make Love To You" turned on a sea of blues-obsessed British musicians ... See More

Muddy Waters And Friends Concert Films

  • Soundstage Blues Summit In Chicago

    Muddy Waters And Friends

    Year: 1973

    Runtime: 59 min

    "In July 1974, a group of Chicago based blues artists who had already achieved legendary status gathered together with some of their younger "blues brethren" from all over the country to pay tribute to the man most responsible for bringing blues from the Mississippi Delta upriver to Chicago, Muddy Waters. Appearing with Muddy that night were his contemporaries Willie Dixon, Koko Taylor, Junior Wells and Pinetop Perkins, and from the next generation of blues lovers and performers, Mike Bloomfield, Buddy Miles, Johnny Winter, Dr. John, and Nick Gravenites -- all artists who were on their way to becoming legends themselves. What resulted from that joyous teaming was a truly historic session that not only presented some of the greatest blues classics ever written, but a never-to-be-forgotten hour that truly demonstrates the love of music by one generation for another. And even more remarkable, the show became the first-ever presentation of a public television series that was destined to become one of the most admired series of musical events ever televised. That night, in a show that hasn’t been seen on television for four decades, Soundstage was born. And now, almost a half-century later, it is back to thrill new generations of blues aficionados."
     
     

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