M83 began in the southern French town of Antibes around the turn of the millennium as a duo, Anthony Gonzalez and Nicolas Fromageau. Equally indebted to the 4AD/My Bloody Valentine school of blissed-out, psychedelicized noise and to the chilled atmospheric sides of Paris and Berlin's electronic scenes, M83's self-titled debut and its 2003 follow-up, Dead Cities, Red Seas and Lost Ghosts, captured the tragedy and ascension of the post-9/11 moment. Befitting a group named after a universe, it was not small music, it did not back down from feelings and it could rock a dance floor without mocking rockers or dancers. Fromageau exited ahead of '05's Before the Dawn Heals Us, yet as titles like "Teen Angst" and "Don't Save Us from the Flames" may imply, M83 retained the sound and fury of a sonic battleground, youthful vigor and knowing hopelessness exploding and receding. A limited-edition EP of ambient sculptures called Digital Shades [Vol. 1] saw Gonzalez achieve an ambient calm. And when he re-entered the breach, '08's Saturdays = Youth found him embracing an '80s song form, an almost-pop band forming from the big bang of an electronic freak-out.
M83 Concert Films
M83 Top Tracks
Eating Sleeping Waiting and Playing
Runtime: 1 hrFrench jazz/pop/electronica duo Air has become one of the most innovative acts in contemporary music since the release of their debut album in 1998. Directed by Mike Mills, this documentary follows the band members Nicolas Godin and Jean-Benoit Dunckel during tour stops in New York, London, and Paris.
Live at the Music Hall of Williamsburg
The Pains Of Being Pure At Heart
Runtime: 22 minOne of our current new love affairs, The Pains of Being Pure at Heart bring their sugary dose of fuzzy nostalgia to the Music Hall of Williamsburg. Like a well informed ode to the great guitar driven bands of yesteryear (think My Bloody Valentine, Ride, Smiths, etc), The Pains of Being Pure at Heart tip their cap to those who inspired them with a performance that validates their current status as a band to know and watch over the coming months.
Live at The Fader
Runtime: 33 minAtlas Sound is the solo project of Bradford Cox, the striking and eccentric vocalist for experimental indie rocker act Deerhunter. Cox was born in 1982 in Athens, Georgia, a town whose burgeoning music scene greatly influenced the singer. He identified with the B-52's while growing up, particularly the late Ricky Wilson, and co-founded Deerhunter with drummer/keyboardist Moses Archuleta in 2001.Headlining Friday's edition of the FADER Sideshow, Cox whipped up a relaxing collage of terrestrial vocals and hypnotic Fender guitar, all flowing handsomely through miles of metal boxes and twisted wires. Though his output is organic at its source, Cox guides his music by higher powered, synthetic undercurrents, creating something that is both empowering and otherworldly.
Live at The Cutting Room
Runtime: 22 minThere is something truly unique about the music that pours out of the four lads who comprise the experimental, indie outfit, Alt-J. It has a sparkling, melodious quality in the way the guitars fizzle in a bed of digital mist. But there are odd chanting harmonies, crunchy riffs that'll snap your teeth, and, most notably, a disjointed, percussive approach that's mightier than all. It's all helped to stew a bit of a phenomenon on the band's side of the Atlantic. Why just today the band snatched themselves a nomination for the prestigious Mercury Prize for their debut, An Awesome Wave (which is just about the best way to describe what lies within). Here in the US, the band is currently spreading the gospel one city at a time. Recently, that meant a quick stop at The Cutting Room Studios in NYC for a live-to-air session with our friends at KEXP Seattle. In its' aftermath, we're obviously converted...and we don't think you stand a chance either.
Live at McCarren Park
Runtime: 47 minOftentimes at live shows, musicians of the indie-rock variety get so caught up in all the strut and swagger that goes along with rock music that they forget to be fun. Deerhunter are not that, as evidenced by their performance here at McCarren Park Pool. On the contrary, front man Bradford Cox is a pretty damn funny guy. And while he may look like a young Thurston Moore without the flowing hair, Deerhunter opt out of your typical art-rock arrogance and instead go for a sonically sound show complete with a driving rhythm section and extra catchy guitar riffs. There's even a nutty vocal spot from Cole Alexander of The Black Lips. Top it off with some psychedelic effects and a pretty rhythm guitarist in cheerleader garb, and you've got yourself a Deerhunter performance that's way too fun to miss out on.
Live at Hype Machine's Hype Hotel
Runtime: 27 minWe aim to keep track of the most buzzed about indie groups, and we're confident in our assessment that Scottish synth-pop trio CHVRCHES will continue to coast atop the crest of of the indie wave. Fronted by their pixie-like frontwoman, Lauren Mayberry, the group caught attention with their Recover EP, which stormed our sound waves with its gripping synth rhythms and enslaving party choruses.
We were initially surprised to see such a fervent turnout of faithful fans for the newcomer's show at the I Guess I'm Floating/YVYNYL party at Hype Machine's Hype Hotel down in Austin, Texas. But after being quickly acclimated to the group's commanding performance, we were singing right along with their most devoted admirers. We urge you to watch their performance below, and dare you to avoid becoming a member of the rapidly growing CHVRCHES legion.
Interstella 5555: The 5tory of the 5ecret 5tar 5ystem
Runtime: 1 hr 5 minInterstella 5555 is the animated musical based on Daft Punk's landmark album Discovery, which sold over 3.2 million worldwide. This film is the continuation of Daft Punk's video collaboration with the world famous Leiji Matsumoto, considered the living god of Japanese animation. It includes the songs "One More Time", "Harder Better Faster Stronger," "Aerodynamic", and "Digital Love".