Gustav Mahler Concert Films
Keeping Score - Mahler Legacy
Runtime: 1 hr 50 minIn an astonishingly productive twenty-five years, Gustav Mahler created an entire universe of emotion in music. In his 45 songs and ten symphonies, he looks into the depths of the human soul, explores the fragile nature of beauty, and tells us to hold on to wonder in spite of life’s sorrow. In this episode of Keeping Score, Michael Tilson Thomas and the San Francisco Symphony demonstrates Mahler’s grand achievements and great sorrows. The show charts Mahler’s mercurial career as a conductor, from the Vienna Opera to Carnegie Hall in New York, as well as his tempestuous relationship with his wife Alma. At Mahler’s simple grave in a Grinzing cemetery, Michael Tilson Thomas explains why Mahler has so profoundly affected his own life. Shot on location in the Czech Republic, Austria, New York, and in performance in San Francisco's Davies Symphony Hall.
Symphony No. 4 in G-Dur - The Royal Concertgebouw Orchestra (2010)
Runtime: 1 hr 7 minBernard Haitink is one of the most sought-after Mahler conductors of our day. In this concert of Mahler’s Fourth Symphony, recorded live at the Concertgebouw in Amsterdam, he conducts the Royal Concertgebouw Orchestra. The American Maria Ewing fascinates with her interpreation of the soprano solo featured in the work’s finale.
Bernard Haitink first conducted the Concertgebouw Orchestra in 1956.
Beginning in 1963, Haitink was chief conductor for 25 years, during which time the orchestra developed significantly. Particularly Haitink’s interpretations of Mahler and Bruckner made a worldwide impression. The Concertgebouw Orchestra was founded in 1888. On the occasion of its 100th anniversary in 1988, the orchestra officially received the appellation ‘Royal’.
Symphony No. 5 in C Minor - The Royal Concertgebouw Orchestra
Runtime: 1 hr 22 minAfter the two famous Mahler festivals in 1920 and 1995, the Royal Concertgebouw Orchestra, Amsterdam, presents a special two-season Mahler series, which includes Mahler’s ten large-scale symphonies, performed in chronological order by the world’s greatest orchestra under the direction of great conductors – all brought to life in the wonderful acoustics of the Main Hall of the Concertgebouw.
Gustav Mahler Top Tracks
Un Ballo in Maschera Act I
Runtime: 52 minThe outstanding production of Verdi’s Masked Ball at the Salzburg Festivals 1989 and 1990 was Herbert von Karajan’s legacy to the Festival. Supported by a cast of superlative actor-singers in opulent scenery, Sir George Solti agreed to conduct the opera at short notice after Karajan’s unexpected death in 1989. The production had been expected to be a highlight in Karajan’s series of Verdi operas at Salzburg. Karajan’s celebrated ability to unite a cultivated sound with dramatic effects was known to create extraordinary and highly acclaimed opera events. For Un ballo in maschera Karajan planned something unusual: He would not set the opera in colonial Massachusetts, as the censors had forced Verdi to do when he was composing the work, but in Stockholm in the 1790s at the court of King Gustav III of Sweden, as Verdi had originally conceived his work. Together with the film director John Schlesinger and his stage team, Karajan developed a concept that promised theatrical splendour equal to the musical excellence that the conductor and the handpicked cast of singers would surely provide in collaboration with the Vienna Philharmonic Orchestra. But this was not to be: stage rehearsals had already begun for the opening performance of the 1989 festival when Karajan died on 16 July. Therefore it was extraordinarily lucky that a conductor of Sir Georg Solti’s standing, was prepared to undertake the task just a week before the premiere, and with the whole world watching. He and the staging by Hollywood film director John Schlesinger was acclaimed by audience and press alike.
Keeping Score - Beethoven's Eroica
Ludwig van Beethoven
Runtime: 1 hr 51 minExplore the Eroica score to learn how Beethoven created this masterpiece. Learn how Beethoven wove the themes in Eroica to shape the emotional journey of the music. Find out why keys were so important to Beethoven. Hear insights about the music from MTT and the musicians of the San Francisco Symphony. And then, explore the stories behind the Eroica.
Discovering Masterpieces of Classical Music - Ravel - Bolero
Runtime: 25 minThe “Bolero”, originally composed as a ballet, is Maurice Ravel's most successful work at all. The world famous melody of the “Bolero” has been featured in popular music, motion pictures and even video games. Pianist and writer Paul Roberts vividly explains the music and its structure and also lets the audience know why Ravel was a stringent critic of his own work.
Keeping Score - Berlious Symphonie Fantastique
Runtime: 1 hr 50 minIn 1827, Berlioz saw Harriet Smithson for the first time, playing Ophelia in a production of Hamlet. Hopelessly smitten, he turned his entire life upside down to meet her. Frantic months turned into years when he suddenly heard rumors about Harriet and another man. Believing himself cured, he wrote a ‘fantastic’ symphony complete with a special theme, the idée fixe, to represent his former obsession.
St. Matthew's Passion
Johann Sebastian Bach
Runtime: 1 hr 33 minJohann Sebastian Bach composed the St. John Passion in Cöthen during the winter of 1722/23. The text is drawn from chapters 18 and 19 of the Gospel according to St. John, and includes some excerpts from St. Mathew and additional text from a Passion poem by the Hamburg town councillor Barthold Heinrich Brockes. The composer led the first performance at the Good Friday services on 7 April 1724 at St. Nicholas Church in Leipzig, where he had since become municipal music director and cantor of the Thomasschule. This Passion is heard less often today than the St. Matthew Passion, perhaps because the St. John Passion is in some ways more raw and evokes the anguish of the Passion more painfully than the St. Matthew work. A musician’s musician, an occasional firebrand and a constant paradox – Nikolaus Harnoncourt (born in 1929) is one of the most profound and intriguing conductors of our time. Considered one of the world’s leading specialists of Baroque music, he has long since turned his attention to Mozart, Beethoven, Schubert, and even to Jacques Offenbach and Johann Strauss. He spent many years as a cellist with the Wiener Symphoniker before founding the "Concentus Musicus Wien" with his wife Alice in 1953. It soon became one of the world’s most respected ensembles specializing in the performance of early music on original instruments. In the 1970s, Harnoncourt joined forces with Jean-Pierre Ponnelle to stage a series of Monteverdi operas at the Zurich Opera House. This universally acclaimed cycle contributed to a renaissance of Monteverdi’s music and set standards for early Baroque performance practice. He later began to turn his attention more and more to the music of Mozart, whom he considers "the most romantic of all composers". Harnoncourt did not make his official debut at the Salzburg Festival until 1992. He has been conducting there regularly since then and is a sought-after guest conductor of such reputable ensembles as the Berlin and Vienna Philharmonics, the Concertgebouw Orchestra of Amsterdam and the Chamber Orchestra of Europe.
The Ring of the Nibelung - Götterdämmerung - Teatro Colón, Buenos Aires
Runtime: 1 hr 23 minTo honor Richard Wagner’s 200th birthday, Latin America’s famous opera house in Buenos Aires hosts a one-of-a-kind project: Performing Wagner’s powerful music drama “The Ring of the Nibelung” on stage in a single day. Stage Director Valentina Carrasco, who has worked with the award-winning Catalonian theatre group “La Fura dels Baus” for the past ten years, transposes the “Colón Ring” into the 1970s – the period of Argentina’s military dictatorship. Symbols of that age are seen on the costumes, while the characters also make references to the period in their behavior and gestures.