Drummer Gene Krupa became a star playing behind Benny Goodman at the start of the Swing era. He went on to form his own hard-swinging band and had a string of hits during World War II. The handsome tub-thumper became a household name by introducing the drum solo to popular music (though it would be unkind to blame him for the percussive excesses of the rock era) and he became a mainstay on records, radio and film -- he even had a key part in the classic screwball comedy, Ball of Fire. Krupa entered the '50s by hiring Bop and Cool jazz modernists like Gerry Mulligan, and then released a string of solid albums on Verve long after many Swing era bandleaders were made obsolete. Krupa, who set the stage for such master percussionists as Shelly Manne, Max Roach, and Buddy Rich, was portrayed by pint-sized rebel Sal Mineo in a Hollywood blockbuster about his troubled life.
Gene Krupa Concert Films
Legends in Conert
Runtime: 41 minGene Krupa, an American jazz and big band drummer and composer, was well known for his highly energetic and flamboyant style. In this performance, many of his well known recordings are featured with some of the biggest orchestras of the time.
Gene Krupa Top Tracks
Adventures in the Kingdom of Swing
Runtime: 1 hr 2 minThis biography of musical legend Benny Goodman contains testimonials from various contemporaries and scholars, and offers several clips of the man in performance. Nearly two-dozen songs can be heard including "California, Here I Come," "A Fine Romance," "Why Don't You Do Right," "I've Got a Heart Full of Music," and "Bugle Cal Rag."
Legends in Concert
Runtime: 43 minJazz Legends - Duke Ellington and His Orchestra (1929-1943) by Duke Ellington, includes a series of short films made in Hollywood featuring Ellington performing his biggest hits: Black And Tan (1929) directed by Dudley Murphy; Check and Double Check (1930) directed by Melville Brown; Symphony in Black (1934) directed by Fred Waller; Paramount Pictoral No.889 (1937); The Hit Parade of 1937; and RKO Jamboree No.7 (1943) directed by Jay Bonafield. .
Legends in Concert
Sammy Davis Jr.
Runtime: 43 minOnce again the legends in concert series captures all the atmosphere and magic enjoyed by millions in awe of Sammy Davis Jr. a.k.a (mr wonderful) in concert a must for any fan of his.
15 tracks live in concert by the original black Jewish rat-packer. Mr. Wonderful himself, Mr. Sammy Davis Jr. captured live in his prime, performing his best-known hits including 'Birth Of The Blues' and .You Rascal You.'
The Life of a Jazz Singer
Runtime: 1 hr 31 minAnita O’Day was one of the greatest of American jazz singers and this is her astonishing story—a journey of survival, and above all the endurance of her talent, told in a number of frank interviews with her and with those who knew her. Her career was long and eventful, spanning seven decades, her last album recorded when she was 84. Anita O’Day only ever wanted to be a singer and the film showcases performances that date back to the 50s with such artists as Gene Krupa, Roy Eldridge, Stan Kenton, Louis Armstrong and Hoagy Carmichael. She is shown teaching Billy Taylor how to be a jazz vocalist. She speaks candidly, always candidly, with Dick Cavett, Bryant Gumble and David Frost, with clips from interviews done on 60 Minutes and CBS This Morning. Bert Stern, commenting on his experience filming Anita perform Sweet Georgia Brown for his film Jazz on a Summer’s Day, said it was the greatest rendition of the song ever made. Anita was a musical genius and pioneer who broke reverse race barriers. She was commonly regarded as one of the top female artists of her time, together with Ella Fitzgerald, Sarah Vaughan and Billie Holiday. The film portrays her as a woman who lived her life the way she wanted without ever looking back. She speaks openly about how she had to overcome great adversities, including a 20-year addiction to heroin and alcohol. She chose never to have children and married for only a brief period. She lived an often lonely life that was sustained only by her passion for music. Personalities talk about her quirky personality, while jazz critics and her few still living contemporaries speak of her extraordinary talent and how amazing it is that she continued to sing for so long. The film shows Anita on tour in Europe well into her eighties and her making that final recording, shortly before her death, the death of an icon.