Audioslave

Filmed Live at the Anti-Imperialist Plaza in Havana, Cuba. In may 2005, Audioslave became the first american rock band to ever perform in Cuba. 60,000 screaming fans witnessed this historic event.

Ranked #1 in Kerrang Magazine's "100 Gigs That Shook The World" and voted as "Nirvana's #1 Greatest Moment" by fans in an NME poll, Nirvana's historic August 30, 1992 stands as a watershed moment in the history of rock. While the show's centerpiece was a performance of nearly the entire Nevermind tracklist, also noteworthy were early performances of three as yet unrecorded songs which wouldn’t be released until 2 years later on In Utero: "All Apologies," "Dumb," and in its first ever public performance, "Tourettes." The career-spanning setlist also reached back to the band's 1989 Sub Pop debut album, Bleach, for "Blew," "About A Girl," "School," "Negative Creep" and first single "Love Buzz," and even further back to the mid-'80s for "Spank Thru." Other songs from the Reading set would appear in studio form on the Incesticide compilation later in the year: "Aneurysm," "Been A Son" and "Sliver." Additionally, the band played a pair of beloved covers by two bands that helped shape the formative Nirvana sound– "The Money Will Roll Right In" by Fang and "D-7" by The Wipers.

Capturing live sets from their “Carnival of Madness” and “Anything and Everything” tours, Somewhere in the Stratosphere finds Shinedown showing fans a different side of themselves. While the two live shows on this two-disc set share many of the same songs, the band treats their fans to a pair of very different performances. On the first disc, the band delivers a fairly straight-ahead performance, crushing the audience with the driving rock they’ve made a name for themselves with over the last decade. The real treat, however, comes on disc two. Recorded during the Kansas City stop of their “Anything and Everything” tour, the Florida post-grungers peel away the layers of amps, distortion, and rock & roll bombast, instead delivering an acoustic set that shows fans a more stripped-down version of the band. Though the arrangements don’t differ that drastically, the acoustic version really allows singer Brent Smith’s vocals to shine as they soar over top of the mix without having to fight with the rest of the band’s supercharged sound for supremacy. By pairing a traditional live set with something that’s more of a departure, Shinedown have created a compilation that gives fans a lot to sink their teeth into, making Somewhere in the Stratosphere an easy recommendation for anyone who loves the band and is looking to see them try to expand their sound in new directions.

Live at the Coronet Theater, London. Wolfmother are here to entertain an expectant pack of music fans hungry for rock and salivating for roll. Up for the first course were Band Of Skulls, and the Southampton trio serve up three Michelin Stars. Their sound is brash, overwhelming and bounces off the walls of the London Coronet, wrapping the audience in a bubbling cocoon of sound. If none of the audience knew the musical coupling of the Kills-esque male/female singers before, they most definitely made sure they did after. After half an hour of thumping basslines and crashing riffs, the pulsing audience were well and truly warmed up.

An intimate concert and interview with Rock Icon, Slash featuring Myles Kennedy and The Conspirators. Performances include Fall to Pieces, Beggars and Hangers On, Far and Away, and Not For Me. With host, Nic Harcourt.

Live From The Norva features an hourlong set from alt-rockers Chevelle at the Norfolk, Virginia theater. The band delivers hits from their platinum-selling Wonder What’s Next, including "Send The Pain Below" and "Closure."

The American rockers 3 Doors Down take over the Download Festival with all time favorite hit songs “Time of My Life,” ”Duck and Run,” and ultimate chart breakers as ”Kryptonite” and “Here Without You.”

Jane's Addiction is an American alternative rock band formed in Los Angeles, California in 1985. They were one of the first bands to emerge from the early 1990s alternative rock movement to gain mainstream media attention and commercial success in the United States. Their initial farewell tour launched the first Lollapalooza festival, an alternative rock showcase. Here they perform at The Enmore Theatre, in Sydney, Australia, on February 23, 2010.

American nu metal heroes Godsmack are taking over the stage at the White River Amphitheatre in Auburn Washington. Completed in 2003, the 98-acre project cost more than $30 million and hosts musical events under an acoustically treated metal roof; it features two 30-by-40-foot video screens on either side of the stage. The band performs hit songs as “Locked and Loaded,” “Keep Away,” “Out of Line,” “Generation Day,” “Cryin' Like a Bitch, ” and many more. Sully Erna's singing style has been stated as "the snarl of James Hetfield", and "composed of dark harmony that sounds a lot like Alice in Chains". Merrill's bass style has been described as "bulldozer bottom with occasional slap-bass reverb". Larkin's drumming is thought to "worship at the twin altars of Neil Peart and John Bonham". And Rombola's guitar playing style has been praised as "guitars that sound like percussion instruments".

The Raconteurs (Jack White, Brendan Benson, Patrick Keeler and Jack Lawrence) came to Montreux in 2008 as part of the tour in support of their second album “Consolers Of The Lonely”. They delivered a great performance of their distinctive brand of rough, tough rock ‘n’ roll with great tunes and even better guitar licks featuring many of their best known tracks including “Steady, As She Goes”, “Many Shades Of Black”, “Broken Boy Soldiers”, “Salute Your Solution” and more.

When you hear them perform, right from the primal crunchy grooves of ‘Come Of Over’ to riff-heavy ‘Out Of The Black’ and stomping second single ‘Little Monster’, it’s hard to understand how such a ferocious sound comes from such a minimal line-up. Needless to say we were left speechless after this gig, and no doubt you will be too. Royal Blood perform at The Oxford Art Factory, in Sydney, Australia, on June 4, 2014.

Outside Mexico City's Sports Pavilion, hundreds of young Rage fans rattle metal fences and throw rocks at the increasingly nervous police. Inside, a seething crowd of 5,000 lucky ticket holders cram into the cavernous pavilion chanting anti-government slogans and poking their middle fingers into the thick, sweaty air while waiting for Rage Against the Machine to storm the stage.

One of the greatest live acts in music history, Rage only affirms that fact with this show. Whatever club, theater, arena, or stadium they're in, the opening of each Rage Against the Machine show always feels like a grenade has gone off. But this night it was as if a truckful of bombs blew up as the band tore into the opening salvo of "Testify." Fans cascaded toward the stage like rippling waves stopping only to pogo up-and-down like jackhammers.

Longtime supporters of various political causes in Mexico, Rage were performing for the very first time in Mexico City. The connection between the band and the audience is electric. From the early "all hell can't stop us now" chant in "Guerilla Radio" to the blood-curling screams in the finale of "Freedom," there is an urgency at this show that is unrivaled. This is live rock & roll as it's meant to be heard: fierce, funky, uncompromising. This is Rage Against the Machine in their finest hour.

This concert by Velvet Revolver was filmed in Houston, Texas in 2005 during the tour in support of their bestselling and Grammy Award winning debut album Contraband. The full length live tracks are intercut with snippets of interview with the various band members talking about how Velvet Revolver came into being. The set list naturally focuses on that debut release but is complimented by two tracks from the Guns n Roses catalog and two tracks from Stone Temple Pilots debut album highlighting the history of the band members. Velvet Revolver are an outstanding live band and are on great form in front of a typically enthusiastic Texan crowd.

Single Video Theory is a music documentary directed by Mark Pellington that follows the making of Yield, the fifth album by the American alternative rock band Pearl Jam. The film was shot in 16mm film over three days in November 1997 in downtown Seattle. It features interviews with the band members and behind-the-scenes footage of the band's rehearsal sessions for its shows opening for The Rolling Stones. The documentary illustrates how the band began to widen the songwriting responsibilities of its members, with bassist Jeff Ament credited with writing "Pilate" and "Low Light", and guitarist Mike McCready taking part in writing "Given to Fly" with vocalist Eddie Vedder. It was the first insight into the band's inner workings of its recording sessions, which had previously been shielded from the public.

An intimate concert and interview with South African Alternative Metal band, Seether. Performances include Fake It, Rise Above This, Country Song, and Broken. With host, Nic Harcourt.

Alice In Chains performs Live at Sonisphere in 2014. The show features performances of hits: Them Bones, Dam That River and Again.

Filmed at a sold out Riviera Theatre in Chicago in March 2010, “Alive In The Windy City” is the first Stone Temple Pilots live concert to be authorized for video release. The band are in top form and the show both looks and sounds spectacular. The concert was held shortly before the release of their recent “Stone Temple Pilots” album and the tracklisting combines new songs interspersed with their classic hits. This is a great live concert by one of the most successful rock acts of the last twenty years.

In 1995, Mike McCready of Pearl Jam, Layne Staley of Alice In Chains, Barrett Martin of the Screaming Trees and bassist John Baker Saunders played their final show as Seattle-grunge supergroup Mad Season at the Moore Theater in Seattle. The new release of "Live At The Moore" features the legendary show remixed and remastered, also newly edited by director Duncan Sharp for a beautiful new documentary-like presentation, giving the show an updated look as if the viewer were in room that night. Fans will be pleased that included are four performances from the show that have never been seen, including the fan-favorite "Wake Up." Also featured is a full concert of Mad Season's performance from New Years Eve 1994 at RKCNDY in Seattle (which was shot by the band's crew for an up close and intimate look at the band), both performances from Pearl Jam's pirate radio special, "Self-Pollution Radio," and the music video for the hit single "River of Deceit".

When we last saw Stone Sour, the triple-Grammy nominated group was playing sold-out shows around the planet in support of 2006s critically acclaimed Come What(ever) May, a sonic blockbuster that entered Billboards Top 200 Album Chart at No. 4 and went on to sell more than a half-million copies on the strength of three radio hits, including the No. 1 smash single, "Through Glass. Billboard hailed the record as an intense, taut piece of work, Alternative Press called the group masters of ass-kicking, adding, In a better America, Stone Sour would be the face of American rock, and Revolver magazine gave the disc four stars and praised the quintet for demonstrating a dynamic range equaled by few of their peers.

Filmed in high definition at the Mohegan Sun Arena in Connecticut on November 25th 2011, this concert captures a typically raw and energetic performance by Staind on tour in support of their eponymous 2011 self titled album Staind. This was their first tour to feature new drummer Sal Giancarelli. The show features tracks from the new album mixed in with classic songs from across their career including many of their hit singles.

An intimate concert and interview with rock band Bush. Performances include "Machinehead", "All Night Doctors", "Little Things", and "The Sounds of Winter" with host, Nic Harcourt.

Incubus brought out their Volume 2 live experience in 2001 as a collection of acoustic songs performed at the Sno-Core festival. This concert film also features official videos for all the band's singles released up to the point of its release, including the “Warmth,” “Pardon Me,” and friend-made videos for "Summer Romance" and "I Miss You."