Alice In Chains
Alice in Chains' debut arrived at the outset of the '90s without a name for the market they were supposed to attract. Their sound was too unique to be considered metal and more visceral than mere straight-ahead rock, but it was soon lumped in with that of other prominent bands emerging from the overcast skies of Seattle around the same time. Gritty, down-tuned guitars kept their legion of fans headbanging to "Man in a Box" and "Would?," offering sharp contrast to their mellower acoustic output ("Got Me Wrong," "No Excuses"). However, it was Jerry Cantrell and Layne Staley's thick and dissonant harmonies which became one of their most imitated and original features, spawning endless copiers. Heroin-tinged lyrics and jagged, odd-time riffs foreshadowed their supposed demise, but their influence lives on in many of today's copycat bands.
Alice In Chains Concert Films
Alice In Chains Top Tracks
Zénith Paris 2013
Queens of the Stone Age
Runtime: 1 hr 38 minGet your fill of riff-oriented heavy rock with this dark and moody performance by Queens of the Stone Age. Best enjoyed with the volume turned up high!
Rage Against The Machine
Runtime: 1 hr 24 minRage Against the Machine released this self-titled film in 1997, collecting live concert footage and music videos of some of their best material. The band starts with a passionate rendition of Bruce Springsteen's "Ghost of Tom Joad" live from the Irvine Meadows in Irvine, CA. The well-filmed performance captures Rage near the top of their game. Seeing Zack de la Rocha interact with a large crowd and the band work a tight, incendiary groove is required to understand the appeal of the now-defunct political rock band. This is underscored by "People of the Sun" and four other songs live from the Rock Am Ring Festival in Germany, where Rage plays before what must be 100,000 people. The second half of the film is filled with six music videos, including "Freedom" and "Memory of the Dead (Land and Liberty)."
Runtime: 1 hr 17 minFilmed live on Halloween night 2009 at Voodoo Experience in New Orleans, Live Voodoo sees the reunion of the classic Jane's Addiction line-up of Perry Farrell (vocals), Stephen Perkins (drums), Eric Avery (bass) and Dave Navarro (guitar). This spectacular show captures the band on top form with Perry Farrell at his most mesmerizing and the rest of the band clearly enjoying the occasion. The tracklisting is predominantly drawn from their first two albums, which both featured this line-up, and the band are joined on stage by twin girl dancers, whilst the show climaxes with a joyous all singing and dancing stage invasion.
Classic Albums: Paranoid
Runtime: 55 minThe second album by Black Sabbath, released in 1970, has long attained classic status. Paranoid not only changed the face of rock music, but also defined the sound and style of heavy metal more than any other record in rock history. The result of a magic chemistry which had been discovered between four English musicians, it put Black Sabbath firmly on the road to world domination.
This programme tells the story behind the writing, recording and success of the album. Despite vilification from the Christian and moral right and all the harsh criticism that the music press could hurl at them, Paranoid catapulted Sabbath into the rock stratosphere.
Using exclusive interviews, musical demonstration, archive footage and a return to the multi-tracks with engineer Tom Allom, the film reveals how Ozzy Osbourne, Tony Iommi, Geezer Butler and Bill Ward created their frighteningly dark, heavy and ear-shatteringly loud sound.
Additional comments from Phil Alexander (MOJO & Kerrang! editor), Geoff Barton (Classic Rock editor), Henry Rollins (writer/musician) and Jim Simpson (original manager) add insight to the creation of this all-time classic.
Bug Live at 9:30 Club: In the Hands of the Fans
Runtime: 1 hr 3 minThrough an online contest, six fans are selected to film Dinosaur Jr. performing ""Bug"" in its entirety at the 9:30 Club in Washington DC, June 2011. Experience the fans' joy as they witness a classic performance and meet their heroes face to face in an exclusive interview with the band. Under the awesome direction of Dave Markey (The Year Punk Broke), ""In the Hands of the Fans"" brings the fans closer to the band and the music closer to you. Includes bonus footage of Henry Rollins speaking candidly to Markey about the the band, and interviewing them on stage before the show.
Pretend We're Dead
Runtime: 1 hr 27 minL7: Pretend We're Dead takes us on an all-access journey into the 1990's grunge movement that took the world by storm, and the band that helped define it as the genre of a generation. Culled from over 100 hours of vintage home movies taken by the band, never-before-seen performance footage, and candid interviews, L7: Pretend We're Dead is an engrossing time capsule told from the perspective of L7, these true insiders who brought their signature blend of grunge punk to the masses! Chronicling the early days of the band's formation in 1985 to their height as the 'queens of grunge,' the film takes a roller coaster ride through L7's triumphs and failures, providing never-before-discussed insight into the band's eventual dissolution in 2001. Formed by Donita Sparks and Suzi Gardner-guitars/vocals, the band completed their lineup with the addition of Jennifer Finch on bass/vocals and Dee Plakas on drums. To highlight the fact that L7 was an all-female group, however, was to miss the point. "Our fans couldn't give a shit if we're women," Sparks says. "We did not set out to be an all-girl band. It just happened that way." Yet the "gender issue" would return time and again for the band; from shock jocks refusing to play "chick rock" to academics accusing the band of "incorrectly" embracing their feminism to hard rock press implying the band was merely riding a wave of "girl power" trendiness. Despite these obstacles, L7: Pretend We're Dead shows the thread of influence the band had not only on rock and roll but on future generations of women everywhere and is, at the end, a testament to the pioneering spirit of a band that refuses to take anything lying down. "They can't hear a word we said, when we pretend that we're dead" Also includes the infamous 1997 documentary "L7 The Beauty Process" that was directed by Krist Novoselic.
Single Video Theory
Runtime: 45 minSingle Video Theory is a music documentary directed by Mark Pellington that follows the making of Yield, the fifth album by the American alternative rock band Pearl Jam. The film was shot in 16mm film over three days in November 1997 in downtown Seattle. It features interviews with the band members and behind-the-scenes footage of the band's rehearsal sessions for its shows opening for The Rolling Stones. The documentary illustrates how the band began to widen the songwriting responsibilities of its members, with bassist Jeff Ament credited with writing "Pilate" and "Low Light", and guitarist Mike McCready taking part in writing "Given to Fly" with vocalist Eddie Vedder. It was the first insight into the band's inner workings of its recording sessions, which had previously been shielded from the public.
Live in Cuba
Runtime: 2 hr 30 minFilmed Live at the Anti-Imperialist Plaza in Havana, Cuba. In may 2005, Audioslave became the first american rock band to ever perform in Cuba. 60,000 screaming fans witnessed this historic event.
Classic Albums: Nevermind
Runtime: 49 min"Nevermind" was the second album from the Seattle trio and the first on the DGC label (it's predecessor "Bleach" was released on the Sub Pop label). It was produced by Butch Vig (also the drummer for the band Garbage) and mixed by Andy Wallace. Nirvana's surviving members Krist Novoselic (bass) and Dave Grohl (drums) talk candidly about their past, the recording of Nevermind and about Kurt Cobain and the legacy that he has left behind. Also featured are exclusive interviews with the likes of Garry Gersh (A&R DGC Records), Butch Vig, Jonathan Ponneman and Nils Bernstein (Sub Pop Records), Thurston Moore (Sonic Youth), Jack Endino, and many more.
Live at the Moore
Runtime: 2 hr 32 minIn 1995, Mike McCready of Pearl Jam, Layne Staley of Alice In Chains, Barrett Martin of the Screaming Trees and bassist John Baker Saunders played their final show as Seattle-grunge supergroup Mad Season at the Moore Theater in Seattle. The new release of "Live At The Moore" features the legendary show remixed and remastered, also newly edited by director Duncan Sharp for a beautiful new documentary-like presentation, giving the show an updated look as if the viewer were in room that night. Fans will be pleased that included are four performances from the show that have never been seen, including the fan-favorite "Wake Up." Also featured is a full concert of Mad Season's performance from New Years Eve 1994 at RKCNDY in Seattle (which was shot by the band's crew for an up close and intimate look at the band), both performances from Pearl Jam's pirate radio special, "Self-Pollution Radio," and the music video for the hit single "River of Deceit".
Alive in the Windy City
Stone Temple Pilots
Runtime: 1 hr 17 minFilmed at a sold-out Riviera Theatre in Chicago in March 2010, “Alive In The Windy City” is the first Stone Temple Pilots live concert to be authorized for video release. The band is in top form, and the show both looks and sounds spectacular. The concert was held shortly before the release of their recent “Stone Temple Pilots” album, and the tracklisting combines new songs interspersed with their classic hits. This is a great live concert by one of the most successful rock acts of the last twenty years.
Busted Circuits and Ringing Ears
Runtime: 1 hr 30 minThis film spans the entire career of Tad, featuring archival live footage, interviews, music videos, and lost footage, as well as new footage and interviews with the band members and Krist Novoselic (Nirvana), Mark Arm (Mudhoney), Kim Thayil (Soundgarden), Chad Channing (Nirvana), and many others. TAD took the idea of playing LIVE very seriously; it was a life or death matter. This documentary not only stands as testimony, but it's also a cinematic document of the world's HEAVIEST band EVER (as Bruce Pavitt so incisively puts it) boldly stretching that assertion beyond any previously known limitations. Better than a tattoo, it's an open scar that roars, a broken alarm bell ringing from the lost event horizon of a long-dead star, one would never see - that is, until this film clipped it back onto the light box of the silver screen, where it can be deciphered and viewed anew. This documentary telescopes the musical pathology of Tad down to the image of an electrocardiograph recording the minor-mode melody of a final infarct, a demented soundtrack that is neither tame nor de-clawed. It was never meant to be. Dare to feel it, and risk bleeding internally.
Live in Houston
Runtime: 1 hr 18 minThis concert by Velvet Revolver was filmed in Houston, Texas in 2005 during the tour in support of their bestselling and Grammy Award winning debut album Contraband. The full length live tracks are intercut with snippets of interview with the various band members talking about how Velvet Revolver came into being. The set list naturally focuses on that debut release but is complimented by two tracks from the Guns n Roses catalog and two tracks from Stone Temple Pilots debut album highlighting the history of the band members. Velvet Revolver are an outstanding live band and are on great form in front of a typically enthusiastic Texan crowd.