Alice In Chains
Alice in Chains' debut arrived at the outset of the '90s without a name for the market they were supposed to attract. Their sound was too unique to be considered metal and more visceral than mere straight-ahead rock, but it was soon lumped in with that of other prominent bands emerging from the overcast skies of Seattle around the same time. Gritty, down-tuned guitars kept their legion of fans headbanging to "Man in a Box" and "Would?," offering sharp contrast to their mellower acoustic output ("Got Me Wrong," "No Excuses"). However, it was Jerry Cantrell and Layne Staley's thick and dissonant harmonies which became one of their most imitated and original features, spawning endless copiers. Heroin-tinged lyrics and jagged, odd-time riffs foreshadowed their supposed demise, but their influence lives on in many of today's copycat bands.
Alice In Chains Concert Films
Alice In Chains Top Tracks
Runtime: 1 hr 17 minFilmed live on Halloween night 2009 at Voodoo Experience in New Orleans, Live Voodoo sees the reunion of the classic Jane's Addiction line-up of Perry Farrell (vocals), Stephen Perkins (drums), Eric Avery (bass) and Dave Navarro (guitar). This spectacular show captures the band on top form with Perry Farrell at his most mesmerizing and the rest of the band clearly enjoying the occasion. The tracklisting is predominantly drawn from their first two albums, which both featured this line-up, and the band are joined on stage by twin girl dancers, whilst the show climaxes with a joyous all singing and dancing stage invasion.
Let It Roll: Live in Germany
Runtime: 1 hr 29 minThis concert by Velvet Revolver was filmed at the Palladium in Cologne, Germany in March 2008 for the legendary German TV series Rockpalast. The concert was near the end of the tour for their second album Libertad and came just a few days before the band went on hold following the departure of singer Scott Weiland. The set draws heavily on the Libertad album but also features tracks from their debut album Contraband and covers of Stone Temple Pilots and Guns n Roses tracks.
The Battle of Mexico City
Rage Against The Machine
Runtime: 1 hr 35 minOutside Mexico City's Sports Pavilion, hundreds of young Rage fans rattle metal fences and throw rocks at the increasingly nervous police. Inside, a seething crowd of 5,000 lucky ticket holders cram into the cavernous pavilion chanting anti-government slogans and poking their middle fingers into the thick, sweaty air while waiting for Rage Against the Machine to storm the stage.
One of the greatest live acts in music history, Rage only affirms that fact with this show. Whatever club, theater, arena, or stadium they're in, the opening of each Rage Against the Machine show always feels like a grenade has gone off. But this night it was as if a truckful of bombs blew up as the band tore into the opening salvo of "Testify." Fans cascaded toward the stage like rippling waves stopping only to pogo up-and-down like jackhammers.
Longtime supporters of various political causes in Mexico, Rage were performing for the very first time in Mexico City. The connection between the band and the audience is electric. From the early "all hell can't stop us now" chant in "Guerilla Radio" to the blood-curling screams in the finale of "Freedom," there is an urgency at this show that is unrivaled. This is live rock & roll as it's meant to be heard: fierce, funky, uncompromising. This is Rage Against the Machine in their finest hour.
God Bless Ozzy Osbourne
Runtime: 1 hr 34 minOzzy Osbourne is one of the most iconic figures in rock and one of the founding fathers of heavy metal, however to many his “Madman” persona has overshadowed his considerable musical achievements. “God Bless Ozzy Osbourne” tells for the first time the story of his career from the founding of Black Sabbath through to solo stardom and his wider fame beyond. These were the wild days of his prodigious drug and alcohol intake, of biting the head from a dove at a record company meeting and biting into a bat on stage but also of the tragic death of Randy Rhoads and the reality TV show The Osbournes. The film follows Ozzy’s torturous and emotionally fraught journey from excess to sobriety, which Ozzy regards as his greatest accomplishment. Featuring never before seen footage, new interviews with Ozzy himself, his brothers and sisters, his children, his bandmates in Black Sabbath and those who both inspired him and were inspired by him, this is the first film to take viewers inside the mind and psyche of this legendary figure.
Single Video Theory
Runtime: 45 minSingle Video Theory is a music documentary directed by Mark Pellington that follows the making of Yield, the fifth album by the American alternative rock band Pearl Jam. The film was shot in 16mm film over three days in November 1997 in downtown Seattle. It features interviews with the band members and behind-the-scenes footage of the band's rehearsal sessions for its shows opening for The Rolling Stones. The documentary illustrates how the band began to widen the songwriting responsibilities of its members, with bassist Jeff Ament credited with writing "Pilate" and "Low Light", and guitarist Mike McCready taking part in writing "Given to Fly" with vocalist Eddie Vedder. It was the first insight into the band's inner workings of its recording sessions, which had previously been shielded from the public.
Live At Reading
Runtime: 1 hr 37 minRanked #1 in Kerrang Magazine's "100 Gigs That Shook The World" and voted as "Nirvana's #1 Greatest Moment" by fans in an NME poll, Nirvana's historic August 30, 1992 stands as a watershed moment in the history of rock. While the show's centerpiece was a performance of nearly the entire Nevermind tracklist, also noteworthy were early performances of three as yet unrecorded songs which wouldn’t be released until 2 years later on In Utero: "All Apologies," "Dumb," and in its first ever public performance, "Tourettes." The career-spanning setlist also reached back to the band's 1989 Sub Pop debut album, Bleach, for "Blew," "About A Girl," "School," "Negative Creep" and first single "Love Buzz," and even further back to the mid-'80s for "Spank Thru." Other songs from the Reading set would appear in studio form on the Incesticide compilation later in the year: "Aneurysm," "Been A Son" and "Sliver." Additionally, the band played a pair of beloved covers by two bands that helped shape the formative Nirvana sound– "The Money Will Roll Right In" by Fang and "D-7" by The Wipers.
Live in Cuba
Runtime: 2 hr 30 minFilmed Live at the Anti-Imperialist Plaza in Havana, Cuba. In may 2005, Audioslave became the first american rock band to ever perform in Cuba. 60,000 screaming fans witnessed this historic event.
Live at the Moore
Runtime: 2 hr 32 minIn 1995, Mike McCready of Pearl Jam, Layne Staley of Alice In Chains, Barrett Martin of the Screaming Trees and bassist John Baker Saunders played their final show as Seattle-grunge supergroup Mad Season at the Moore Theater in Seattle. The new release of "Live At The Moore" features the legendary show remixed and remastered, also newly edited by director Duncan Sharp for a beautiful new documentary-like presentation, giving the show an updated look as if the viewer were in room that night. Fans will be pleased that included are four performances from the show that have never been seen, including the fan-favorite "Wake Up." Also featured is a full concert of Mad Season's performance from New Years Eve 1994 at RKCNDY in Seattle (which was shot by the band's crew for an up close and intimate look at the band), both performances from Pearl Jam's pirate radio special, "Self-Pollution Radio," and the music video for the hit single "River of Deceit".
Alive in the Windy City
Stone Temple Pilots
Runtime: 1 hr 17 minFilmed at a sold out Riviera Theatre in Chicago in March 2010, “Alive In The Windy City” is the first Stone Temple Pilots live concert to be authorized for video release. The band are in top form and the show both looks and sounds spectacular. The concert was held shortly before the release of their recent “Stone Temple Pilots” album and the tracklisting combines new songs interspersed with their classic hits. This is a great live concert by one of the most successful rock acts of the last twenty years.
Classic Albums: Paranoid
Runtime: 55 minThe second album by Black Sabbath, released in 1970, has long attained classic status. Paranoid not only changed the face of rock music, but also defined the sound and style of heavy metal more than any other record in rock history. The result of a magic chemistry which had been discovered between four English musicians, it put Black Sabbath firmly on the road to world domination.
This programme tells the story behind the writing, recording and success of the album. Despite vilification from the Christian and moral right and all the harsh criticism that the music press could hurl at them, Paranoid catapulted Sabbath into the rock stratosphere.
Using exclusive interviews, musical demonstration, archive footage and a return to the multi-tracks with engineer Tom Allom, the film reveals how Ozzy Osbourne, Tony Iommi, Geezer Butler and Bill Ward created their frighteningly dark, heavy and ear-shatteringly loud sound.
Additional comments from Phil Alexander (MOJO & Kerrang! editor), Geoff Barton (Classic Rock editor), Henry Rollins (writer/musician) and Jim Simpson (original manager) add insight to the creation of this all-time classic.
Busted Circuits and Ringing Ears
Runtime: 1 hr 30 minThis film spans the entire career of Tad, featuring archival live footage, interviews, music videos, and lost footage, as well as new footage and interviews with the band members and Krist Novoselic (Nirvana), Mark Arm (Mudhoney), Kim Thayil (Soundgarden), Chad Channing (Nirvana), and many others. TAD took the idea of playing LIVE very seriously; it was a life or death matter. This documentary not only stands as testimony, but it's also a cinematic document of the world's HEAVIEST band EVER (as Bruce Pavitt so incisively puts it) boldly stretching that assertion beyond any previously known limitations. Better than a tattoo, it's an open scar that roars, a broken alarm bell ringing from the lost event horizon of a long-dead star, one would never see - that is, until this film clipped it back onto the light box of the silver screen, where it can be deciphered and viewed anew. This documentary telescopes the musical pathology of Tad down to the image of an electrocardiograph recording the minor-mode melody of a final infarct, a demented soundtrack that is neither tame nor de-clawed. It was never meant to be. Dare to feel it, and risk bleeding internally.