While Alanis Morissette came to prominence largely on the strength of her seething, vengeful single "You Oughta Know," her evolution as an artist is a study in leapfrogged temperaments -- from her tomboy character on Canadian television's You Can't Do That on Television to her Juno Award-winning Dance Pop years (with material not unlike that of Tiffany or Debbie Gibson) to Jagged Little Pill's take-back-the-night stance to her current kinder, gentler, global self (No -- thank you, India). Morissette continues to do what most pop stars do best -- perform. While many artists of late have jumped on the phat beat bandwagon in a gamble for the approval of their audience and come up empty handed, Morissette's producer did so effectively with "Are You Still Mad," forging entrancing loops and eerily tense melodies to accompany her strong, dramatic vocal. The track marked a slight departure from the radio-friendly, heartwarming melodrama to which many had become so accustomed in recent years. Dark cellos and creepy, cascading piano melodies create engaging, almost cerebral soundscapes to offset Morissette's self-centered empowerment lyrics and dynamic, arena-friendly voice. An open challeng... See More
Alanis Morissette Concert Films
Live at Montreux 2012
Runtime: 1 hr 38 minAlanis Morissette is one of the most successful female artists and songwriters of all time and has sold in excess of 60 million albums worldwide. Her voice is instantly recognizable and she is a consummate live performer. On July 2nd, 2012, Alanis Morissette returned to Montreux as part of her Guardian Angel Tour in support of her new album "Havoc And Bright Lights". It was her third appearance at the festival. The set showcased a number of tracks from the new album (at that point still to be released) alongside classic tracks from across her career. This is Alanis Morissette live at her very best.
Live at Soundstage
Runtime: 55 minExplosive and energetic Alanis Morissette pulls in the audience on this Soundstage with hints of hard rock, gentle folk, electronic beats and free flowing Eastern melodies. The set includes quintessential hits about loving and letting go from the seven-time Grammy winner's days as a confessional rock phenomenon: "All I Really Want," "Hands Clean," "Thank U" and "Uninvited." The singer/songwriter also introduces fans to her latest and most adventurous album, So-Called Chaos, with songs including "Eight Easy Steps," and "Excuses," among others.
The honest, unadulterated performance reflects Morissette's move away from her days as a rancorous 90's rocker, and into the mode of mature musician ready to experiment with her strengths. Morissette's enduring introspection, continual evolution and evocative stage presence shine in this Soundstage performance.
Alanis Morissette Top Tracks
An Evening of Nostalgia
Runtime: 1 hr 8 min'An Evening Of Nostalgia With Annie Lennox' captures one of music’s most popular and acclaimed artists in her only full concert performance of songs from her Grammy-nominated 'Nostalgia' album. Fronting a 19-piece band, including string and horn sections, and unveiling striking lighting and production elements created especially for this concert, Lennox demonstrates her distinctive vocal and performance talents on an array of songs from the classic American songbook, ranging from “Summertime”, “Georgia On My Mind”, “Strange Fruit” and “God Bless the Child” to one of rock ’n’ roll’s most enduring classics, “I Put a Spell On You”. As she does on her Nostalgia album that spawned this one-of-a-kind concert, the singular approach Lennox brings to these classics enables them to resonate for a 21st century audience. The artist concludes her extraordinary show with a four song selection of her own hits performed solo at the piano, including “Here Comes the Rain Again”, “Why” and “Sweet Dreams (Are Made of This)”. Beautifully filmed by director Natalie Johns at the downtown Los Angeles art-deco landmark The Orpheum Theatre on January 28, 2015, 'An Evening Of Nostalgia With Annie Lennox' is a truly unique concert performance that music fans the world over can now experience for themselves.
Live At Last
Runtime: 3 hr 7 minRecorded live in Berlin in 2004, Anastacia’s Live At Last features dazzling concert performances of all her biggest hits, including "Left Outside Alone," "I’m Outta Love," "Sick and Tired" and more!
Girl Power! Live in Istanbul
Runtime: 57 minGirl Power! Live in Istanbul is a two-night concert by British girl group the Spice Girls. The concerts, which were organized by Pepsi as part of the group's sponsorship deal, were performed at the Abdi İpekçi Arena in Istanbul, Turkey on 12 and 13 October 1997.
The live feature brings all time fan-favorite hits as “Who Do You Think You Are?,” “Say You'll Be There,” “2 Become 1,” “Spice Up Your Life,” and many more. According to Rolling Stone journalist and biographer David Sinclair, "Scary, Baby, Ginger, Posh and Sporty were the most widely recognised group of individuals since John, Paul, George, and Ringo" With the "girl power" phenomenon, the Spice Girls were popular cultural icons of the 1990s.They are cited as part of the 'second wave' 1990s British Invasion of the US.
In Session 2004
Runtime: 21 minVanessa Carlton performs live In Session in 2004. The show, I support of her second album, Harmonium features performances of White Houses,” “San Francisco; and “Who’s To Say.”
One Mile High...Live
Runtime: 1 hr 33 minAfter a five year break, 2012 saw Garbage back in the spotlight with a new studio album "Not Your Kind Of People" followed by their first world tour in seven years. Filmed on this tour at the Ogden Theatre in Denver, Colorado on October 6th, "One Mile High...Live" is the first ever film of a full Garbage concert. Charismatic singer Shirley Manson leads from the front propelled by the twin guitars of Steve Marker and Duke Erikson and the powerhouse drumming of Butch Vig with Eric Avery providing bass guitar for the live shows. The band mix highlights from the new album with classic tracks from across their career to produce the ultimate Garbage live experience.
Runtime: 2 hr 14 minMirrorball captures Sarah McLachlan at the height of her powers, with arresting performances from her Surfacing Tour of 1997-1998. This set includes her hit rendition of "I Will Remember You" plus "Adia," "Building A Mystery," "Possession" and more.
Live at Soundstage
Runtime: 55 minOne of the most celebrated and respected artists of the last decade, Tori Amos is a unique talent whose distinctive voice, beautiful piano playing and thought provoking songs have mesmerized and inspired a generation of fans across the globe. On this episode of Soundstage she will be performing songs from her newest release Scarlet's Walk as well as "Precious Things" and "Cornflake Girl."
Wildflower: Live from New York
Runtime: 56 minSinger songwriter Sheryl Crow performs her infectious brand of country-infused pop for an adoring New York crowd in this performance captured live during her 2006 "Wildflower" tour.
Live at Soundstage
Runtime: 1 hr 51 minThree time Grammy-nominated performer Jewel is best known for her charismatic live performances. In this episode, Jewel performs at the historic Rialto Theater with an ethereal backdrop and, at times, is accompanied by a chamber orchestra. In part one of this Soundstage special Jewel not only performs her well-known hits but she also showcases her vast vocal styling by performing standard classics such as Cole Porters "Anything Goes."
Live from Paris
Runtime: 1 hr 40 minFilmed in the summer of 2011, at the Palais Omnis Ports De Bercy. Shakira: Live from Paris includes Shakira's biggest hits from “Inevitable” to “Hips Don't Lie”. She also pays tribute to, Frances Cabrel, by singing “Je L'aime A Mourir”. From beginning to end, it is Shakira at her best.
Live in Montreux
Runtime: 55 minSuzanne Vega broke-through with her eponymous debut album in 1985 in both Europe and America. The album featured the hits Marlene On The Wall and Left Of Center. She hit even greater heights with her second album Solitude Standing, which contained the hits Luka and Toms Diner. In many ways, she opened the way for the rush of female singer-songwriters that followed in the late eighties and early nineties. She continues to have hit albums and to play to packed houses on both sides of the Atlantic.
The Best Damn Tour: Live in Toronto
Runtime: 1 hr 15 minThe Best Damn Tour: Live in Toronto captures Avril Lavigne's brightest, most colorful concerts to date, Avril's biggest hits take center stage, including the worldwide smash "Girlfriend," plus "Complicated," "Sk8er Boi" and "My Happy Ending."
Runtime: 2 hr 1 minThe Confessions Tour, filmed at London's Wembley Arena during her worldwide sold-out 25-city Confessions Tour (2006's top-grossing tour world-wide), features songs from throughout the dance diva's career but largely focuses on Confessions On A Dance Floor.
Live at Soundstage
Runtime: 54 minIf Eye To the Telescope introduced a bold new talent, KT Tunstall's Acoustic Extravaganza confirms that the Scottish singer is no fluke. Whether stripping down tracks from her platinum debut--nominated for both a Grammy and Britain's coveted Mercury Prize--or taking on Beck's tender "Golden Age," it's all about the Voice and the Voice is good. While Telescope elicited comparisons to Joni Mitchell and Bjork, in acoustic mode, Tunstall sounds more like countryman Rod Stewart back when he was fronting the Faces. She's got that soulful thing down to a science, but there's nothing affected about it, and she never pushes too hard. Ten years of busking can do that for a girl (it's how she learned to use a loop pedal to duplicate the sound of a full band). Originally only available through her website, Acoustic Extravaganza doesn't include hit singles "Black Horse and the Cherry Tree" and "Suddenly I See," the theme from The Devil Wears Prada, but then it isn't a greatest hits collection. Recorded in two days, th set consists primarily of non-LP material, like the angry "Ashes," plus the featurette Five Go to Skye (Making the Album). The parental advisory warning ("explicit content") refers to the profanity in "Ashes." Otherwise, there's nothing objectionable going on here.