Wynton Marsalis is the most important and influential jazz musician of the modern age. He is sometimes seen as a controversial figure because of his outspoken views on what jazz should be, what it isn't and how popular culture and modern society have both generally gone to hell in a hand basket. But for all of his talk (and he's a good talker), Marsalis is also a monumentally gifted trumpet player with a quicksilver musical mind and a pure tone that would have made him a jazz star in any decade. His many critics (usually boho noise-jazzers, aged rockers and diaper-wearing electronica types) tag him as being musically conservative, yet he constantly finds new avenues and styles to explore. This restless creative energy is both Marsalis' strength and one of his major weaknesses. Like Dave Brubeck (or Woody Allen wanting to make "serious" movies instead of comedies), Marsalis sometimes undercuts his own musical strengths in order to stretch himself artistically in just about every direction â classical music, extended orchestral jazz compositions, socio-political explorations, film composition and education. While not everything Marsalis has done has been equally successful, he rare... See More
Wynton Marsalis Concert Films
Runtime: 1 hr 57 minCongo Square is a musical tribute to New Orleans composed and performed by Wynton Marsalis, trumpet master from New Orleans and Yacub Addy, an African master drumer -- a unique collaboration where a Lincoln Center's great jazz orchestra mingles with an African percussion ensemble in a 2 hour concert of original music filmed at the 2007 Montreal Jazz Festival.
Wynton Marsalis Top Tracks
Legends in Concert
Runtime: 43 minJazz Legends - Duke Ellington and His Orchestra (1929-1943) by Duke Ellington, includes a series of short films made in Hollywood featuring Ellington performing his biggest hits: Black And Tan (1929) directed by Dudley Murphy; Check and Double Check (1930) directed by Melville Brown; Symphony in Black (1934) directed by Fred Waller; Paramount Pictoral No.889 (1937); The Hit Parade of 1937; and RKO Jamboree No.7 (1943) directed by Jay Bonafield. .
Notes from a Jazz Survivor
Runtime: 49 minAn intensely personal and sometimes painful look into the fascinating world of Art Pepper. One of Jazz' greatest alto saxophonists and most expressive soloists, Pepper was also a thief, drug addict, alcoholic, womanizer, and world renown wildman. In candid interviews he recounts his triumphs, troubles, and luck in meeting Laurie, his last wife. For half the film Pepper leads a trio in a Malibu nightclub, the set includes: "Red Car", "Patricia", and "Miss Who?".
Live at Montreux 1996
Runtime: 56 minWayne Shorter is one of the most significant jazz performers of modern times. He performed as part of Art Blakeys Jazz Messengers and then Miles Davis band in the sixties before co-founding Weather Report with Joe Zawinul in the early seventies. This Montreux concert from 1996 features the Wayne Shorter Quintet and followed on from the release of his Grammy Award winning album High Life.
Alto Saxophone Jazz Solos
Runtime: 50 minOne of the most individual of all alto saxophone players, the cool-toned LEE KONITZ has always had a strong musical curiosity that has led him to consistently take chances and stretch himself, usually quite successfully. The Jazz Sessions spotlights unaccompanied performances by some of the legends and bright young stars of the jazz world. Designed and recorded specifically for television, SOLOS offers viewers front row seats for an intimate and unique jazz experience. Each program features complete musical pieces, insightful interviews, and behind-the-scenes footage. Shot in stunning HDTV with multiple moving cameras and a medley of elegant cinematic lighting, SOLOS showcases an exciting and dynamic variety of jazz styles - from the blues and boogie-woogie to bebop and the experimental.
Live in Munich
Runtime: 1 hr 2 minFor more than 50 years, trumpeter/bandleader Miles Davis was a major innovator of cool, modal, avant-garde, and fusion jazz styles. This program captures Davis's band: alto saxophonist/flutist Kenny Garrett, Keyboardists Robert Irving III and Adam Holzmann, lead bassist Joseph "Foley" McCreary, and bassist Benjamin Rietveld, percussionist Marilyn Mazur, and drummer Ricky Wellman, live in Munich, Germany on July 10th, 1988. With these musicians' sympathetic and syncopated support, Davis's trademarked Harmon-muted trumpet tones dance and trance over the combo's supple electric swing. Throughout the concert, Davis glides across the stage with the elegance and power of a dancer and a fighter, huddling with his sidemen to play and share a phrase. Interview snippets with Davis feature the trumpeter frankly discussing his other passion, artwork. All told, Miles in Munich shows that the man called "Prince of Darkness" was full of artistic light near the end of his creative life.