It's hard to overstate Wayne Shorter's influence as a saxophonist and composer -- he has rightfully earned a place as a jazz legend. His tenor playing draws on the enhanced Bebop virtuosity of John Coltrane, minus the brittle edge; Shorter's playing has such a flowing feel that he almost seems to be composing heads to a tune in real-time when he improvises. He was groomed to be perfect in any setting. As a featured soloist and music director in Art Blakey's Jazz Messengers, he mastered the raw, bluesy feel of Hard Bop, moving on to Post Bop in 1964 after joining Miles Davis's influential late '60s quintet. He then helped to pioneer jazz-rock Fusion when he formed Weather Report in 1970. Many of his songs are required learning for aspiring jazz musicians, such as the bluesy "Footprints." But it doesn't take a musician to understand the expansive beauty of a ballad like "Fall." Both songs exhibit his innovations: with one foot in the blues, Shorter expanded the scope of a jazz composition and added complexity to its chords -- but he did it with such melodic perfection that he didn't leave listeners behind, as many of his contemporaries in the '60s did.
Wayne Shorter Concert Films
Live at Montreux 1996
Runtime: 56 minWayne Shorter is one of the most significant jazz performers of modern times. He performed as part of Art Blakeys Jazz Messengers and then Miles Davis band in the sixties before co-founding Weather Report with Joe Zawinul in the early seventies. This Montreux concert from 1996 features the Wayne Shorter Quintet and followed on from the release of his Grammy Award winning album High Life.
Wayne Shorter Top Tracks
Epitaph: Live from Lincoln Center
Runtime: 2 hr 20 minOn June 3rd, 1989, the Alice Tully Hall at New York's Lincoln Center was the venue for the world premiere performance of Charles Mingus' masterpiece "Epitaph". Conductor Gunther Schuller directed 30 musicians in what the New York Times described as "One of the most memorable jazz events of the decade". The piece had been discovered after Mingus' death in 1979 and painstakingly restored and copied. It is the largest and longest piece for jazz orchestra ever written and is now available here on film for the first time.
Runtime: 52 minThe Jazz Sessions spotlights Andrew Hill, a great and even groundbreaking composer and pianist. While many of his contemporaries were totally jettisoning the rhythmic and harmonic techniques of bop and hard bop, Hill worked to extend their possibilities; his was a revolution from within. He exhibited a determined command of his materials, however abstract they might sometimes be. His composed melodies were labyrinthine, rhythmically and harmonically complex tunes that exhibit a sophistication born of mastery, not chance or contingency.
Miles Electric: A Different Kind of Blue
Runtime: 1 hr 27 minWhen he released "Bitches Brew" in 1970, Miles Davis opened up a new angle to jazz which stirred up emotions like no other record before. Some critics accused Davis of selling out, while the public bought it like crazy. It is one of the most examined albums of all time, even garnering a box set of the sessions. To date, "Bitches Brew" is one of the top selling jazz albums of all time. "Miles Electric: A Different Kind of Blue" examines the next step in the creative process...performing these songs live. The 1970 Isle of Wight featured an array of performers from The Who to Jethro Tull to Joni Mitchell. With improvisation playing a big role in the performance, the band (Jack DeJohnette, Chick Corea, Keith Jarrett, Gary Bartz and Dave Holland) had to be "on", yet ready to change on the fly. Directed by award-winning producer Murray Lerner, "Miles Electric" sits down with several of the performers who played with Miles, interspersed with his 1970 Isle of Wight performance, as well as artists such as Carlos Santana and Joni Mitchell, who describe the impact Miles Davis had towards music.