Tori Amos is a songwriter in the classic '70s sense. Creating meaningful, emotional songs that incorporate acoustic guitar, piano, and strings into elaborate and evocative compositions, Amos' fragile voice carries with it all the strength, emotion and sensuality her intelligent, poetic lyrics allow. Her complexity as an artist comes from her ability to display womanly vulnerability and subvert it with raw sexuality and intimidating, thick-skinned ire, embodying it all with startling honesty.
Tori Amos Concert Films
Live at Montreux
Runtime: 49 minThese two concerts from Montreux in 1991 and 1992 catch Tori Amos right at the start of her solo career. The first from July 1991 was filmed a few months before the release of her Little Earthquakes album and the second from July 1992 followed a few months after. There is a fascinating progression from one year to the next as she grows in confidence and skill as a live performer, buoyed by the critical and commercial success of the album. Naturally most of the songs are taken from Little Earthquakes but there are also rare songs from her various EPs released across the two years which didnt make it onto the album including her distinctive takes on Led Zeppelins Whole Lotta Love and Thank You and Nirvanas Smells Like Teen Spirit.
Live at Soundstage
Runtime: 55 minOne of the most celebrated and respected artists of the last decade, Tori Amos is a unique talent whose distinctive voice, beautiful piano playing and thought provoking songs have mesmerized and inspired a generation of fans across the globe. On this episode of Soundstage she will be performing songs from her newest release Scarlet's Walk as well as "Precious Things" and "Cornflake Girl."
Tori Amos Top Tracks
An Evening of Nostalgia
Runtime: 1 hr 8 min'An Evening Of Nostalgia With Annie Lennox' captures one of music’s most popular and acclaimed artists in her only full concert performance of songs from her Grammy-nominated 'Nostalgia' album. Fronting a 19-piece band, including string and horn sections, and unveiling striking lighting and production elements created especially for this concert, Lennox demonstrates her distinctive vocal and performance talents on an array of songs from the classic American songbook, ranging from “Summertime”, “Georgia On My Mind”, “Strange Fruit” and “God Bless the Child” to one of rock ’n’ roll’s most enduring classics, “I Put a Spell On You”. As she does on her Nostalgia album that spawned this one-of-a-kind concert, the singular approach Lennox brings to these classics enables them to resonate for a 21st century audience. The artist concludes her extraordinary show with a four song selection of her own hits performed solo at the piano, including “Here Comes the Rain Again”, “Why” and “Sweet Dreams (Are Made of This)”. Beautifully filmed by director Natalie Johns at the downtown Los Angeles art-deco landmark The Orpheum Theatre on January 28, 2015, 'An Evening Of Nostalgia With Annie Lennox' is a truly unique concert performance that music fans the world over can now experience for themselves.
One Mile High...Live
Runtime: 1 hr 33 minAfter a five year break, 2012 saw Garbage back in the spotlight with a new studio album "Not Your Kind Of People" followed by their first world tour in seven years. Filmed on this tour at the Ogden Theatre in Denver, Colorado on October 6th, "One Mile High...Live" is the first ever film of a full Garbage concert. Charismatic singer Shirley Manson leads from the front propelled by the twin guitars of Steve Marker and Duke Erikson and the powerhouse drumming of Butch Vig with Eric Avery providing bass guitar for the live shows. The band mix highlights from the new album with classic tracks from across their career to produce the ultimate Garbage live experience.
Everything In-Between: The Story Of Ellipse
Runtime: 1 hr 30 minGo behind the scenes and explore the three year journey of Imogen Heap’s making of the Grammy Award winning album, Ellipse. Travel the world with Imogen as she invites you into her writing and recording process and building her brand new recording studio in her old family home.
Live in Chicago
Runtime: 1 hr 54 minSoundstage captures a radiant Stevie Nicks in her first filmed solo performance since 1987. "Live In Chicago" includes all the timeless Nicks songs from her solo projects as well as songs written as a member of the legendary rockers Fleetwood Mac. Along with Stevie classics such as "Stand Back," "Rhiannon," "Dreams," "Gold Dust Woman," "Landslide" and "Edge Of Seventeen," the video also features stunning cover songs, including Dave Matthews' "Crash Into Me" and a tear-down-the-house finale of Led Zeppelin's "Rock And Roll."
Painting With Words And Music
Runtime: 1 hrJoni Mitchell, Canadas queen of folk/pop, performs before an intimate audience on the Warners Lot in Los Angeles, in a specially set up auditorium displaying a gallery of her own paintings. Playing in the round with a small band she delivers tracks from across her career including all her best loved songs.
Live in Montreux
Runtime: 55 minSuzanne Vega broke-through with her eponymous debut album in 1985 in both Europe and America. The album featured the hits Marlene On The Wall and Left Of Center. She hit even greater heights with her second album Solitude Standing, which contained the hits Luka and Toms Diner. In many ways, she opened the way for the rush of female singer-songwriters that followed in the late eighties and early nineties. She continues to have hit albums and to play to packed houses on both sides of the Atlantic.
Live at Soundstage
Runtime: 55 minExplosive and energetic Alanis Morissette pulls in the audience on this Soundstage with hints of hard rock, gentle folk, electronic beats and free flowing Eastern melodies. The set includes quintessential hits about loving and letting go from the seven-time Grammy winner's days as a confessional rock phenomenon: "All I Really Want," "Hands Clean," "Thank U" and "Uninvited." The singer/songwriter also introduces fans to her latest and most adventurous album, So-Called Chaos, with songs including "Eight Easy Steps," and "Excuses," among others.
The honest, unadulterated performance reflects Morissette's move away from her days as a rancorous 90's rocker, and into the mode of mature musician ready to experiment with her strengths. Morissette's enduring introspection, continual evolution and evocative stage presence shine in this Soundstage performance.
Runtime: 2 hr 14 minMirrorball captures Sarah McLachlan at the height of her powers, with arresting performances from her Surfacing Tour of 1997-1998. This set includes her hit rendition of "I Will Remember You" plus "Adia," "Building A Mystery," "Possession" and more.
Live at The Roundhouse
The Dresden Dolls
Runtime: 1 hr 1 minThe Dresden Dolls (Amanda Palmer & Brian Viglione) were formed in Boston in 2001. Their unique musical style combines influences from alternative rock and 1930's German cabaret to create something fresh, exciting and highly theatrical. This live show from London's recently restored Roundhouse is a visual feast featuring circus acts, gymnasts and cabaret dancers as well as the striking appearance of the Dresden Dolls themselves. The songs in the set are drawn from both their studio albums and also include previously unreleased material.
In Session 2004
Runtime: 21 minVanessa Carlton performs live In Session in 2004. The show, I support of her second album, Harmonium features performances of White Houses,” “San Francisco; and “Who’s To Say.”
Live at Soundstage
Runtime: 1 hr 51 minThree time Grammy-nominated performer Jewel is best known for her charismatic live performances. In this episode, Jewel performs at the historic Rialto Theater with an ethereal backdrop and, at times, is accompanied by a chamber orchestra. In part one of this Soundstage special Jewel not only performs her well-known hits but she also showcases her vast vocal styling by performing standard classics such as Cole Porters "Anything Goes."
Live at Soundstage - Part Two
Runtime: 51 minSince breaking into the musicindustry in the early 80's, singer-songwriter Crow has gone on to multi-platinum success, while bending the bounds of modern pop-rock. In the second half of her two-part Soundstage, Crow gets down to rootsy, classic rock with "Steve McQueen" and "Sweet Rosalyn." She also includes the moody "If It Makes You Happy" and "My Favorite Mistake."
Sheryl's near hushed performance in "I Shall Believe" pays tribute to the eloquence and depth carried in her voice--a voice and talent that have won her nine Grammy's since 1994. "Let's Get Free" highlights the artist's perennial theme of having fun, while "Redemption Day" and "Home" prove that although she varies her style from blues to country to rock - she will always remain true to her socially conscious, introspective self.
Live at The Shepherds Bush Empire
Bat For Lashes
Runtime: 1 hr 13 minBrighton, England's Bat for Lashes is the brainchild of singer/songwriter Natasha Khan. The Pakistan-born Khan pulls from her art school education and her experience producing multimedia installations when it comes to writing songs. She also cites Steve Reich and Susan Hiller as influences, while echoes of Björk and Siouxsie Sioux are heard throughout Bat for Lashes' mystical indie rock sound. Bat for Lashes' first single, "The Wizard," was digitally released by DiS, and issued as a 7" on Khan's own She Bear imprint in early 2006. That fall, with "Trophy" burning up the BBC indie rock chart, the Fur & Gold LP arrived in the U.K. in September. The album was released a year later in the U.S. to much critical acclaim. Bat for Lashes' ambitious 2009 album, Two Suns, revolved around the concept of Khan and her blonde, hedonistic alter ego Pearl, and featured a duet with Scott Walker.
Runtime: 1 hr 36 min‘Biophilia Live’ is a concert film directed by Peter Strickland and Nick Fenton and produced by Jacqui Edenbrow that captures the human element of Björk’s multi-disciplinary multimedia project: Biophilia. recorded live at Björk’s show at London’s Alexandra Palace in 2013, the film features Björk and her band performing every song on ‘Biophilia’ and more using a broad variety of instruments – some digital, some traditional, and some completely unclassifiable. the film has already been hailed as “a captivating record of an artist in full command of her idiosyncratic powers” (variety) and “an imaginative stand-alone artwork” (hollywood reporter) and is a vital piece of the grand mosaic that is ‘biophilia.’