The Clash Concert Films
The Rise and Fall of the Clash
Runtime: 1 hr 37 minThe only up-close and personal film about the juggernaut band The Clash and their meteoric trajectory through rock ‘n roll history, The Rise and Fall of The Clash features previously unseen footage of the band at work and at play, as well as interviews with the individual band members and with those who knew them well. This is not a film that pulls any punches, but neither does it overlook the life-changing effect that The Clash brought to so many. The Rise and Fall of The Clash paints the fascinating inside story of rivalries, treachery, betrayal and the internal band dynamics and managerial interference that ultimately led “the biggest band in the world” to self-destruct.
The Clash Top Tracks
Detour Live At Liverpool Philharmonic Hall
Runtime: 1 hr 46 minElvis Costello brings his solo show Detour to the Liverpool Philharmonic Hall. Combining classic songs performed with guitar or at the piano with reminiscences of his family, life and career, it is by turns touching, humorous, thoughtful and uplifting. The set features recent songs such as “Church Underground” and “Jimmie Standing In The Rain” alongside much loved tracks from across his career including “Watching The Detectives, ” “A Good Year For The Roses, ” “Accidents Will Happen, ” “Shipbuilding” and “I Can’t Stand Up For Falling Down” all given a new twist in their solo renditions. The show also features guest appearances by sister act Larkin Poe.
The Unheard Music
Runtime: 1 hr 24 minX: The Unheard Music takes long, detailed, and often funny look at the LA music scene of the late 70s and 80s and focuses on the group that critics had singled out as the leader of the underground pack. The Unheard Music is a documentary that combines live footage of the band and interviews with the four members (as well as their friends and families) with surreal music videos and montages of newsreel footage and vintage television commercials which help to illustrate X's uphill struggle against the music industry. Their story rings true even today.
Runtime: 1 hr 49 minFilmed in Buenos Aires during the record-breaking 30th Anniversary World Tour, 'Certifiable' is the culmination of the phenomenal reunion of The Police. With a set list that reads like the ultimate Police greatest hits show, the legendary trio perform all their classic tracks including 'Roxanne', 'Every Breath You Take', 'Don't Stand So Close To Me' and 'Message In A Bottle'.
All Dolled Up
New York Dolls
Runtime: 1 hr 35 minIn the early 70's, rock photographer Bob Gruen and his wife Nadya purchased a portable video recorder. In a period of three years they shot over 40 hours of New York Dolls footage. Now for the first time ever this footage is unveiled. This feature length documentary captures the band during early performances in New York at Kenny's Castaways and Max's Kansas City, then follows the Dolls on their tour of the west coast, including footage from the Whisky A Go Go, the Real Don Steele Show, Rodney Bingenheimer's E Club and much more. Intercut with revealing interviews, backstage banter and late night debauchery, this is THE definitive document of the New York Dolls.
For all of you Dolls lovers, This concert includes TWO extensive BONUS Clips
Bonus #1: Compilation of 11 songs played in different venues
Bonus #2 A photo narrative by Bob Gruen (Inside the NY DOLLS!)
Live at the Roundhouse London
Runtime: 1 hr 6 minSeminal punk band X-ray Spex release a special live concert film recorded at 2008’s sell-out concert at the Roundhouse through new Future Noise Music imprint Year Zero. The first X-ray Spex live outing since 1979, this performance of their classic album Germ Free Adolescents saw singer Poly Styrene and bassist Paul Dean joined by friends Sid Truelove (anarcho-punk drummer with Rubella Ballet and Flux of Pink Indians), Mark Saxby (former guitarist with Arnold) and Flash (saxophone player, formerly with Rip Rig & Panic, Jah Wobble, Don Cherry and the Slits) at London’s Roundhouse on September 6th 2008 in front of 3,000 raucous fans. In 1976 X-ray Spex were formed by Poly Styrene placing an ad in NME and Melody Maker for "Young Punx Who Want To Stick It Together". For a generation sifting through the wreckage left by punk rock, X-ray Spex truly turned our world day-glo. The combination of tough, razor sharp riffs, kooky sax lines and Poly Styrene’s wonderful voice and incisive lyrics tearing into plastic consumerist society were perfect. Their 1978/79 stay was all too brief - a handful of memorable singles: debut Oh Bondage Up Yours! and the hits The Day The World Turned Day-Glo, Germ Free Adolescents and Highly Inflammable. Versions of all these songs are featured here, alongside previously unreleased new track Bloody War. X-ray Spex transcended punk, influencing a whole new scene of indie kids and post-Riot Grrrl rockers like the Yeah Yeah Yeahs and the Gossip. The band’s innate genius and brilliant song writing makes them as relevant now as they were then. They are that rarest of things, a group that has never dated.
The Rolling Stones
Runtime: 1 hrIn the spring of 1971 the Rolling Stones departed the UK to take up residence in France as tax exiles. Keith Richards settled at a villa called Nellcote in Ville franche-sur-Mer and this became the venue for the recording of much of the band's masterpiece "Exile On Main Street." "Stones In Exile" tells the story in the band's own words and through extensive archive footage of their time away from England and the creation of this extraordinary double album, which many regard as the Rolling Stones' finest achievement. Bonus Features: Extensive additional footage including interviews with all the band members, live Rolling Stones concert footage from "Cocksucker Blues" and Mick Jagger and Charlie Watts returning to Olympic Studios and Jagger's country house, Stargroves, where a lot of the early work on the album was done.
Blondie Live! The Farewell Concert 1982
Runtime: 56 minAs the most successful cross-over band ever, Blondie sold more than 15 million albums with a string of mega-hits. It is hard to understand why at the height of their worldwide success, Blondie abruptly called it quits. Before their break up, they performed one last spectacular concert and this is it!
Sid Vicious: Final 24 Hours
Runtime: 52 minThis compelling documentary series unlocks the hidden secrets, psychological flaws and events that result in the tragic deaths of famed notorious and the iconic. Every episode maps out the final 24 hours of a different famous person's life. The series weaves the star's back-story with events from their last day, which lays bare the threads of fate that led inextricably from childhood to the moment of death. These are no ordinary biographies. They're psychological detective stories attempting to uncover the mystery of why the celebrity died.
February, 1979: Punk icon, suspected murderer and heroin addict Sid Vicious has just been released from Rikers prison in New York City. After a night of celebrating his freedom with friends and family, he wakes suddenly. Hell-bent on self-destruction, Sid ingests a massive amount of heroin into his recently drug free body. Sid is discovered dead the next morning. Join us as we delve into his past to uncover the series of events that led to Sid's death and reveal for the first time a shocking revelation that sheds new light on his last day.
Color Me Obsessed
Runtime: 2 hr 3 minFor some aging music fans and kids with a passion for musical history, The Replacements are rock and roll defined. This Minneapolis quartet took a teenage-punk attitude, threw it in a blender with classic and pop rock, and then poured it into a Middle American pint glass. Over the band's 12-year existence, its live sets were magical, a total mess, or both-depending on your mood and the members' respective blood alcohol levels. Gorman Bechard's remarkable history of the 'Mats takes us from their first show as the Impediments to their 1991 onstage breakup in Chicago, and everywhere in between. Bechard bravely eschews including the band's music, photos, and live footage, instead relying solely on the fans: their well-kept memories, hilarious anecdotes, and differing points of views about the foursome's wildly varied discography and infamous antics. Bechard has recruited an impressive roster of influential fans: musicians such as Husker Du, Babes in Toyland, The Decemberists, The Hold Steady, Archers of Loaf, Titus Andronicus, and Goo Goo Dolls; writers such as Jack Rabid, Legs McNeil, Robert Christgau, Jim DeRogatis, and Greg Kot; and actors such as George Wendt, Tom Arnold, and Dave Foley. Sprinkled in among that esteemed group are the more mainstream fans, who often give the most insightful and heartfelt perspectives of all. Follower or not, after taking in COLOR ME OBSESSED, you'll be ready to run home, gather some 'Mats albums, and design a perfect soundtrack of your own.
One For the Road
Runtime: 1 hr 10 minOn this 1980 live album, the first power chords of “The Hard Way” resume the full-on guitar pummel that first announced The Kinks with “You Really Got Me.” Their '70s hit “Catch Me Now I’m Falling” includes the riff from The Rolling Stones’ “Jumpin’ Jack Flash.” The Pretenders covered “Stop Your Sobbing”. The Jam nailed “David Watts.” “Lola” was again becoming a minor hit. As per usual, The Kinks admit what other bands won’t. They did careful overdubs on this live album to make it sound even better. While there are greatest-hits albums that collect the group’s highlights, this live set is a great reintroduction for old fans.
Friday the Thirteenth
Runtime: 58 minProbably the most enduring band of the UK punk/new wave era, the legendary Stranglers perform live at Londons spectacular Royal Albert Hall. Accompanied by The Electra Strings
Tommy: Live at the Royal Albert Hall
Runtime: 2 hr 3 minOn 1st April 2017, The Who took to the stage at London’s Royal Albert Hall to deliver a blistering performance of their legendary rock opera, Tommy. Written by Pete Townshend almost 50 years ago, the full-length piece had, until then, never been performed live by the band. In a rare treat for fans, The Who decided to perform Tommy for the first time ever in its entirety for their participation in the annual Teenage Cancer Trust benefit shows. These shows are produced every year by Roger Daltrey at the iconic Royal Albert Hall to raise essential funds for the specialist treatment of young people with cancer.