The Clash

The only up-close and personal film about the juggernaut band The Clash and their meteoric trajectory through rock ‘n roll history, The Rise and Fall of The Clash features previously unseen footage of the band at work and at play, as well as interviews with the individual band members and with those who knew them well. This is not a film that pulls any punches, but neither does it overlook the life-changing effect that The Clash brought to so many. The Rise and Fall of The Clash paints the fascinating inside story of rivalries, treachery, betrayal and the internal band dynamics and managerial interference that ultimately led “the biggest band in the world” to self-destruct.

The legendary and infamous New York Dolls at their best! Amazing rare live clips and interviews filmed by Bob Gruen and Nadya Beck in the heady days of the band's ascension in the 70s. Footage from early shows in NYC all the way to the TV studios, clubs and swimming pools of Los Angeles. Black and white film was never so colorful! Includes ripping versions of ""Personality Crisis,"" ""Who Are the Mystery Girls?"" ""Babylon"" and more. See the incredible early days of the band that influenced generations of punks and rockers.

X: The Unheard Music takes long, detailed, and often funny look at the LA music scene of the late 70s and 80s and focuses on the group that critics had singled out as the leader of the underground pack. The Unheard Music is a documentary that combines live footage of the band and interviews with the four members (as well as their friends and families) with surreal music videos and montages of newsreel footage and vintage television commercials which help to illustrate X's uphill struggle against the music industry. Their story rings true even today.

Scoring some 23 UK top 40 singles and 17 UK top 40 albums to date in a career spanning five decades, the Stranglers are the longest-surviving and most "continuously successful" band to have originated in the UK punk scene of the mid to late 1970s.

Seminal punk band X-ray Spex release a special live concert film recorded at 2008’s sell-out concert at the Roundhouse through new Future Noise Music imprint Year Zero. The first X-ray Spex live outing since 1979, this performance of their classic album Germ Free Adolescents saw singer Poly Styrene and bassist Paul Dean joined by friends Sid Truelove (anarcho-punk drummer with Rubella Ballet and Flux of Pink Indians), Mark Saxby (former guitarist with Arnold) and Flash (saxophone player, formerly with Rip Rig & Panic, Jah Wobble, Don Cherry and the Slits) at London’s Roundhouse on September 6th 2008 in front of 3,000 raucous fans. In 1976 X-ray Spex were formed by Poly Styrene placing an ad in NME and Melody Maker for "Young Punx Who Want To Stick It Together". For a generation sifting through the wreckage left by punk rock, X-ray Spex truly turned our world day-glo. The combination of tough, razor sharp riffs, kooky sax lines and Poly Styrene’s wonderful voice and incisive lyrics tearing into plastic consumerist society were perfect. Their 1978/79 stay was all too brief - a handful of memorable singles: debut Oh Bondage Up Yours! and the hits The Day The World Turned Day-Glo, Germ Free Adolescents and Highly Inflammable. Versions of all these songs are featured here, alongside previously unreleased new track Bloody War. X-ray Spex transcended punk, influencing a whole new scene of indie kids and post-Riot Grrrl rockers like the Yeah Yeah Yeahs and the Gossip. The band’s innate genius and brilliant song writing makes them as relevant now as they were then. They are that rarest of things, a group that has never dated.

This independent documentary film reviews the partnership, music and impact of Lennon and McCartney as composers. From the day they met in 1957 until the release of the Rubber Soul album at the end of 1965, the film dissects and contrasts, reassesses and ultimately provides one of the finest films made about the band during this period. Drawing on rare footage, classic performances and penetrating revelations from friends of the pair, Beatles academics and musicologists, this program discovers the true story of how those classic songs were written. It features contributions from; friends Barry Miles, Klaus Voorman and Maureen Cleaves; musicians Alan Moore and Chris Ingham; journalists Robert Christgau [Village Voice] and Anthony De Curtis [Rolling Stone]; authors Johnny Rogan, Pete Doggett, Steve Turner and Nigel Williamson and broadcaster Paul Gambaccini.

From The Vault is a new series of live concerts from The Rolling Stones archive, which are getting their first official release. Hampton Coliseum Live In 1981 is the first title in this series. The Rolling Stones American Tour in 1981 was the most successful tour of that year, taking a then record $50 million dollars in ticket sales. The tour was in support of the critically and commercially successful 'Tattoo You' album. There were fifty dates on the tour, which ran from Philadelphia at the end of September through to Hampton, Virginia on the 18th and 19th of December. The show on December 18th, which was also Keith Richards' birthday, was the first ever music concert to be broadcast on television as a pay-per-view event. The footage has now been carefully restored and the sound has been newly mixed by Bob Clearmountain for this first official release of the show.

Elvis Costello brings his solo show Detour to the Liverpool Philharmonic Hall. Combining classic songs performed with guitar or at the piano with reminiscences of his family, life and career, it is by turns touching, humorous, thoughtful and uplifting. The set features recent songs such as “Church Underground” and “Jimmie Standing In The Rain” alongside much loved tracks from across his career including “Watching The Detectives, ” “A Good Year For The Roses, ” “Accidents Will Happen, ” “Shipbuilding” and “I Can’t Stand Up For Falling Down” all given a new twist in their solo renditions. The show also features guest appearances by sister act Larkin Poe.

This compelling documentary series unlocks the hidden secrets, psychological flaws and events that result in the tragic deaths of famed notorious and the iconic. Every episode maps out the final 24 hours of a different famous person's life. The series weaves the star's back-story with events from their last day, which lays bare the threads of fate that led inextricably from childhood to the moment of death. These are no ordinary biographies. They're psychological detective stories attempting to uncover the mystery of why the celebrity died.

February, 1979: Punk icon, suspected murderer and heroin addict Sid Vicious has just been released from Rikers prison in New York City. After a night of celebrating his freedom with friends and family, he wakes suddenly. Hell-bent on self-destruction, Sid ingests a massive amount of heroin into his recently drug free body. Sid is discovered dead the next morning. Join us as we delve into his past to uncover the series of events that led to Sid's death and reveal for the first time a shocking revelation that sheds new light on his last day.

For some aging music fans and kids with a passion for musical history, The Replacements are rock and roll defined. This Minneapolis quartet took a teenage-punk attitude, threw it in a blender with classic and pop rock, and then poured it into a Middle American pint glass. Over the band's 12-year existence, its live sets were magical, a total mess, or both-depending on your mood and the members' respective blood alcohol levels. Gorman Bechard's remarkable history of the 'Mats takes us from their first show as the Impediments to their 1991 onstage breakup in Chicago, and everywhere in between. Bechard bravely eschews including the band's music, photos, and live footage, instead relying solely on the fans: their well-kept memories, hilarious anecdotes, and differing points of views about the foursome's wildly varied discography and infamous antics. Bechard has recruited an impressive roster of influential fans: musicians such as Husker Du, Babes in Toyland, The Decemberists, The Hold Steady, Archers of Loaf, Titus Andronicus, and Goo Goo Dolls; writers such as Jack Rabid, Legs McNeil, Robert Christgau, Jim DeRogatis, and Greg Kot; and actors such as George Wendt, Tom Arnold, and Dave Foley. Sprinkled in among that esteemed group are the more mainstream fans, who often give the most insightful and heartfelt perspectives of all. Follower or not, after taking in COLOR ME OBSESSED, you'll be ready to run home, gather some 'Mats albums, and design a perfect soundtrack of your own.

In his home studio and revisiting old haunts in Shepherds Bush and Battersea, Pete Townshend opens his heart and his personal archive to revisit the "last great album The Who ever made". An album that took the Who full circle back to their earliest mod days and the adventures of a pill-popping Mod on an epic journey of self-discovery. But in 1973 it was an album that almost never was. Beset by money problems, a studio in construction, heroin-taking managers, a lunatic drummer and a culture of really heavy drinking, Pete took on an album that nearly broke him and an album that within a year the band had turned their back on and would ignore for nearly three decades. With unseen archive and in depth interviews from Pete, Roger, Keith, John and those in the studio and behind the lens who made the album and thirty page photo booklet.

On this 1980 live album, the first power chords of “The Hard Way” resume the full-on guitar pummel that first announced The Kinks with “You Really Got Me.” Their '70s hit “Catch Me Now I’m Falling” includes the riff from The Rolling Stones’ “Jumpin’ Jack Flash.” The Pretenders covered “Stop Your Sobbing”. The Jam nailed “David Watts.” “Lola” was again becoming a minor hit. As per usual, The Kinks admit what other bands won’t. They did careful overdubs on this live album to make it sound even better. While there are greatest-hits albums that collect the group’s highlights, this live set is a great reintroduction for old fans.