Tears For Fears
Although they came of age in the days of Wang Chung and Kajagoogoo, there was always something more substantial to Tears For Fears' brand of synth-pop. If there are godfathers of adult alternative music, they're Tears For Fears. The bleak, echoing piano on "Mad World" was most everyone's first glimpse into the emotional abstraction of Roland Orzabal's songwriting and Curt Smith's soul-inspired vocals. With 1985's Songs From The Big Chair, the group entered the big leagues thanks to hits such as "Shout," "Everybody Wants to Rule the World" and "Head Over Heels." Each one was an intricately arranged tune that deservedly rose to the top of the charts on a blend of soul, technology and smarts. The follow-up came four years later, and they began to get a bit too smart, throwing in elements of jazz and a somewhat overwhelming Beatles fetish. Curt Smith left the band in 1992, leaving Orzabel with the group's name. Records followed, including the unforgivably titled Raoul & the Kings of Spain, but none captured the public's attention in quite the same way. Despite the duo's strong differences, they were able to patch things up in 2004 for Everyone Loves a Happy Ending, a strong, tuneful re... See More
Tears For Fears Concert Films
Live at Knebworth 1990 - Volume I
Tears For Fears
Runtime: 1 hr 6 minKnebworth, Hertfordshire, June 30, 1990. 120,000 fansgathered for an historic concert event to aid the Nordoff-Robbins Music Therapy Centre and the BRIT School for Performing Arts and Technology. This incredible benefit concert was an instant success due to the high-energy, awe-inspiring performances of such rock 'n' roll legends as Paul McCartney, Phil Collins, Pink Floyd, Eric Clapton, Elton John, Mark Knopfler, Robert Plant, Jimmy Page, Status Quo, Tears For Fears and Cliff Richard & The Shadows.
Tears For Fears Top Tracks
Runtime: 1 hr 49 minFilmed in Buenos Aires during the record-breaking 30th Anniversary World Tour, 'Certifiable' is the culmination of the phenomenal reunion of The Police. With a set list that reads like the ultimate Police greatest hits show, the legendary trio perform all their classic tracks including 'Roxanne', 'Every Breath You Take', 'Don't Stand So Close To Me' and 'Message In A Bottle'.
Touring the Angel: Live in Milan
Runtime: 1 hr 57 minThis film presents the beloved British synth-pop act performing live in support of its well-received comeback album, PLAYING THE ANGEL. Touring the Angel Live in Milan songs, this film presents concert versions of eight songs from ANGEL only, including the darkly vibrant "Suffer Well" and the melancholy "Precious. "
Our Kind of Soul
Hall & Oates
Runtime: 1 hr 21 minMore than a live concert by Daryl Hall & John Oates of great soul classics, pays tribute to the duo's Philadelphia roots while recreating and rearranging some of their favorite songs into the "here" and "now." Our Kind of Soul is a collection of unbelievable performances by one of music's #1 duos - a reminder to the world about the timelessness of great music.
Live at Montreux
Runtime: 1 hr 27 minTalk Talk were one of the most innovative and original British bands of the eighties. They enjoyed a string of successful albums and singles both in the UK and right across Europe. 1986 was the band's only appearance at Montreux and caught them at the height of their success. With a set list packed with hit singles and lead singer / main songwriter Mark Hollis' charismatic performance they delivered an outstanding concert that draws a great response from the packed Swiss crowd.
The Reformation Tour 2009: Live at the O2
Runtime: 1 hr 59 minIn 2009 Spandau Ballet's first tour together for almost 20 years saw the triumphant return of one of the UK's most successful and best loved bands. Filmed during their sell out concerts at London's O2 Arena, Tony, John, Gary, Martin and Steve return with a vengeance in The Reformation Tour that brought 100,000 fans to their feet. From classic hits including Gold, True, Through The Barricades, To Cut A Long Story Short and Chant No 1 to Once More and With The Pride from their new album, Spandau Ballet Live at The O2 proves that it was absolutely worth the wait.
Arena: The Movie
Runtime: 59 minIn this concert/motion picture starring the New Romantic Pop stars, Doctor Duran (actor Milo O'Shea) the evil character in the cult film 'Barbarella' returns to earth, crash landing his time machine directly underneath a giant stadium in Oakland, California. He is bent upon doing battle with the five imposters above him (the band) who have stolen his name. The evil doctor sends out his henchmen to destroy them as they perform to a packed stadium. Duran Duran continues to perform throughout, as much chaos ensues around them. Duran Duran are captured at their musical best in Arena by award winning director, Russell Mulcahy, who was to hone his skills working on music promos through the 80's. Also includes the Making Of Arena documentary which opens the lid on the creative processes involved with making Arena.
Mystify - Live at Rockpalast 1997
Runtime: 1 hr 20 minINXS formed in their native Australia in the late seventies and quickly established themselves as a great live band. It wasnt until the early eighties that they began to break through as a recording act, first in Australia and then globally. Through the rest of the eighties and nineties they filled stadiums around the world and released a constant stream of classic hit singles and best-selling albums. This INXS concert from the Loreley Festival in Germany was filmed for the famous German TV series Rockpalast on June 21st 1997, just five months before the tragic early death of lead singer Michael Hutchence on November 22nd.
Live at the Royal Albert Hall (20th Anniversary Concert)
Runtime: 1 hr 35 minLive at the Royal Albert Hall finds Culture Club celebrating its 20th anniversary with an infectious and expansive grandeur, all while basking in the love of adoring fans. The show actually starts with a great joke on the audience: Boy George, looking not a day over 20, glides onstage in his once-trademark derby and beaded hair extensions, delivering a warm and welcome vocal on "Do You Really Want to Hurt Me?" The startled crowd soon realizes he's an impersonator. The real, fortysomething George O'Dowd, looking a lot less androgynous and a tad thicker than in New Romantics days, smiles self-deprecatingly and launches into a pleasing set of white soul ("Cold Shoulder," "Miss Me Blind"), stark gospel ("That's the Way"), stirring raga-rock ("Bow Down Mister"), and even a classic (a lovely cover of Bowie's "Starman," complete with audience participation and muscular guitar by Roy Hay).