Rage Against The Machine
Rage Against the Machine's militant political stance straddles an equally militant sound. Furious riffs churn out of Tom Morello's guitar and dive into grinding psychedelics -- the American music of opposition. But these are the sounds of a culture that is too angry for '60s passive resistance. The wah-wah pedal is a call to action. The urgency of Zack de la Rocha's frantic podium rants are taken out of the riot directing bullhorn and put into percussive rap poetics. Key to RATM's appeal is their fusion of some of America's most political musical movements: the liberation sounds of funk, the anarchistic resistance of punk, the angry alienation of metal, and the urban exasperation of hip-hop creating a revolutionary synergy on all four studio albums. De La Rocha left the band in 2000 to pursue a solo career while his bandmates went on to form Audioslave with Chris Cornell of Soundgarden on vocals. In 2007, Rage were received with open arms as they re-grouped and returned to performing and politicking.
Rage Against The Machine Concert Films
Live at the Grand Olympic Auditorium
Rage Against The Machine
Runtime: 2 hr 4 minRage Against The Machine return to their hometown of Los Angeles for an uncompromising, incendiary set in Live At The Grand Olympic Auditorium, the final dates of their Battle of Los Angeles tour and the band's last shows until their 2007 reunion.
The Battle of Mexico City
Rage Against The Machine
Runtime: 1 hr 35 minOutside Mexico City's Sports Pavilion, hundreds of young Rage fans rattle metal fences and throw rocks at the increasingly nervous police. Inside, a seething crowd of 5,000 lucky ticket holders cram into the cavernous pavilion chanting anti-government slogans and poking their middle fingers into the thick, sweaty air while waiting for Rage Against the Machine to storm the stage.
One of the greatest live acts in music history, Rage only affirms that fact with this show. Whatever club, theater, arena, or stadium they're in, the opening of each Rage Against the Machine show always feels like a grenade has gone off. But this night it was as if a truckful of bombs blew up as the band tore into the opening salvo of "Testify." Fans cascaded toward the stage like rippling waves stopping only to pogo up-and-down like jackhammers.
Longtime supporters of various political causes in Mexico, Rage were performing for the very first time in Mexico City. The connection between the band and the audience is electric. From the early "all hell can't stop us now" chant in "Guerilla Radio" to the blood-curling screams in the finale of "Freedom," there is an urgency at this show that is unrivaled. This is live rock & roll as it's meant to be heard: fierce, funky, uncompromising. This is Rage Against the Machine in their finest hour.
Rage Against The Machine
Runtime: 1 hr 24 minRage Against the Machine released this self-titled film in 1997, collecting live concert footage and music videos of some of their best material. The band starts with a passionate rendition of Bruce Springsteen's "Ghost of Tom Joad" live from the Irvine Meadows in Irvine, CA. The well-filmed performance captures Rage near the top of their game. Seeing Zack de la Rocha interact with a large crowd and the band work a tight, incendiary groove is required to understand the appeal of the now-defunct political rock band. This is underscored by "People of the Sun" and four other songs live from the Rock Am Ring Festival in Germany, where Rage plays before what must be 100,000 people. The second half of the film is filled with six music videos, including "Freedom" and "Memory of the Dead (Land and Liberty)."
Rage Against The Machine Top Tracks
Runtime: 22 minJoin the energetic crowd at Eurockéennes 2017 for Royal Blood’s electric performance. Crowd-surfing, fist-pumping and handclapping are all part of the English rock duo’s stellar set. Don’t miss it!
The Astoria London Live
Runtime: 1 hr 7 minIn this 1994 concert performance from English alternative rock superstars Radiohead, the band plays a seventeen-song set that includes such hits as "Creep", "Fake Plastic Trees", and "Pop is Dead" before a live audience at London's famed Astoria.
Let It Roll: Live in Germany
Runtime: 1 hr 29 minThis concert by Velvet Revolver was filmed at the Palladium in Cologne, Germany in March 2008 for the legendary German TV series Rockpalast. The concert was near the end of the tour for their second album Libertad and came just a few days before the band went on hold following the departure of singer Scott Weiland. The set draws heavily on the Libertad album but also features tracks from their debut album Contraband and covers of Stone Temple Pilots and Guns n Roses tracks.
Runtime: 1 hr 17 minAs you can imagine the soundtrack is heavy on the metal and it sounds great, really filling the room, mainly from the front soundstage. The surrounds get a look in for ambience, and some amusing spot effects, and the bass is nice and low.
Live And Murderous In Chicago
Runtime: 1 hr 19 minPapa Roach: Live and Murderous in Chicago is the first concert released by Californian rock group Papa Roach. It was released in the United States on November 22, 2005 – and features the band performing live at "The Vic Theater" in Chicago, Illinois. The program captures alt-metal rockers Pap Roach thrashing away at their most intense during an exhilarating Chicago concert, bringing down the house with an energetic 75-minute set.
Live at Montreux 2008
Runtime: 1 hr 29 minThe Raconteurs (Jack White, Brendan Benson, Patrick Keeler and Jack Lawrence) came to Montreux in 2008 as part of the tour in support of their second album “Consolers Of The Lonely”. They delivered a great performance of their distinctive brand of rough, tough rock ‘n’ roll with great tunes and even better guitar licks featuring many of their best known tracks including “Steady, As She Goes”, “Many Shades Of Black”, “Broken Boy Soldiers”, “Salute Your Solution” and more.
Live from Mohegan Sun
Runtime: 1 hr 20 minFilmed in high definition at the Mohegan Sun Arena in Connecticut on November 25th 2011, this concert captures a typically raw and energetic performance by Staind on tour in support of their eponymous 2011 self titled album Staind. This was their first tour to feature new drummer Sal Giancarelli. The show features tracks from the new album mixed in with classic songs from across their career including many of their hit singles.
Zénith Paris 2013
Queens of the Stone Age
Runtime: 1 hr 38 minGet your fill of riff-oriented heavy rock with this dark and moody performance by Queens of the Stone Age. Best enjoyed with the volume turned up high!
Runtime: 2 hr 15 minIncubus: HQ Live features Incubus as they celebrated their 20th anniversary as a band by renting out a gallery in downtown Los Angeles to perform and connect with their fans in the most intimate of settings.
Live in Cuba
Runtime: 2 hr 30 minFilmed Live at the Anti-Imperialist Plaza in Havana, Cuba. In may 2005, Audioslave became the first american rock band to ever perform in Cuba. 60,000 screaming fans witnessed this historic event.
Runtime: 1 hr 17 minFilmed live on Halloween night 2009 at Voodoo Experience in New Orleans, Live Voodoo sees the reunion of the classic Jane's Addiction line-up of Perry Farrell (vocals), Stephen Perkins (drums), Eric Avery (bass) and Dave Navarro (guitar). This spectacular show captures the band on top form with Perry Farrell at his most mesmerizing and the rest of the band clearly enjoying the occasion. The tracklisting is predominantly drawn from their first two albums, which both featured this line-up, and the band are joined on stage by twin girl dancers, whilst the show climaxes with a joyous all singing and dancing stage invasion.
Runtime: 2 hrDeuce is the second film by the American Nu Metal band, Korn. It was released on June 11, 2002 - the same day as the band's fifth studio release, Untouchables. The film was certified platinum by the RIAA. The DVD includes the band's first home video Who Then Now? and features the music video collection from Korn to Issues. Other extras include biographies of each band member, gags, behind-the-scenes of the music videos or live concerts, and various other things.
Any Last Words (Live at The Metro, Chicago, IL)
Runtime: 1 hr 5 minRecorded live at the Metro in Chicago in conjunction with the popular alternative metal outfit's tenth anniversary, Any Last Words features 14 high-energy tracks, including the hit singles "Send the Pain Below," "Jars," "Vitamin R (Leading Us Along)," and "Letter from a Thief." The performances are crisply produced and tightly played before an audience of obvious fans. The remainder of the set is evenly balanced between the group's four major-label studio albums that followed their Steve Albini-produced 1999 debut, Point #1.
Alive in the Windy City
Stone Temple Pilots
Runtime: 1 hr 17 minFilmed at a sold-out Riviera Theatre in Chicago in March 2010, “Alive In The Windy City” is the first Stone Temple Pilots live concert to be authorized for video release. The band is in top form, and the show both looks and sounds spectacular. The concert was held shortly before the release of their recent “Stone Temple Pilots” album, and the tracklisting combines new songs interspersed with their classic hits. This is a great live concert by one of the most successful rock acts of the last twenty years.
Single Video Theory
Runtime: 45 minSingle Video Theory is a music documentary directed by Mark Pellington that follows the making of Yield, the fifth album by the American alternative rock band Pearl Jam. The film was shot in 16mm film over three days in November 1997 in downtown Seattle. It features interviews with the band members and behind-the-scenes footage of the band's rehearsal sessions for its shows opening for The Rolling Stones. The documentary illustrates how the band began to widen the songwriting responsibilities of its members, with bassist Jeff Ament credited with writing "Pilate" and "Low Light", and guitarist Mike McCready taking part in writing "Given to Fly" with vocalist Eddie Vedder. It was the first insight into the band's inner workings of its recording sessions, which had previously been shielded from the public.
Live At Reading
Runtime: 1 hr 37 minRanked #1 in Kerrang Magazine's "100 Gigs That Shook The World" and voted as "Nirvana's #1 Greatest Moment" by fans in an NME poll, Nirvana's historic August 30, 1992 stands as a watershed moment in the history of rock. While the show's centerpiece was a performance of nearly the entire Nevermind tracklist, also noteworthy were early performances of three as yet unrecorded songs which wouldn’t be released until 2 years later on In Utero: "All Apologies," "Dumb," and in its first ever public performance, "Tourettes." The career-spanning setlist also reached back to the band's 1989 Sub Pop debut album, Bleach, for "Blew," "About A Girl," "School," "Negative Creep" and first single "Love Buzz," and even further back to the mid-'80s for "Spank Thru." Other songs from the Reading set would appear in studio form on the Incesticide compilation later in the year: "Aneurysm," "Been A Son" and "Sliver." Additionally, the band played a pair of beloved covers by two bands that helped shape the formative Nirvana sound– "The Money Will Roll Right In" by Fang and "D-7" by The Wipers.