Many accused Pearl Jam of being a mainstream hard rock band that happened to hop on the alt rock gravy train at its busiest stop (Grungeville circa late 1991/early 1992), thereby reaping the benefits of constant exposure on suddenly flannel-friendly MTV with hit videos for "Alive," "Even Flow" and, most notably, "Jeremy." In the wake of the unpredictable success of their multi-platinum anthem-fest/debut Ten, Eddie Vedder eventually got used to being a celebrity. Not coincidentally, the band bravely began messing with its straight-ahead rock formula around that same time: "Spin the Black Circle" married punk with garage rock, "Off He Goes" put their own "Daughter" to shame for fireside ambiance, "Around the Bend" manifested the effects of Mirror Ball (their 1995 collaboration with Neil Young) soft and clear, and "Low Light" out-R.E.M.'d R.E.M. in its waltzing, acoustic beauty. In 2000, Pearl Jam began releasing no less than 72 volumes of live material chronicling the American and European legs of their tour in support of Binaural, which came out the same year. 2002's Riot Act proved that the band was as relevant as ever, and in 2006 they returned with a self-titled, heavy blast of a... See More
Pearl Jam Concert Films
Single Video Theory
Runtime: 45 minSingle Video Theory is a music documentary directed by Mark Pellington that follows the making of Yield, the fifth album by the American alternative rock band Pearl Jam. The film was shot in 16mm film over three days in November 1997 in downtown Seattle. It features interviews with the band members and behind-the-scenes footage of the band's rehearsal sessions for its shows opening for The Rolling Stones. The documentary illustrates how the band began to widen the songwriting responsibilities of its members, with bassist Jeff Ament credited with writing "Pilate" and "Low Light", and guitarist Mike McCready taking part in writing "Given to Fly" with vocalist Eddie Vedder. It was the first insight into the band's inner workings of its recording sessions, which had previously been shielded from the public.
Pearl Jam Top Tracks
The Morning View Sessions
Runtime: 1 hr 49 minOctober 23, 2001, on the release day of their album "Morning View," Incubus assembled in Sony's New York City studios to perform an intimate concert of their new material.
Let It Roll: Live in Germany
Runtime: 1 hr 29 minThis concert by Velvet Revolver was filmed at the Palladium in Cologne, Germany in March 2008 for the legendary German TV series Rockpalast. The concert was near the end of the tour for their second album Libertad and came just a few days before the band went on hold following the departure of singer Scott Weiland. The set draws heavily on the Libertad album but also features tracks from their debut album Contraband and covers of Stone Temple Pilots and Guns n Roses tracks.
Busted Circuits and Ringing Ears
Runtime: 1 hr 30 minThis film spans the entire career of Tad, featuring archival live footage, interviews, music videos, and lost footage, as well as new footage and interviews with the band members and Krist Novoselic (Nirvana), Mark Arm (Mudhoney), Kim Thayil (Soundgarden), Chad Channing (Nirvana), and many others. TAD took the idea of playing LIVE very seriously; it was a life or death matter. This documentary not only stands as testimony, but it's also a cinematic document of the world's HEAVIEST band EVER (as Bruce Pavitt so incisively puts it) boldly stretching that assertion beyond any previously known limitations. Better than a tattoo, it's an open scar that roars, a broken alarm bell ringing from the lost event horizon of a long-dead star, one would never see - that is, until this film clipped it back onto the light box of the silver screen, where it can be deciphered and viewed anew. This documentary telescopes the musical pathology of Tad down to the image of an electrocardiograph recording the minor-mode melody of a final infarct, a demented soundtrack that is neither tame nor de-clawed. It was never meant to be. Dare to feel it, and risk bleeding internally.
Live at The Enmore Theatre
Runtime: 1 hr 16 minJane's Addiction is an American alternative rock band formed in Los Angeles, California in 1985. They were one of the first bands to emerge from the early 1990s alternative rock movement to gain mainstream media attention and commercial success in the United States. Their initial farewell tour launched the first Lollapalooza festival, an alternative rock showcase. Here they perform at The Enmore Theatre, in Sydney, Australia, on February 23, 2010.
R.E.M. By MTV
Runtime: 1 hr 47 minOn April 5, 1980 four college pals-Bill Berry, Peter Buck, Mike Mills and Michael Stipe-took the stage together for the first time to play at a friend's birthday party. The band they started that night stayed together for thirty years and changed the shape of rock music. R.E.M. By MTV tells R.E.M.'s story in their own words, through three decades of performances and interviews R.E.M gave to MTV channels in the USA and around the world. Featuring revealing, never-before-seen footage, R.E.M. By MTV tells the amazing story of a band that did it their own way, and changed how a generation of musicians after them did it, too.
The Battle of Mexico City
Rage Against The Machine
Runtime: 1 hr 35 minOutside Mexico City's Sports Pavilion, hundreds of young Rage fans rattle metal fences and throw rocks at the increasingly nervous police. Inside, a seething crowd of 5,000 lucky ticket holders cram into the cavernous pavilion chanting anti-government slogans and poking their middle fingers into the thick, sweaty air while waiting for Rage Against the Machine to storm the stage.
One of the greatest live acts in music history, Rage only affirms that fact with this show. Whatever club, theater, arena, or stadium they're in, the opening of each Rage Against the Machine show always feels like a grenade has gone off. But this night it was as if a truckful of bombs blew up as the band tore into the opening salvo of "Testify." Fans cascaded toward the stage like rippling waves stopping only to pogo up-and-down like jackhammers.
Longtime supporters of various political causes in Mexico, Rage were performing for the very first time in Mexico City. The connection between the band and the audience is electric. From the early "all hell can't stop us now" chant in "Guerilla Radio" to the blood-curling screams in the finale of "Freedom," there is an urgency at this show that is unrivaled. This is live rock & roll as it's meant to be heard: fierce, funky, uncompromising. This is Rage Against the Machine in their finest hour.
Live at Soundstage
Runtime: 53 minThe Counting Crows know how to have fun. Lead Singer Adam Duritz rocks his way through an evening in which poetry seems to explode from the band's repertoire of blues/rock/country hits. Fresh off the release of their greatest hits album Films About Ghosts (taken from a line in the song "Mrs. Potter's Lullaby"), the band reflects on its 10-year history in a Soundstage episode that highlights the iconic "Mr. Jones," along with other up-tempo tunes including "Hangin' Around," "Rain King" and "Mrs. Potter's Lullaby." Duritz slows down in the mournful rendition of "A Long December" but reinvigorates the mood with the rootsy "American Girls." Other hits featured include "Recovering the Satellites," and "She Don't Want Nobody Near."
Bug Live at 9:30 Club: In the Hands of the Fans
Runtime: 1 hr 3 minThrough an online contest, six fans are selected to film Dinosaur Jr. performing ""Bug"" in its entirety at the 9:30 Club in Washington DC, June 2011. Experience the fans' joy as they witness a classic performance and meet their heroes face to face in an exclusive interview with the band. Under the awesome direction of Dave Markey (The Year Punk Broke), ""In the Hands of the Fans"" brings the fans closer to the band and the music closer to you. Includes bonus footage of Henry Rollins speaking candidly to Markey about the the band, and interviewing them on stage before the show.
Pretend We're Dead
Runtime: 1 hr 27 minL7: Pretend We're Dead takes us on an all-access journey into the 1990's grunge movement that took the world by storm, and the band that helped define it as the genre of a generation. Culled from over 100 hours of vintage home movies taken by the band, never-before-seen performance footage, and candid interviews, L7: Pretend We're Dead is an engrossing time capsule told from the perspective of L7, these true insiders who brought their signature blend of grunge punk to the masses! Chronicling the early days of the band's formation in 1985 to their height as the 'queens of grunge,' the film takes a roller coaster ride through L7's triumphs and failures, providing never-before-discussed insight into the band's eventual dissolution in 2001. Formed by Donita Sparks and Suzi Gardner-guitars/vocals, the band completed their lineup with the addition of Jennifer Finch on bass/vocals and Dee Plakas on drums. To highlight the fact that L7 was an all-female group, however, was to miss the point. "Our fans couldn't give a shit if we're women," Sparks says. "We did not set out to be an all-girl band. It just happened that way." Yet the "gender issue" would return time and again for the band; from shock jocks refusing to play "chick rock" to academics accusing the band of "incorrectly" embracing their feminism to hard rock press implying the band was merely riding a wave of "girl power" trendiness. Despite these obstacles, L7: Pretend We're Dead shows the thread of influence the band had not only on rock and roll but on future generations of women everywhere and is, at the end, a testament to the pioneering spirit of a band that refuses to take anything lying down. "They can't hear a word we said, when we pretend that we're dead" Also includes the infamous 1997 documentary "L7 The Beauty Process" that was directed by Krist Novoselic.
Classic Albums: The Joshua Tree
Runtime: 51 minAn outstanding entry in the Classic Albums video series, this hourlong documentary, produced in 1999, assembles the creators of U2's The Joshua Tree to comment about the musical magic that occurred a dozen years earlier in a home studio in Dublin. Merging past and present, coproducers Daniel Lanois and Brian Eno, mixer Steve Lillywhite, and guitarist The Edge isolate separate tracks on the album's master tapes to illustrate how some of U2's greatest songs were layered with each individual's crucial contributions. Bono listens in while Lanois deconstructs the masters, appearing genuinely shy about his vocal tracks but eloquent in describing the album as "not Irish at all" in its innovative sound, but "very Irish" in terms of the emotions that inspired it. Later, The Edge describes the "cinematic" sound of the album, intended to transport the listener to a specific physical location based on each song's mood and atmosphere.
Bassist Adam Clayton and drummer Larry Mullen weigh in with illuminating comments, and the hour offers an abundance of video excerpts, concert footage, and memorable anecdotes. Eno sets the record straight on the torturous process of recording "Where the Streets Have No Name" (he almost "accidentally" erased the master tape in hopes of starting from scratch), and Bono admits to a heavy Led Zeppelin influence on "Bullet the Blue Sky." Archival footage shows the recording in progress (one wishes there were more of it), and what emerges from this collective reminiscence is an enlightening study of mutual chemistry and fruitful collaboration. Upon viewing this video, another listening to The Joshua Tree will be more rewarding than ever.
Zénith Paris 2013
Queens of the Stone Age
Runtime: 1 hr 38 minGet your fill of riff-oriented heavy rock with this dark and moody performance by Queens of the Stone Age. Best enjoyed with the volume turned up high!
Dave Matthews Band
Runtime: 2 hr 16 minThis film follows the Dave Matthews Band to Brixton Academy in London, on June 26, 2009. Dave Matthews, Carter Beauford, Stefan Lessard, Boyd Tinsley, Jeff Coffin, Tim Reynolds, and Rashawn Ross perform in front of a sold-out crowd and serve up fan favorites "Crash Into Me," "Funny the Way It Is," "#41," and many more.
Live at the Moore
Runtime: 2 hr 32 minIn 1995, Mike McCready of Pearl Jam, Layne Staley of Alice In Chains, Barrett Martin of the Screaming Trees and bassist John Baker Saunders played their final show as Seattle-grunge supergroup Mad Season at the Moore Theater in Seattle. The new release of "Live At The Moore" features the legendary show remixed and remastered, also newly edited by director Duncan Sharp for a beautiful new documentary-like presentation, giving the show an updated look as if the viewer were in room that night. Fans will be pleased that included are four performances from the show that have never been seen, including the fan-favorite "Wake Up." Also featured is a full concert of Mad Season's performance from New Years Eve 1994 at RKCNDY in Seattle (which was shot by the band's crew for an up close and intimate look at the band), both performances from Pearl Jam's pirate radio special, "Self-Pollution Radio," and the music video for the hit single "River of Deceit".
Alive in the Windy City
Stone Temple Pilots
Runtime: 1 hr 17 minFilmed at a sold-out Riviera Theatre in Chicago in March 2010, “Alive In The Windy City” is the first Stone Temple Pilots live concert to be authorized for video release. The band is in top form, and the show both looks and sounds spectacular. The concert was held shortly before the release of their recent “Stone Temple Pilots” album, and the tracklisting combines new songs interspersed with their classic hits. This is a great live concert by one of the most successful rock acts of the last twenty years.
Water On The Road
Runtime: 1 hr 18 minWater on the Road, a live-concert film directed by Brendan Canty of Fugazi and Christoph Green features performances from Pearl Jam singer Eddie Vedder's August 2008 solo tour engagements at Washington, D.C.'s Warner Theatre. The film features a live performance of "You're True" from the Grammy nominated album Ukulele Songs as well as a mix of Pearl Jam catalog, covers and songs from Vedder's critically acclaimed, award-winning solo record, Into The Wild. The film also includes appearances by Liam Finn and EJ Barnes who supported Vedder during his 2008 solo tour.
Live At The Paramount
Runtime: 1 hr 11 minFive weeks after releasing what was to become the seminal album of a generation, Nirvana was on a nationwide club and small theatre tour that brought them to Seattle’s Paramount Theatre for a very special Halloween 1991 homecoming show. Launching the nineteen song set with a brilliant cover of the Vaselines’ “Jesus Doesn’t Want Me For A Sunbeam,” the band tears through Nevermind hits like “Smells Like Teen Spirit,” “Lithium” and “Breed,” plus earlier favorites like “School,” “Love Buzz” and “About A Girl” and a very early version of “Rape Me.”
Live in Cuba
Runtime: 2 hr 30 minFilmed Live at the Anti-Imperialist Plaza in Havana, Cuba. In may 2005, Audioslave became the first american rock band to ever perform in Cuba. 60,000 screaming fans witnessed this historic event.