A riotously witty pub-rocker-turned-alt-country-troubadour, Nick Lowe has been fusing warmth and cleverness since the '70s.
Nick Lowe Concert Films
Runtime: 41 minICK LOWE A pivotal figure in UK pub rock, punk rock and new wave, Lowe has recorded a string of well-reviewed solo albums. He is best known for his songs "Cruel to Be Kind" (a US Top 40 single), and "I Love the Sound of Breaking Glass" (a top 10 UK hit), as well as his production work with Elvis Costello, Graham Parker and others. Lowe also wrote "(What's So Funny 'Bout) Peace, Love, and Understanding", a hit for Costello.
Nick Lowe rocked English pubs in the ￼￼￼70s, then produced punk greats like the Pretenders and finally found the blues by way of the country band Little Village. Nick explores the dichotomies in the classic blues motifs: fear of God, pact with the devil, domesticity and wanderlust and partying on a Saturday night before the Sunday morning church service.
Nick Lowe Top Tracks
Live in Budokan
Runtime: 1 hr 26 minStudio releases never fully conveyed Cheap Trick’s muscle, but the band harnessed the raw energy of their live show with 1978’s At Budokan (Live). Recorded in Tokyo before 12,000 feverish fans, “Hello There” and “Lookout” are the dictionary definition of how live rock ’n’ roll should sound. A cover of “Ain’t That a Shame” highlights the band’s connection to a timeless tradition of teen-rock abandon, but “Surrender” and “I Want You to Want Me” are the gold coins that secured them their own space in the rock canon.
One For the Road
Runtime: 1 hr 10 minOn this 1980 live album, the first power chords of “The Hard Way” resume the full-on guitar pummel that first announced The Kinks with “You Really Got Me.” Their '70s hit “Catch Me Now I’m Falling” includes the riff from The Rolling Stones’ “Jumpin’ Jack Flash.” The Pretenders covered “Stop Your Sobbing”. The Jam nailed “David Watts.” “Lola” was again becoming a minor hit. As per usual, The Kinks admit what other bands won’t. They did careful overdubs on this live album to make it sound even better. While there are greatest-hits albums that collect the group’s highlights, this live set is a great reintroduction for old fans.
Live In Memphis
Elvis Costello & The Imposters
Runtime: 1 hrClub Date is a new series from Eagle Vision that takes established artists back to their roots to play in small intimate venues. This first release in the series sees Elvis Costello & The Imposters playing at the tiny Hi-Tone Club (capacity 250) in Memphis, Tennessee. Recorded in autumn 2004, the concert was filmed in Hi-Definition and features songs from across Costellos glittering career from Waiting For The End Of The World from his debut album through to The Delivery Man, the title track of his most recent. It includes hits such as Radio Radio, Alison, Peace, Love And Understanding and Pump It Up alongside classic tracks and new songs. Highlights include two duets with the great Emmylou Harris on I Still Miss Someone and Heart Shaped Bruise.
Live at Soundstage
Runtime: 56 minLucinda Williams is widely considered to be one of America's best singer/songwriters working today. An artist who completely defies categorization, her honest lyrics are often compared to fine poetry as she sings her narrative tales of Southern Gothic and heart-wrenching songs of love, heartbreak and desire. On this episode of Soundstage, Lucinda and her band perform favorites from her catalogue, as well as tunes from her newest album: World Without Tears.
I’ll Do Anything: Live in Concert
Runtime: 1 hr 45 minJackson Browne's I'll do Anything Live In Concert features over 90 minutes of music from Jackson's entire body of work. Recorded during his 2012 Tour at the Paramount Theatre in Denver, CO, the release also features Sara Watkins, Sean Watkins, Tyler Chester, Fritz Lewak, and Val McCallum.
Detour Live At Liverpool Philharmonic Hall
Runtime: 1 hr 46 minElvis Costello brings his solo show Detour to the Liverpool Philharmonic Hall. Combining classic songs performed with guitar or at the piano with reminiscences of his family, life and career, it is by turns touching, humorous, thoughtful and uplifting. The set features recent songs such as “Church Underground” and “Jimmie Standing In The Rain” alongside much loved tracks from across his career including “Watching The Detectives, ” “A Good Year For The Roses, ” “Accidents Will Happen, ” “Shipbuilding” and “I Can’t Stand Up For Falling Down” all given a new twist in their solo renditions. The show also features guest appearances by sister act Larkin Poe.
Ride, Rise, Roar
Runtime: 1 hr 27 minRIDE, RISE, ROAR is a concert film featuring David Byrne that blends riveting onstage performances with intimate details of the creative collaborations that make the music and performance happen. Shot with multiple cameras over several concerts during the 08/09 tour, the film blends the energy and charisma of classic Talking Heads with the heartfelt pathos of David Byrne and Brian Eno's most recent collaboration. Between the songs, the film achieves an unprecedented intimacy with David Byrne and the band, documenting behind-thescenes auditions, rehearsals, and interviews with key players while revealing the creative process that led to the show's unique fusion of pop music and modern dance. RIDE, RISE, ROAR celebrates Byrne's extensive career as a musician and testifies to the creativity that keeps him going today.
Beneath this Gruff Exterior
Runtime: 54 minInventive performer and poignant songwriter John Hiatt captures the attention of fans and critics alike. In this Soundstage performance, which features Dar Williams and Robinella and the CCstringband, Hiatt performs "My Baby Blue" from his most recent album Beneath This Gruff Exterior. He also showcases timeless pieces like "The Thing Called Love" and "Memphis in the Meantime." Folk-rocker Dar Williams takes the stage to perform "I Saw a Bird Fly Away," a piece which encapsulates Williams' ability to combine sensitivity with not only pathos, but also a sharp wit. East Tennessee natives Robinella and the CCstringband close out the show with new songs including "Honey Honey Bee" and "Man Over." Both songs are a testament to the acclaim that this jazz-bluegrass-swing band has earned from not just critics, but fans and peers alike.