Currently based out of Toronto, indietronic act Metric actually formed in Brooklyn in 1998. Vocalist Emily Haines and guitarist James Shaw met in a Toronto club after attending a concert by mutual friends and discovering they both hated the show. Their musical bonds established, the two mixed a few of their own songs together, creating what would become The MainstreamEP, a collection of demos. Upon moving to Brooklyn, they dubbed their project Metric after a sequence that Shaw played on his keyboard. A record deal (and the desire to escape their NYC hovel) then lead them to London. Yet in 2001 their first full-length, Grow Up and Blow Away, wasn't released due to legal conflicts. Returning to New York, they met drummer Joules Scott-Key (a Texan) and became a trio. However, it took two years before Metric put out their proper debut Old World Underground, Where Are You Now?, a disc full of new wave nods and punk-funk electronics. In 2005, the group released Live It Out, a record focused more on guitars than drum machines. The disc was so well-received it scored Metric a slot opening for the Rolling Stones, an experience they now call "surreal."
Metric Concert Films
Live at Metropolis
Runtime: 58 minWatch the Canadian synth-rock superstars in action at a Fall 2006 Montreal stop on their Live It Out tour, and also includes the videos for Live It Out's 3 singles.
Four-piece Canadian rock band Metric is captured playing a date on their 2006 tour with this recording. The stop-off was at the Metropolis club in Montreal on the "Live It Out" tour, and features the band delivering their inimitable brand of synth-based rock over a 13-song performance.
Metric Top Tracks
Live at the Music Hall of Williamsburg
Ra Ra Riot
Runtime: 60 minRa Ra Riot are on an alluring career trajectory. The band has gone from small-town favorites to big stage stars, and their recent swing through our city for four nights at both The Bowery Ballroom and The Music Hall of Williamsburg seemed the perfect time to capture their ascent.
Starting off as contemporaries to bands like Vampire Weekend, Ra Ra Riot has been something of a slow burner, choosing to develop and nurture a sound rather than cashing in on one, quick aesthetic. Following the release of their polished, Chris Walla produced sophomore album The Orchard, the band now find themselves at a point of promise. The intricacies of their arrangements rival many of the so-called art-rockers, with heaps more accessibility. While The Orchard dropped hooks for heady, reverberated decorations, the ornate finish provides a complimentary side to a band still building its foundation.
Live at The Regency Ballroom
Cold War Kids
Runtime: 1 hr 16 minIf there is one thing Cold War Kids have taught us it's never judge a book by its cover - or a band by its name. The Californian indie rockers performed a slick, soulful, grown-up set at Regency Ballroom in support in support of "Dear Miss Lonelyhearts." Dipping into newer tracks such as rollicking electro stomper 'Miracle Mile' and raw renditions of fan favourites like 'We Used To Vacation' and 'Hang Me Up To Dry', the Kids showed us they are more than capable of putting on a phenomenal live performance that can keep everyone in the house rocking until the final minute.
Live at The Metro Theatre
Runtime: 1 hr 41 minHailing from Portland, Oregon The Decemberists made their first Australian pilgrimage on the back of their 2009 release - The Hazards Of Love - the follow-up to their 2006 breakthrough, The Crane Wife. Here they are performing at The Metro Theatre, in Sydney, Australia, on January 19, 2010.
I'm With You
Runtime: 44 minThe concert documentary "I'm With You" follows the band Grouplove as they play a series of shows in NYC around the release of their new album. Weaving live music with documentary scenes, the film traces the history of the band and explores the unique interpersonal dynamics that make the group so special.
Tegan And Sara
Runtime: 2 hr 4 minThese twin sisters are an engaging live act and have slowly amassed a sizable following over the past decade and a half. They’ve done it by writing smart, quirky folk-pop tunes that are as emotionally true as they are catchy. Tegan and Sara’s studio albums have given them the luxury of adding accompaniment, but their live performances have been stripped to acoustic guitars, keyboards, and their intuitive vocals. The show recorded here was performed for family and friends at a Vancouver studio, so the sound is excellent and well-controlled. “Relief Next to Me” is nicely detailed. “The Ocean” could be a beatnik’s dream. “I Hear Noises” is exquisite folk, beautifully restrained. “Call It Off” is touching and gentle. “I Won’t Be Left” furiously strums with intention, with the bonus of drums accentuating the new wave pop drive. Their entire catalog is raided to great effect; just hearing the ache in Tegan’s voice should be enough to convince a skeptic.
Live at The Studio
Tokyo Police Club
Runtime: 29 minSince storming on to the scene in '06, TPC have honed in on the kind of proper, pop chops that have given them the inside track on this here music industry of ours. Theirs' are tunes that come packaged with a host of tasty touches hiding inside: acrobatic swirls of guitar, warm and woozy swells of synthesizer, and of course, Dave Monks' endearing, boy next door vocal delivery at the helm of the quartet.
Front Row Center
Death Cab For Cutie
Runtime: 54 minIndie rock favorite turned major label sensation Death Cab for Cutie presents an impeccable set on this episode of Soundstage. Lead vocalist Ben Gibbard’s cozy voice has an engaging quality that ropes you in on songs from their new EP The Open Door, 2008 studio album Narrow Stairs and highlights from their prolific catalog.
Live at Earl’s Court: The Reflektor Tapes
Runtime: 1 hr 51 minArcade Fire released their live film recording "Live at Earls Court," in 2015. It was recorded during the band’s shows at Earls Court in London, during the Reflektor Tour in 2014 and it features some of the most fan-appreciated tracks.
Live At House Of Blues Anaheim 2008
Runtime: 1 hr 5 minThe Bravery were an American dance-rock band formed in New York City in 2003 that consisted of lead vocalist Sam Endicott, guitarist Michael Zakarin, keyboardist John Conway, bassist Mike Hindert and drummer Anthony Burulcich. Their music is a synthesis of 1980s-influenced genres such as post-punk revival, dance-rock, and new wave. This live concert experience at the House Of Blues in Anaheim, California includes memorable performances of “This is not the end,” “Time Won't Let Me Go,” “Swollen Summer,” and many more.
Live at Hype Machine's Hype Hotel
Runtime: 27 minWe aim to keep track of the most buzzed about indie groups, and we're confident in our assessment that Scottish synth-pop trio CHVRCHES will continue to coast atop the crest of of the indie wave. Fronted by their pixie-like frontwoman, Lauren Mayberry, the group caught attention with their Recover EP, which stormed our sound waves with its gripping synth rhythms and enslaving party choruses.
We were initially surprised to see such a fervent turnout of faithful fans for the newcomer's show at the I Guess I'm Floating/YVYNYL party at Hype Machine's Hype Hotel down in Austin, Texas. But after being quickly acclimated to the group's commanding performance, we were singing right along with their most devoted admirers. We urge you to watch their performance below, and dare you to avoid becoming a member of the rapidly growing CHVRCHES legion.
One Mile High...Live
Runtime: 1 hr 33 minAfter a five year break, 2012 saw Garbage back in the spotlight with a new studio album "Not Your Kind Of People" followed by their first world tour in seven years. Filmed on this tour at the Ogden Theatre in Denver, Colorado on October 6th, "One Mile High...Live" is the first ever film of a full Garbage concert. Charismatic singer Shirley Manson leads from the front propelled by the twin guitars of Steve Marker and Duke Erikson and the powerhouse drumming of Butch Vig with Eric Avery providing bass guitar for the live shows. The band mix highlights from the new album with classic tracks from across their career to produce the ultimate Garbage live experience.