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Kirk Franklin

Kirk Franklin Concert Films

  • The Lords My Witness

    Kirk Franklin

    Year: 2007

    Runtime: 50 min

    Kirk Franklin's story is a testimony how one can go from good to bad, then back to being righteous. This feature deeply explores the progressions of his life and the lives of those around him. In his early days in Texas, living under his religious aunt's roof, he was introduced to the world of music. Nevertheless, he was not always a saint and ran the streets for years. After seeing his close friend lose his life to gun fire, he reevaluated his life and took his signature brand of gospel to the next level. This film contains his miraculous story and one truly all-inspiring life lesson.
     
     
  • The Rebirth of Kirk Franklin

    Kirk Franklin

    Year: 2015

    Runtime: 1 hr 41 min

    Recorded live at Houston's Lakewood Church, this collection of live performances and video clips features guest appearances by Bishop T.D. Jakes, Shirley Caesar, Crystal Lewis, Donnie McClurkin and more.
     
     
  • Whatcha Lookin' For

    Kirk Franklin & the Family

    Year: 2016

    Runtime: 1 hr 23 min

    Since his debut, 1993's Kirk Franklin & the Family, Kirk Franklin has been one of the brightest stars in contemporary gospel music. The album spent 100 weeks on the gospel charts (some of those on top), crossed over to the R&B charts, and became the first gospel debut album to go platinum. His second album, Kirk Franklin & the Family Christmas, became the genre's first Christmas album to make it to number one, and his 1996 album Whatcha Lookin' 4 went gold as soon as it was distributed.
     
     
  • The Gospel According to Jazz, Chapter IV

    Kirk Whalum

    Year: 2018

    Runtime: 2 hr 27 min

    After a six-year wait, the much anticipated The Gospel According To Jazz, Chapter IV is finally here with a benchmark for live recording, nuanced performance and deep improvisation at the most profoundly felt, thoughtfully conceived, personal level. Kirk Whalum’s insightful and revelatory narrative enriches the whole experience, with an up-close and personal look at the heart of the artist and his art. The Gospel According to Jazz, Chapter IV is an invitation to pause, hear and “see” in a fresh, prescient way; it is also a tribute album that is uniquely gospel-centric. Honored are heads of state (Mandela and Obama), departed and greatly respected and loved artists (George Duke, Wayman Tisdale and John Coltrane), alongside mothers (Kirk’s, and yours if you like) and a homeless woman Whalum came to call friend (“Nannette”). In myriad ways, the gospel’s welcome is declared and displayed with eloquence and power.
     
     

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