Though word of wry British songstress Kate Nash was slow to cross the pond to the U.S., the singer/songwriter spent a good deal of 2007 inching up the British charts, helped by ample lip service from Brit pop singer Lily Allen and the successful charting of a pair of singles off her Foundations EP and subsequent 2007 debut LP, Made of Bricks. Nash played piano as a girl and pursued acting as a teen, but she didn't start performing publicly until the spring of 2006, when, after being rejected from the Bristol Old Vic Theatre School, she decided on a career in music. Helped immensely by the social networking site MySpace, it was little more than a year after her first gig when Nash was topping British charts with her debut LP, headlining major British pop festivals and touring internationally.
Kate Nash Concert Films
Live at Soundstage
Runtime: 49 minNash's Soundstage appearance features such as "Pumpkin Soup", "Mouthwash", "Stitching Legs"; with all its infectious sing-along tunes and catchy beats,watch Nash doing what she does best as she captivates the audience with her amazing energy and down to earth personality.
Kate Nash Top Tracks
Everything In-Between: The Story Of Ellipse
Runtime: 1 hr 30 minGo behind the scenes and explore the three year journey of Imogen Heap’s making of the Grammy Award winning album, Ellipse. Travel the world with Imogen as she invites you into her writing and recording process and building her brand new recording studio in her old family home.
Backfire At The Disco
Runtime: 1 hr 5 minLive at The Shepherd's Bush Empire. Within the butterfly-breaking cogs of the music industry, big numbers can bring big problems. And The Wombats’ numbers got big, fast. A platinum album with their 2007 debut 'Guide To Love, Loss And Desperation’. Over 300,000 combined sales of their indie dancefloor smashes ‘Kill The Director’, 'Let's Dance To Joy Division’ (winner of the 2008 NME Award for Best Dancefloor Filler), ‘Backfire At The Disco’ and ‘Moving To New York’. A two year tour during which Liverpool’s biggest exports in a decade played to well over a million people, culminating in a massive homecoming Liverpool Arena show for 10,000 ecstatic local fans of their dark yet exuberant and infectious alt.pop.
A Pocket Party
Runtime: 26 minFeist, the Canadian signer who took over the world with her hit '1234' performs at a very special Pocket Party session. Her charisma and guitar skills shine through as she woos the audience with singing.
Live in Wiltern 2014
Bombay Bicycle Club
Runtime: 1 hr 27 minBombay Bicycle Club performs live at The Wiltern in 2014. The show, in support of their third studio album, A Different Kind of Fix, features performances of “Always Like This,” “Shuffle,” and “Light Out.”
Live at Soundstage
Runtime: 54 minIf Eye To the Telescope introduced a bold new talent, KT Tunstall's Acoustic Extravaganza confirms that the Scottish singer is no fluke. Whether stripping down tracks from her platinum debut--nominated for both a Grammy and Britain's coveted Mercury Prize--or taking on Beck's tender "Golden Age," it's all about the Voice and the Voice is good. While Telescope elicited comparisons to Joni Mitchell and Bjork, in acoustic mode, Tunstall sounds more like countryman Rod Stewart back when he was fronting the Faces. She's got that soulful thing down to a science, but there's nothing affected about it, and she never pushes too hard. Ten years of busking can do that for a girl (it's how she learned to use a loop pedal to duplicate the sound of a full band). Originally only available through her website, Acoustic Extravaganza doesn't include hit singles "Black Horse and the Cherry Tree" and "Suddenly I See," the theme from The Devil Wears Prada, but then it isn't a greatest hits collection. Recorded in two days, th set consists primarily of non-LP material, like the angry "Ashes," plus the featurette Five Go to Skye (Making the Album). The parental advisory warning ("explicit content") refers to the profanity in "Ashes." Otherwise, there's nothing objectionable going on here.
Tegan And Sara
Runtime: 2 hr 4 minThese twin sisters are an engaging live act and have slowly amassed a sizable following over the past decade and a half. They’ve done it by writing smart, quirky folk-pop tunes that are as emotionally true as they are catchy. Tegan and Sara’s studio albums have given them the luxury of adding accompaniment, but their live performances have been stripped to acoustic guitars, keyboards, and their intuitive vocals. The show recorded here was performed for family and friends at a Vancouver studio, so the sound is excellent and well-controlled. “Relief Next to Me” is nicely detailed. “The Ocean” could be a beatnik’s dream. “I Hear Noises” is exquisite folk, beautifully restrained. “Call It Off” is touching and gentle. “I Won’t Be Left” furiously strums with intention, with the bonus of drums accentuating the new wave pop drive. Their entire catalog is raided to great effect; just hearing the ache in Tegan’s voice should be enough to convince a skeptic.
Live at The Shepherds Bush Empire
Bat For Lashes
Runtime: 1 hr 13 minBrighton, England's Bat for Lashes is the brainchild of singer/songwriter Natasha Khan. The Pakistan-born Khan pulls from her art school education and her experience producing multimedia installations when it comes to writing songs. She also cites Steve Reich and Susan Hiller as influences, while echoes of Björk and Siouxsie Sioux are heard throughout Bat for Lashes' mystical indie rock sound. Bat for Lashes' first single, "The Wizard," was digitally released by DiS, and issued as a 7" on Khan's own She Bear imprint in early 2006. That fall, with "Trophy" burning up the BBC indie rock chart, the Fur & Gold LP arrived in the U.K. in September. The album was released a year later in the U.S. to much critical acclaim. Bat for Lashes' ambitious 2009 album, Two Suns, revolved around the concept of Khan and her blonde, hedonistic alter ego Pearl, and featured a duet with Scott Walker.