Though word of wry British songstress Kate Nash was slow to cross the pond to the U.S., the singer/songwriter spent a good deal of 2007 inching up the British charts, helped by ample lip service from Brit pop singer Lily Allen and the successful charting of a pair of singles off her Foundations EP and subsequent 2007 debut LP, Made of Bricks. Nash played piano as a girl and pursued acting as a teen, but she didn't start performing publicly until the spring of 2006, when, after being rejected from the Bristol Old Vic Theatre School, she decided on a career in music. Helped immensely by the social networking site MySpace, it was little more than a year after her first gig when Nash was topping British charts with her debut LP, headlining major British pop festivals and touring internationally.
Kate Nash Concert Films
Live at Soundstage
Runtime: 49 minNash's Soundstage appearance features such as "Pumpkin Soup", "Mouthwash", "Stitching Legs"; with all its infectious sing-along tunes and catchy beats,watch Nash doing what she does best as she captivates the audience with her amazing energy and down to earth personality.
Kate Nash Top Tracks
Everything In-Between: The Story Of Ellipse
Runtime: 1 hr 30 minGo behind the scenes and explore the three year journey of Imogen Heap’s making of the Grammy Award winning album, Ellipse. Travel the world with Imogen as she invites you into her writing and recording process and building her brand new recording studio in her old family home.
Live at Montreux 2012
Runtime: 1 hr 38 minAlanis Morissette is one of the most successful female artists and songwriters of all time and has sold in excess of 60 million albums worldwide. Her voice is instantly recognizable and she is a consummate live performer. On July 2nd, 2012, Alanis Morissette returned to Montreux as part of her Guardian Angel Tour in support of her new album "Havoc And Bright Lights". It was her third appearance at the festival. The set showcased a number of tracks from the new album (at that point still to be released) alongside classic tracks from across her career. This is Alanis Morissette live at her very best.
In Session 2004
Runtime: 21 minVanessa Carlton performs live In Session in 2004. The show, I support of her second album, Harmonium features performances of White Houses,” “San Francisco; and “Who’s To Say.”
Live at the Wiltern 2014
Bombay Bicycle Club
Runtime: 1 hr 27 minBombay Bicycle Club performs live at The Wiltern in 2014. The show, in support of their third studio album, A Different Kind of Fix, features performances of “Always Like This,” “Shuffle,” and “Light Out.”
Live at Soundstage
Runtime: 54 minIf Eye To the Telescope introduced a bold new talent, KT Tunstall's Acoustic Extravaganza confirms that the Scottish singer is no fluke. Whether stripping down tracks from her platinum debut--nominated for both a Grammy and Britain's coveted Mercury Prize--or taking on Beck's tender "Golden Age," it's all about the Voice and the Voice is good. While Telescope elicited comparisons to Joni Mitchell and Bjork, in acoustic mode, Tunstall sounds more like countryman Rod Stewart back when he was fronting the Faces. She's got that soulful thing down to a science, but there's nothing affected about it, and she never pushes too hard. Ten years of busking can do that for a girl (it's how she learned to use a loop pedal to duplicate the sound of a full band). Originally only available through her website, Acoustic Extravaganza doesn't include hit singles "Black Horse and the Cherry Tree" and "Suddenly I See," the theme from The Devil Wears Prada, but then it isn't a greatest hits collection. Recorded in two days, th set consists primarily of non-LP material, like the angry "Ashes," plus the featurette Five Go to Skye (Making the Album). The parental advisory warning ("explicit content") refers to the profanity in "Ashes." Otherwise, there's nothing objectionable going on here.
Live in London
Runtime: 1 hr 27 min'LIVE IN LONDON' is the first live recording and concert film from acclaimed artist Regina Spektor. Captured mainly at London's famed Hammersmith Apollo Theatre, 'LIVE IN LONDON' features 23 remarkable performances that span Spektor's brilliant catalog of music, including three new songs that have only been performed live ('Silly Eye-Color Generalizations,' 'Bobbing For Apples and 'Love, You're A Whore'). 'LIVE IN LONDON' was recorded during Regina's UK tour in support of her latest album, 'far,' which debuted at #3 on the Billboard Top 200. For the first time, fans can see Regina up close as she performs fan favorites like 'Us,' 'Fidelity,' 'Samson' and 'Eet,' along with backstage footage, inside peaks at sound check and more. 'LIVE IN LONDON' is a captivating 64-minute concert film directed by Adria Petty. An artist praised for her remarkable originality, inspired storytelling and enthralling performances, Rolling Stone raves, 'Spektor put on one of the most intensely joyful rock shows we've seen all year.' The Philadelphia Inquirer adds, 'Everything she did was greeted with thunderous applause... the audience could not get enough. Perhaps what was most remarkable about Regina's performance, aside from hearing Spektor's gorgeous vocals in person, was her ability to enrapture the crowd... Spektor's passion, vitality and sheer musical talent transformed the Electric Factory into a world of intimacy.' The Boston Globe simply says, 'multi-talented Spektor is capable of anything and it shows on stage.'
Tegan And Sara
Runtime: 2 hr 4 minThese twin sisters are an engaging live act and have slowly amassed a sizable following over the past decade and a half. They’ve done it by writing smart, quirky folk-pop tunes that are as emotionally true as they are catchy. Tegan and Sara’s studio albums have given them the luxury of adding accompaniment, but their live performances have been stripped to acoustic guitars, keyboards, and their intuitive vocals. The show recorded here was performed for family and friends at a Vancouver studio, so the sound is excellent and well-controlled. “Relief Next to Me” is nicely detailed. “The Ocean” could be a beatnik’s dream. “I Hear Noises” is exquisite folk, beautifully restrained. “Call It Off” is touching and gentle. “I Won’t Be Left” furiously strums with intention, with the bonus of drums accentuating the new wave pop drive. Their entire catalog is raided to great effect; just hearing the ache in Tegan’s voice should be enough to convince a skeptic.