Best known as the lead singer of trip-hop duo Frou Frou, Imogen Heap's solo work is at least as interesting -- if not more -- as her collaborations. A bundle of young, exciting and vibrant talent, Heap composes solo music that reveals both shrewd craftsmanship and eloquent passion. As a pianist/keyboardist, her skill is immediately apparent and quite impressive: there are passages on her debut i Megaphone that are simply dazzling. Song arrangements display a keen awareness of what is now -- drumbeats and basslines are consistently danceable while electronic noises swoop and swirl with a refreshingly understated gracefulness. As a vocalist, Heap brings a slinky, sexy toughness that's never riddled with melodrama. Even when she's at her most vulnerable, one can't help but think she's a born survivor who can weather any emotional storm. Heap and her co-conspirators do justice to her distinctive, honest vocal delivery and lyrics and her superb musicianship.
Imogen Heap Concert Films
Everything In-Between: The Story Of Ellipse
Runtime: 1 hr 30 minGo behind the scenes and explore the three year journey of Imogen Heap’s making of the Grammy Award winning album, Ellipse. Travel the world with Imogen as she invites you into her writing and recording process and building her brand new recording studio in her old family home.
Imogen Heap Top Tracks
In Session 2004
Runtime: 21 minVanessa Carlton performs live In Session in 2004. The show, I support of her second album, Harmonium features performances of White Houses,” “San Francisco; and “Who’s To Say.”
Live at The Shepherds Bush Empire
Bat For Lashes
Runtime: 1 hr 13 minBrighton, England's Bat for Lashes is the brainchild of singer/songwriter Natasha Khan. The Pakistan-born Khan pulls from her art school education and her experience producing multimedia installations when it comes to writing songs. She also cites Steve Reich and Susan Hiller as influences, while echoes of Björk and Siouxsie Sioux are heard throughout Bat for Lashes' mystical indie rock sound. Bat for Lashes' first single, "The Wizard," was digitally released by DiS, and issued as a 7" on Khan's own She Bear imprint in early 2006. That fall, with "Trophy" burning up the BBC indie rock chart, the Fur & Gold LP arrived in the U.K. in September. The album was released a year later in the U.S. to much critical acclaim. Bat for Lashes' ambitious 2009 album, Two Suns, revolved around the concept of Khan and her blonde, hedonistic alter ego Pearl, and featured a duet with Scott Walker.
Live at Metropolis
Runtime: 58 minWatch the Canadian synth-rock superstars in action at a Fall 2006 Montreal stop on their Live It Out tour, and also includes the videos for Live It Out's 3 singles.
Four-piece Canadian rock band Metric is captured playing a date on their 2006 tour with this recording. The stop-off was at the Metropolis club in Montreal on the "Live It Out" tour, and features the band delivering their inimitable brand of synth-based rock over a 13-song performance.
A Pocket Party
Runtime: 26 minFeist, the Canadian signer who took over the world with her hit '1234' performs at a very special Pocket Party session. Her charisma and guitar skills shine through as she woos the audience with singing.
Tegan And Sara
Runtime: 2 hr 4 minThese twin sisters are an engaging live act and have slowly amassed a sizable following over the past decade and a half. They’ve done it by writing smart, quirky folk-pop tunes that are as emotionally true as they are catchy. Tegan and Sara’s studio albums have given them the luxury of adding accompaniment, but their live performances have been stripped to acoustic guitars, keyboards, and their intuitive vocals. The show recorded here was performed for family and friends at a Vancouver studio, so the sound is excellent and well-controlled. “Relief Next to Me” is nicely detailed. “The Ocean” could be a beatnik’s dream. “I Hear Noises” is exquisite folk, beautifully restrained. “Call It Off” is touching and gentle. “I Won’t Be Left” furiously strums with intention, with the bonus of drums accentuating the new wave pop drive. Their entire catalog is raided to great effect; just hearing the ache in Tegan’s voice should be enough to convince a skeptic.
Everything Will Change
The Postal Service
Runtime: 1 hr 26 minEverything Will Change is a feature-length documentary concert film of The Postal Service s performance at the Greek Theater in Berkeley, CA during their 2013 reunion tour. A collaboration between Benjamin Gibbard (of Death Cab for Cutie) and Jimmy Tamborello (from Dntel), with Rilo Kiley s Jenny Lewis, The Postal Service released Give Up, their one and only album, in 2003. That record went on to sell over a million copies and most of the band s fans never had the chance to see them perform live. In celebration of the 10-year anniversary of Give Up, the band reunited to tour the world. With never-before-seen live recordings, intimate interviews and backstage footage of the band, Everything Will Change captures one of the nights when everything did change.
Between the Line: Live at the Fillmore
Runtime: 1 hr 17 minMounted and shot live at the legendary Fillmore concert hall in San Francisco, California, this music set features the uniquely gifted, talented and beautiful young singer-songwriter Sara Bareilles, an adult alternative musician frequently compared to Norah Jones and Fiona Apple. Danny Clinch and Pablo Cassaverde direct; selections include: "August Moon," "City," "Love Song," "Bottle it Up" and many more. As an extension of the concert itself, the program takes viewers behind the scenes, both during the days leading up to the gig and backstage at the actual concert, and provides a gentle biographical portrait of the recording artist.
Runtime: 2 hr 14 minMirrorball captures Sarah McLachlan at the height of her powers, with arresting performances from her Surfacing Tour of 1997-1998. This set includes her hit rendition of "I Will Remember You" plus "Adia," "Building A Mystery," "Possession" and more.
Live at Soundstage
Runtime: 55 minOne of the most celebrated and respected artists of the last decade, Tori Amos is a unique talent whose distinctive voice, beautiful piano playing and thought provoking songs have mesmerized and inspired a generation of fans across the globe. On this episode of Soundstage she will be performing songs from her newest release Scarlet's Walk as well as "Precious Things" and "Cornflake Girl."
Live at Soundstage
Runtime: 54 minIf Eye To the Telescope introduced a bold new talent, KT Tunstall's Acoustic Extravaganza confirms that the Scottish singer is no fluke. Whether stripping down tracks from her platinum debut--nominated for both a Grammy and Britain's coveted Mercury Prize--or taking on Beck's tender "Golden Age," it's all about the Voice and the Voice is good. While Telescope elicited comparisons to Joni Mitchell and Bjork, in acoustic mode, Tunstall sounds more like countryman Rod Stewart back when he was fronting the Faces. She's got that soulful thing down to a science, but there's nothing affected about it, and she never pushes too hard. Ten years of busking can do that for a girl (it's how she learned to use a loop pedal to duplicate the sound of a full band). Originally only available through her website, Acoustic Extravaganza doesn't include hit singles "Black Horse and the Cherry Tree" and "Suddenly I See," the theme from The Devil Wears Prada, but then it isn't a greatest hits collection. Recorded in two days, th set consists primarily of non-LP material, like the angry "Ashes," plus the featurette Five Go to Skye (Making the Album). The parental advisory warning ("explicit content") refers to the profanity in "Ashes." Otherwise, there's nothing objectionable going on here.
Live at Soundstage
Runtime: 49 minNash's Soundstage appearance features such as "Pumpkin Soup", "Mouthwash", "Stitching Legs"; with all its infectious sing-along tunes and catchy beats,watch Nash doing what she does best as she captivates the audience with her amazing energy and down to earth personality.