Best known as the lead singer of trip-hop duo Frou Frou, Imogen Heap's solo work is at least as interesting -- if not more -- as her collaborations. A bundle of young, exciting and vibrant talent, Heap composes solo music that reveals both shrewd craftsmanship and eloquent passion. As a pianist/keyboardist, her skill is immediately apparent and quite impressive: there are passages on her debut i Megaphone that are simply dazzling. Song arrangements display a keen awareness of what is now -- drumbeats and basslines are consistently danceable while electronic noises swoop and swirl with a refreshingly understated gracefulness. As a vocalist, Heap brings a slinky, sexy toughness that's never riddled with melodrama. Even when she's at her most vulnerable, one can't help but think she's a born survivor who can weather any emotional storm. Heap and her co-conspirators do justice to her distinctive, honest vocal delivery and lyrics and her superb musicianship.
Imogen Heap Concert Films
Everything In-Between: The Story Of Ellipse
Runtime: 1 hr 30 minGo behind the scenes and explore the three year journey of Imogen Heap’s making of the Grammy Award winning album, Ellipse. Travel the world with Imogen as she invites you into her writing and recording process and building her brand new recording studio in her old family home.
Imogen Heap Top Tracks
Runtime: 1 hr 36 min‘Biophilia Live’ is a concert film directed by Peter Strickland and Nick Fenton and produced by Jacqui Edenbrow that captures the human element of Björk’s multi-disciplinary multimedia project: Biophilia. Recorded live at Björk’s show at London’s Alexandra Palace in 2013, the film features Björk and her band performing every song on ‘Biophilia’ and more using a broad variety of instruments – some digital, some traditional, and some completely unclassifiable. The film has already been hailed as “a captivating record of an artist in full command of her idiosyncratic powers” (variety) and “an imaginative stand-alone artwork” (hollywood reporter) and is a vital piece of the grand mosaic that is ‘biophilia.’
Live at Montreux 2012
Runtime: 1 hr 38 minAlanis Morissette is one of the most successful female artists and songwriters of all time and has sold in excess of 60 million albums worldwide. Her voice is instantly recognizable and she is a consummate live performer. On July 2nd, 2012, Alanis Morissette returned to Montreux as part of her Guardian Angel Tour in support of her new album "Havoc And Bright Lights". It was her third appearance at the festival. The set showcased a number of tracks from the new album (at that point still to be released) alongside classic tracks from across her career. This is Alanis Morissette live at her very best.
Live at Metropolis
Runtime: 58 minWatch the Canadian synth-rock superstars in action at a Fall 2006 Montreal stop on their Live It Out tour, and also includes the videos for Live It Out's 3 singles.
Four-piece Canadian rock band Metric is captured playing a date on their 2006 tour with this recording. The stop-off was at the Metropolis club in Montreal on the "Live It Out" tour, and features the band delivering their inimitable brand of synth-based rock over a 13-song performance.
Tegan And Sara
Runtime: 2 hr 4 minThese twin sisters are an engaging live act and have slowly amassed a sizable following over the past decade and a half. They’ve done it by writing smart, quirky folk-pop tunes that are as emotionally true as they are catchy. Tegan and Sara’s studio albums have given them the luxury of adding accompaniment, but their live performances have been stripped to acoustic guitars, keyboards, and their intuitive vocals. The show recorded here was performed for family and friends at a Vancouver studio, so the sound is excellent and well-controlled. “Relief Next to Me” is nicely detailed. “The Ocean” could be a beatnik’s dream. “I Hear Noises” is exquisite folk, beautifully restrained. “Call It Off” is touching and gentle. “I Won’t Be Left” furiously strums with intention, with the bonus of drums accentuating the new wave pop drive. Their entire catalog is raided to great effect; just hearing the ache in Tegan’s voice should be enough to convince a skeptic.
Brave Enough: Live at the Variety Playhouse
Runtime: 1 hr 25 minCaptured in Atlanta on May 20, 2013, Brave Enough: Live at the Variety Playhouse is a solo live performance by Grammy-nominated, platinum-selling singer/songwriter Sara Bareilles. Recorded during Sara’s “The Brave Enough Tour,” which sold out nationally in three minutes, the set captures her entire performance. The release features show highlight “Goodbye Yellow Brick Road,” Sara’s never-before-released breathtaking version of Elton John’s classic song.
Runtime: 2 hr 14 minMirrorball captures Sarah McLachlan at the height of her powers, with arresting performances from her Surfacing Tour of 1997-1998. This set includes her hit rendition of "I Will Remember You" plus "Adia," "Building A Mystery," "Possession" and more.
Live at Montreux
Runtime: 49 minThese two concerts from Montreux in 1991 and 1992 catch Tori Amos right at the start of her solo career. The first from July 1991 was filmed a few months before the release of her Little Earthquakes album and the second from July 1992 followed a few months after. There is a fascinating progression from one year to the next as she grows in confidence and skill as a live performer, buoyed by the critical and commercial success of the album. Naturally most of the songs are taken from Little Earthquakes but there are also rare songs from her various EPs released across the two years which didnt make it onto the album including her distinctive takes on Led Zeppelins Whole Lotta Love and Thank You and Nirvanas Smells Like Teen Spirit.
In Session 2004
Runtime: 21 minVanessa Carlton performs live In Session in 2004. The show, I support of her second album, Harmonium features performances of White Houses,” “San Francisco; and “Who’s To Say.”
Live at Soundstage
Runtime: 49 minNash's Soundstage appearance features such as "Pumpkin Soup", "Mouthwash", "Stitching Legs"; with all its infectious sing-along tunes and catchy beats,watch Nash doing what she does best as she captivates the audience with her amazing energy and down to earth personality.
Live at Soundstage
Runtime: 54 minIf Eye To the Telescope introduced a bold new talent, KT Tunstall's Acoustic Extravaganza confirms that the Scottish singer is no fluke. Whether stripping down tracks from her platinum debut--nominated for both a Grammy and Britain's coveted Mercury Prize--or taking on Beck's tender "Golden Age," it's all about the Voice and the Voice is good. While Telescope elicited comparisons to Joni Mitchell and Bjork, in acoustic mode, Tunstall sounds more like countryman Rod Stewart back when he was fronting the Faces. She's got that soulful thing down to a science, but there's nothing affected about it, and she never pushes too hard. Ten years of busking can do that for a girl (it's how she learned to use a loop pedal to duplicate the sound of a full band). Originally only available through her website, Acoustic Extravaganza doesn't include hit singles "Black Horse and the Cherry Tree" and "Suddenly I See," the theme from The Devil Wears Prada, but then it isn't a greatest hits collection. Recorded in two days, th set consists primarily of non-LP material, like the angry "Ashes," plus the featurette Five Go to Skye (Making the Album). The parental advisory warning ("explicit content") refers to the profanity in "Ashes." Otherwise, there's nothing objectionable going on here.