Drive By Truckers
If the Old 97's weren't R.E.M.-adoring spastic nerds, they might sound a little bit like the Drive-By Truckers from Athens, Georgia. This country rocking quintet writes Americana anthems for the modern day working man and woman. Touched by the hooves of Crazy Horse, these guys have a rich and crunchy guitar tone, sounding like a string of Neil Young's tweed Deluxe amps turned all the way up out in an open hay field. Their music is basted in tangy harmonies and patiently marinated in both southern soul and small town honesty. These songs are powerful and cathartic creations that display unpretentious arrangements and true grit.
Drive By Truckers Concert Films
Black Ice Vérité
Drive By Truckers
Runtime: 1 hr 5 min"This truly is Armageddon." said the local Athens, GA meteorologist on the seemingly sub-zero night last winter that the Drive-By Truckers were scheduled to play live at the 40 Watt. Luckily no snow, ice or hail could stop the band from firing up the room as they performed their critically acclaimed 12th LP, English Oceans, in full. Titled Black Ice Verite, fans will be able to re-live this concert experience as a live film. As the final track on English Oceans,"Grand Canyon" brings together both the record and the band's 40 Watt performance, as it is an emotionally overwhelming elegy for Craig Lieske. Lieske was a longtime member of DBT's touring family, a former manager of the 40 Watt Club and a key player in the city's experimental music scene. Lieske died suddenly of a heart attack in January 2013 following the first night of the band's three-night homecoming stand in Athens. English Oceans is dedicated to him.
Drive By Truckers Top Tracks
Live at Soundstage
Runtime: 53 minChicago-based Wilco take the stage with their blend of idiosyncratic pop sounds from their most recent album Yankee Hotel Foxtrot. Highlights include "War on War" and "Jesus, Etc." The critically acclaimed group reveals not only inimitable musicianship, but also a wide range of music with hints of country, rock, punk and, perhaps most of all, experimentalism.
A Backyard Session with Deer Tick
Runtime: 15 minFollowing their weekend residency as Newport Folk Festival's house band, Deer Tick shot down to Manhattan to perform for the Baeble crew in our backyard. The Providence locals hosted and headlined the festival's three consecutive after parties at the Newport Blues Cafe, and on the third evening, the group performed their forthcoming studio record Negativity in its entirety. The following day, frontman John McCauley told us that he couldn't wait until September 23rd, which would be the eve of the album's release. Fast forward a month and a half, and here we all are today, session video in tow, with the impending release of their superb, fifth record less than 24 hours away.
Live at Red Rocks: Day 3
Runtime: 1 hr 11 minFrom the opening note of "Wondering" all the way through to the set closing "Conrad," the band owned the opportunity. Sandwiched in between the opener and a divine "C. Brown," a very leggy "Surprise Valley" overwhelmed the crowd with an almost-anthemic presence. "Kiss the mountain air we breathe" sounds good standing anywhere, but beneath "ship" and "Creation" rocks it evoked magic. All weekend the boys in the band had worn smiling faces, but early in the day it was easy to see that Sunday "Funday" was going to be enchanting.
Words can difficultly describe the bands energy on this last day. As the band masterfully wielded a "Bowlegged Woman" into "Lawyers, Guns and Money," it started to become apparent that the second set would be no ordinary picnic. Call them fan favorites, Halloween treats, illustrious tour gems, whatever you want, but don't expect to hear "Mama Told Me Not to Come," "Knocking Around the Zoo" and "Walk On" in consecutive order too often. The only seemingly botched moment in the whole afternoon was a "Guilded Splinters" that by most standards was still great but just seemed to be lost for a bit before being revitalized by some
Set list for Part II of Day 3
1. No Sugar Tonight/New Mother Nature, 2. Bowlegged Woman , 3. Lawyers, Guns and Money, 4. Can't Find My Way Home, 5. Mama Told Me Not to Come, 6. Knocking 'Round the Zoo, 7. Walk On, 8. I Walk On Gilded Splinters, 9. Red Beans, 10. Fairies Wear Boots, 11. Sharon, 12. Wild Thing, 13. Encore: Wild Thing, 14. Sultans of Swing, 15. Goin' Out West, 16. End of the Show
Live at The Mercury Lounge
Runtime: 29 minBlitzen Trapper's music went through various genres with each record, bouncing from indie folk to art rock to experimental folk before settling into a rich, dusty brand of Neil Young-inspired alt country. The band formed in 2000 in Portland, Oregon, with songwriter Eric Earley leading a lineup that also included Erik Menteer (guitar, keyboard), Brian Adrian Koch (drums, vocals), Michael Van Pelt (bass), Drew Laughery (keyboard), and Marty Marquis (keyboard, vocals). Before signing a record contract in 2007, the band released three albums on its own dime: an eponymous effort in 2003, Field Rexx in 2005, and the highly acclaimed Wild Mountain Nation in 2007. The latter album landed the group a record deal with Sub Pop.
Live at Austin City Limits
Runtime: 1 hr 29 minNashville, TN – On August 19, 2013, Jason Isbell and his band The 400 Unit, stepped out onto the stage in front of a live audience in Austin, TX to film his first appearance on the longest running original music series in the U.S., Austin City Limits.
Isbell performs songs from his critically acclaimed, award-winning album Southeastern along with songs from throughout his career, including fan favorites “Outfit” and “Decoration Day”. The set closed with a rousing rendition of the Rolling Stones’ “Can’t You Hear Me Knocking”, a live staple.
In September, Isbell won Artist of the Year, Song of the Year (“Cover Me Up”) and Album of the Year for Southeastern. In October, Isbell reached a major milestone by selling out three consecutive nights at Nashville’s historic Ryman Auditorium.
Live at Factory Theatre
Runtime: 2 hr 1 minWhen the bespectacled alt-country legend took to the stage at The Factory Theatre armed with just his bouzouki and larger-than-life attitude, every ear in the place was in the palm of his hand right from the get-go. Planting himself by the microphone in front of a hushed crowd, Earle kicked off proceedings with the sprightly ‘Waitin’ For The Sky to Fall’.
Live at The Orange Peel and Tennessee Theatre
Old Crow Medicine Show
Runtime: 1 hr 14 minDirected by Lee Tucker (who also directed the band's videos for "Wagon Wheel" and "Tell It To Me"), Live at the Orange Peel and Tennessee Theatre was recorded over two nights in December 2008 and features performances of 20 songs-15 of which are from the band's three studio albums (OCMS, Big Iron World, Tennessee Pusher) - including "Tell It To Me," "Down Home Girl," "Alabama High-Test," and "Wagon Wheel." The video also includes five tracks from their live repertoire not found on their three studio albums: "Wheeling Breakdown," "Raise A Ruckus," "Reuben's Train," "Sally Anne" and "Shack #9."
Live at Soundstage
Runtime: 56 minLucinda Williams is widely considered to be one of America's best singer/songwriters working today. An artist who completely defies categorization, her honest lyrics are often compared to fine poetry as she sings her narrative tales of Southern Gothic and heart-wrenching songs of love, heartbreak and desire. On this episode of Soundstage, Lucinda and her band perform favorites from her catalogue, as well as tunes from her newest album: World Without Tears.