Chet Baker, more than ten years after his mysterious death, is more popular than ever. Baker was an extremely handsome young man and this, coupled with his reckless, drug-addled life, earned him the tag the James Dean of Jazz. But even after he lost his looks, Baker's trumpet and vocals continued to spellbind. Jazz snobs like to forget that Charlie Parker chose Baker to be his West Coast foil or that it was Dizzy Gillespie who talked Baker into returning to the trumpet in the '70s after his teeth were knocked out. Baker hit the big time at a very young age, with Gerry Mulligan's groundbreaking piano-less quartet that made a name for West Coast jazz. Baker's trumpet style owed a lot to Miles Davis (though, Baker never used a mute and was ashamed when he beat out Clifford Brown in jazz polls) and his pleasant, thin vocals were just as introspective and well-phrased.
Chet Baker Concert Films
Let's Get Lost
Runtime: 1 hr 60 min"Let's Get Lost" is an American documentary film about the turbulent life and career of jazz trumpeter Chet Baker written and directed by Bruce Weber. The title is derived from a song by Jimmy McHugh and Frank Loesser from the 1943 film Happy Go Lucky which Baker recorded for Pacific Records. A group of Baker fans, ranging from ex-associates to ex-wives and children, talk about the man. Weber’s film traces the man’s career from the 1950s, playing with jazz greats like Charlie Parker, Gerry Mulligan, and Russ Freeman, to the 1980s, when his heroin addiction and domestic indifference kept him in Europe.
Chet Baker Top Tracks
Alto Saxophone Jazz Solos
Runtime: 50 minOne of the most individual of all alto saxophone players, the cool-toned LEE KONITZ has always had a strong musical curiosity that has led him to consistently take chances and stretch himself, usually quite successfully. The Jazz Sessions spotlights unaccompanied performances by some of the legends and bright young stars of the jazz world. Designed and recorded specifically for television, SOLOS offers viewers front row seats for an intimate and unique jazz experience. Each program features complete musical pieces, insightful interviews, and behind-the-scenes footage. Shot in stunning HDTV with multiple moving cameras and a medley of elegant cinematic lighting, SOLOS showcases an exciting and dynamic variety of jazz styles - from the blues and boogie-woogie to bebop and the experimental.
Legends in Concert
Runtime: 43 minJazz Legends - Duke Ellington and His Orchestra (1929-1943) by Duke Ellington, includes a series of short films made in Hollywood featuring Ellington performing his biggest hits: Black And Tan (1929) directed by Dudley Murphy; Check and Double Check (1930) directed by Melville Brown; Symphony in Black (1934) directed by Fred Waller; Paramount Pictoral No.889 (1937); The Hit Parade of 1937; and RKO Jamboree No.7 (1943) directed by Jay Bonafield. .
Epitaph: Live from Lincoln Center
Runtime: 2 hr 20 minOn June 3rd, 1989, the Alice Tully Hall at New York's Lincoln Center was the venue for the world premiere performance of Charles Mingus' masterpiece "Epitaph". Conductor Gunther Schuller directed 30 musicians in what the New York Times described as "One of the most memorable jazz events of the decade". The piece had been discovered after Mingus' death in 1979 and painstakingly restored and copied. It is the largest and longest piece for jazz orchestra ever written and is now available here on film for the first time.
Runtime: 1 hr 57 minCongo Square is a musical tribute to New Orleans composed and performed by Wynton Marsalis, trumpet master from New Orleans and Yacub Addy, an African master drumer -- a unique collaboration where a Lincoln Center's great jazz orchestra mingles with an African percussion ensemble in a 2 hour concert of original music filmed at the 2007 Montreal Jazz Festival.
Live in Munich
Runtime: 1 hr 2 minFor more than 50 years, trumpeter/bandleader Miles Davis was a major innovator of cool, modal, avant-garde, and fusion jazz styles. This program captures Davis's band: alto saxophonist/flutist Kenny Garrett, Keyboardists Robert Irving III and Adam Holzmann, lead bassist Joseph "Foley" McCreary, and bassist Benjamin Rietveld, percussionist Marilyn Mazur, and drummer Ricky Wellman, live in Munich, Germany on July 10th, 1988. With these musicians' sympathetic and syncopated support, Davis's trademarked Harmon-muted trumpet tones dance and trance over the combo's supple electric swing. Throughout the concert, Davis glides across the stage with the elegance and power of a dancer and a fighter, huddling with his sidemen to play and share a phrase. Interview snippets with Davis feature the trumpeter frankly discussing his other passion, artwork. All told, Miles in Munich shows that the man called "Prince of Darkness" was full of artistic light near the end of his creative life.
Notes from a Jazz Survivor
Runtime: 49 minAn intensely personal and sometimes painful look into the fascinating world of Art Pepper. One of Jazz' greatest alto saxophonists and most expressive soloists, Pepper was also a thief, drug addict, alcoholic, womanizer, and world renown wildman. In candid interviews he recounts his triumphs, troubles, and luck in meeting Laurie, his last wife. For half the film Pepper leads a trio in a Malibu nightclub, the set includes: "Red Car", "Patricia", and "Miss Who?".
Legends in Concert
Runtime: 50 minJazz Icons: Dave Brubeck boasts two beautifully filmed concerts from one of the most beloved quartets in jazz history. Captured at the pinnacle of their power and popularity, Paul Desmond (alto sax), Joe Morello (drums), Eugene Wright (bass) and Dave Brubeck (piano) explore the trails they blazed into the realm of odd time signatures with “Forty Days” and two versions of their groundbreaking hit “Take Five,” as well as forays into world music with two unique interpretations of “Koto Song.” Their intimate onstage chemistry and impeccable musicianship made the DBQ an award-winning jazz supergroup. Features: 24-page booklet; liner notes by Darius Brubeck; foreword by Doug Ramsey; cover photo by Gus Schuettler; booklet photos by Chuck Stewart, Lee Tanner, Jan Persson, Susanne Schapowalow, and Ray Avery; memorabilia collage; much more! 67 minutes.