Bassist, composer, pianist, bandleader, and poet, Charles Mingus was a creative whirlwind. He began his career as a Bop and Cool Jazz player in New York City, before forming the Jazz Composer's Workshop in 1952. In 1955, Mingus started his own group, known as the Charles Mingus Jazz Workshop. A year later, Mingus enlisted drummer Dannie Richmond, who was to become his lifelong partner in rhythm. And thus began Mingus's creative explosion. He wrote a series of tunes that featured Gospel-inflected shouts, raucous blues, and Ellington-esque arrangements, showcased on the albums Blues and Roots, Mingus Ah Um, and Mingus, Mingus, Mingus, Mingus, Mingus. He enlisted a big band and recorded a masterpiece of modern music, The Black Saint and the Sinner Lady. He also toured Europe with a quintet, featuring the great Eric Dolphy. In 1977, after a short retirement and before his death, he recorded two more small combo albums, both entitled Changes. A virtuoso bassist and composer, Mingus irrevocably changed the face of jazz.
Charles Mingus Concert Films
Epitaph: Live from Lincoln Center
Runtime: 2 hr 20 minOn June 3rd, 1989, the Alice Tully Hall at New York's Lincoln Center was the venue for the world premiere performance of Charles Mingus' masterpiece "Epitaph". Conductor Gunther Schuller directed 30 musicians in what the New York Times described as "One of the most memorable jazz events of the decade". The piece had been discovered after Mingus' death in 1979 and painstakingly restored and copied. It is the largest and longest piece for jazz orchestra ever written and is now available here on film for the first time.
Charles Mingus Top Tracks
Live at Montreux 1996
Runtime: 56 minWayne Shorter is one of the most significant jazz performers of modern times. He performed as part of Art Blakeys Jazz Messengers and then Miles Davis band in the sixties before co-founding Weather Report with Joe Zawinul in the early seventies. This Montreux concert from 1996 features the Wayne Shorter Quintet and followed on from the release of his Grammy Award winning album High Life.
Runtime: 52 minThe Jazz Sessions spotlights Andrew Hill, a great and even groundbreaking composer and pianist. While many of his contemporaries were totally jettisoning the rhythmic and harmonic techniques of bop and hard bop, Hill worked to extend their possibilities; his was a revolution from within. He exhibited a determined command of his materials, however abstract they might sometimes be. His composed melodies were labyrinthine, rhythmically and harmonically complex tunes that exhibit a sophistication born of mastery, not chance or contingency.
Miles Electric: A Different Kind of Blue
Runtime: 1 hr 27 minWhen he released "Bitches Brew" in 1970, Miles Davis opened up a new angle to jazz which stirred up emotions like no other record before. Some critics accused Davis of selling out, while the public bought it like crazy. It is one of the most examined albums of all time, even garnering a box set of the sessions. To date, "Bitches Brew" is one of the top selling jazz albums of all time. "Miles Electric: A Different Kind of Blue" examines the next step in the creative process...performing these songs live. The 1970 Isle of Wight featured an array of performers from The Who to Jethro Tull to Joni Mitchell. With improvisation playing a big role in the performance, the band (Jack DeJohnette, Chick Corea, Keith Jarrett, Gary Bartz and Dave Holland) had to be "on", yet ready to change on the fly. Directed by award-winning producer Murray Lerner, "Miles Electric" sits down with several of the performers who played with Miles, interspersed with his 1970 Isle of Wight performance, as well as artists such as Carlos Santana and Joni Mitchell, who describe the impact Miles Davis had towards music.
Legends in Concert
Runtime: 43 minJazz Legends - Duke Ellington and His Orchestra (1929-1943) by Duke Ellington, includes a series of short films made in Hollywood featuring Ellington performing his biggest hits: Black And Tan (1929) directed by Dudley Murphy; Check and Double Check (1930) directed by Melville Brown; Symphony in Black (1934) directed by Fred Waller; Paramount Pictoral No.889 (1937); The Hit Parade of 1937; and RKO Jamboree No.7 (1943) directed by Jay Bonafield. .