Black Rebel Motorcycle Club
Black Rebel Motorcycle Club Concert Films
Black Rebel Motorcycle Club Top Tracks
Up The Shambles - Live In Manchester
Runtime: 1 hr 5 minJust months after their founding and before the release of their debut album, "Down in Albion," the Pete Doherty-fronted Babyshambles performed in the Manchester, England, concert captured here. With Scottish singer-songwriter Dot Allison (formerly of One Dove) appearing as a guest vocalist on a number of tracks, the group provides blistering renditions of "Gang of Gin," "What Katy Did Next," "The Man Who Came to Stay" and more.
Live at The Metro Theatre
Runtime: 1 hr 15 minJet is a rock band from Melbourne, Australia composed of Cameron Muncey, Mark Wilson, and brothers Nic and Chris Cester. Here they perform at The Metro Theatre, in Sydney, Australia, on December 18th, 2009.
Zénith Paris 2013
Queens of the Stone Age
Runtime: 1 hr 38 minGet your fill of riff-oriented heavy rock with this dark and moody performance by Queens of the Stone Age. Best enjoyed with the volume turned up high!
Live from the Vic in Chicago
Cage The Elephant
Runtime: 1 hr 15 minBowling Green, Kentucky-borne indie rock ensemble Cage the Elephant (Jared Champion, Lincoln Parish, Daniel Tichenor, Matt Shultz and Brad Shultz) toplines this 2011 concert film, performed and shot live at the Old Vic in Chicago. The sprawling set list includes: "Psycho Killer," "Tiny Little Robots," "Lotus," "Around My Head" and "Japanese Buffalo."
Live at Earl’s Court: The Reflektor Tapes
Runtime: 1 hr 51 minArcade Fire released their live film recording "Live at Earls Court," in 2015. It was recorded during the band’s shows at Earls Court in London, during the Reflektor Tour in 2014 and it features some of the most fan-appreciated tracks.
Classic Albums: Screamadelica
Runtime: 58 minThis Classic Albums series tells the story behind the making of this legendary album. There are contributions from all the band members, main producer Andrew Weatherall, Creation Records founder Alan McGee and many others involved in the creation of this masterpiece.
Primal Scream's seminal album Screamadelica was released in 1991, and synthesized the band's rock 'n' roll roots with the dance culture of that time; for many, the album's sound and imagery came to be regarded as quintessential symbols of the acid house era, perfectly catching the spirit and mood of the early 90s.
Using rare archive footage and special performances, this film tells the story of Screamadelica and its hit singles and dance anthems Loaded, Movin' On Up, Come Together and Don't Fight It, Feel It. From the formation of the band in Glasgow to winning the first-ever Mercury prize, the band members explain the record's inception with insights from main producer Andrew Weatherall, Creation Records founder Alan McGee and many others involved with or inspired by this joyful record.
Live at V Festival 2008
Runtime: 23 minDescribed as "classic UK rock delivered with whiskey vocals," the band have been summarised as possessing a sound akin to the genres of alternative rock and "British traditional rock". They are one of the most successful Welsh rock acts. Upon their release of “Pull the Pin”, they became the eighth group to achieve five consecutive UK number one albums (after the Beatles, Led Zeppelin, ABBA, Genesis, Oasis, Blur and U2).
In this concert feature the band is taking over the Download Festival performing all the hits like “Dakota,” “Have A Nice Day,” “Just Looking,” and many more.
Live at The Enmore Theatre
Runtime: 1 hr 19 minInterpol is an American indie rock band formed in 1997 in New York City. Here they perform at The Enmore Theatre, in Sydney, Australia, on January 4, 2011.
Live at Montreux 2008
Runtime: 1 hr 29 minThe Raconteurs (Jack White, Brendan Benson, Patrick Keeler and Jack Lawrence) came to Montreux in 2008 as part of the tour in support of their second album “Consolers Of The Lonely”. They delivered a great performance of their distinctive brand of rough, tough rock ‘n’ roll with great tunes and even better guitar licks featuring many of their best known tracks including “Steady, As She Goes”, “Many Shades Of Black”, “Broken Boy Soldiers”, “Salute Your Solution” and more.
Live at the O2
Runtime: 1 hr 48 minFilmed in high definition at London’s renowned O2 Arena on December 15th, 2011. The show came on the back of the band’s No.1 album “Velociraptor!” and the setlist combines tracks from that album with hits and classic album tracks from across their career so far. The concert was part of a sold out arena tour that covered the UK and Ireland at the end of last year. Kasabian are the recipients of numerous awards for “Best Live Band” and “Best British Band” in recent years and this new show with its spectacular and innovative staging will be a must have for their huge and dedicated fanbase.
Live at The Oxford Art Factory
Runtime: 38 minWhen you hear them perform, right from the primal crunchy grooves of ‘Come Of Over’ to riff-heavy ‘Out Of The Black’ and stomping second single ‘Little Monster’, it’s hard to understand how such a ferocious sound comes from such a minimal line-up. Needless to say we were left speechless after this gig, and no doubt you will be too. Royal Blood perform at The Oxford Art Factory, in Sydney, Australia, on June 4, 2014.
Live at the Crystal Ballroom
The Black Keys
Runtime: 1 hr 4 minThe Black Keys' new concert film, Live at the Crystal Ballroom, reflects the no-frills genius of the drums-and-guitar duo's studio sound: It's a refreshingly straightforward video document of their April 4, 2008 sold-out gig at Portland, Oregon's Crystal Ballroom, featuring seventeen songs culled from all five of the pair's albums. Director Lance Bangs - who has made videos for the Arcade Fire, the Yeah Yeah Yeahs, Sonic Youth as well as directing R.E.M.'s Road Movie - keeps his small camera crew focused on the stage, getting up close and sweaty with guitarist-singer Dan Auerbach and drummer Patrick Carney. Occasionally, he'll pull back to acknowledge the head-bobbing crowd pressed close to the stage, their hands reaching out to Auerbach. There are no visual pyrotechnics, no elaborate editing, no backstage cutaways, yet the show is riveting from start to finish and the feel of the music in that room is nothing less than triumphant.