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Franz Schubert - Symphony No. 7 in B minor "Unfinished"

Discovering Masterpieces Of Classical Music

Year: 2006

Runtime: 00:28:29

Experience and enjoy in a completely new way the great works of classical music, from the Baroque to the modern period, thanks to a series of 20 audio-visual concert guides, Discovering Masterpieces of Classical Music
Franz Schubert's Symphony No. 8 in B minor, commonly known as the "Unfinished", was started in 1822 but left with only two movements complete even though Schubert would live for another six years. Since Schubert's death at the age of 31, the Unfinished Symphony has been a bit of a mystery, but research has shed new light on the composer's original intentions, as German author and musicologist Habakuk Traber knows.

Discovering Masterpieces Of Classical Music Available In:

Classical, Documentary, Instrumental

Genres You May Like:

Classical, Documentary, Instrumental, Latin, Opera

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    Year: 2007

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  • Discovering Masterpieces Of Classical Music - Felix Mendelssohn - Concerto for Violine in E minor op

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    Year: 1997

    Runtime: 26 min

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  • Discovering Masterpieces Of Classical Music - Johannes Brahms - Violin Concerto in D major

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    Year: 2002

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  • Discovering Masterpieces Of Classical Music - Hector Berlioz

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  • Discovering Masterpieces Of Classical Music - Béla Bartók

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    Year: 2007

    Runtime: 28 min

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  • Discovering Masterpieces Of Classical Music - Richard Strauss

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    Year: 1998

    Runtime: 30 min

    Recorded live at the Semperoper, Dresden, 22 September 1998
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  • Haydn - Symphony No. 94 - Surprise

    Discovering Masterpieces Of Classical Music

    Year: 2006

    Runtime: 27 min

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  • Discovering Masterpieces Of Classical Music - Ludwig van Beethoven - Symphony No. 5

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  • Discovering Masterpieces Of Classical Music - Claude Debussy

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    Year: 2006

    Runtime: 28 min

    Debussy’s La Mer is a masterpiece of suggestion and subtlety in its rich depiction of the ocean. Several authors have claimed that La Mer sounds like nothing before it. As a specialist in French Impressionism, the British pianist and writer Paul Roberts - also known from the BBC television series Play It Again - introduces Debussy’s work with great passion to the viewers.

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  • Discovering Masterpieces Of Classical Music - Antonin Dvorák - Symphony No. 9, "From the New World"

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  • Hearing the Silence

    Claudio Abbado

    Year: 2005

    Runtime: 60 min

    An original portrait sketched under the sign of the German poet Holderin - the actor Bruno Ganz recites on of his poems at the beginning of the film. Claudio Abbado is sparing in his words although he is generous in his emotions. That is what makes this documentary special: Abbado talks about his illness (he was operated on for cancer in 2001) and the revolution this illness caused in his life, he shares a little of his private life and talks about his work as a conductor.

    We also see him at the age of 35, in 1965, in an interview he gave in Vienna just after directing the Vienna Philharmonic Orchestra in Bruckner’s First Symphony. We also find out that he and his companion Zubin Meha sang in the choirs of Musikverein under the direction of Bruno Walter, Herbert von Karajan, Hermann Scherchen and Joseph Krips solely for the purpose of attending the rehearsals of these legendary conductors.

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  • Wolfgang Amadeus Mozart - Symphony No. 41 "Jupiter"

    Discovering Masterpieces Of Classical Music

    Year: 2005

    Runtime: 27 min

    A completely new way of experiencing and enjoying the great works of music from the Baroque to the modern period – thanks to a new series of audio-visual concert guides, Masterpieces of Classical Music. Each release includes extensive documentation and a complete performance of the work or works in question.

    Famous masterpieces from the standard repertoire of the greatest international orchestras are brought closer to the viewer through first class concert broadcasts (Berliner Philharmoniker, Wiener Philharmoniker, Gewandhaus Orchester…) in a timely visual style.

    The “Jupiter” Symphony is regarded as a milestone not only in Mozart’s symphonic output but, on a more general level, in the development of the Classical symphony.

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  • Discovering Masterpieces of Classical Music - Ravel - Bolero

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    Runtime: 25 min

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  • Discovering Masterpieces of Classical Music - Mahler - Symphony No. 5 in C sharp minor

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    Runtime: 26 min

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  • Discovering Masterpieces of Classical Music - Bruckner - Symphony No. 8 in C minor: 1.Satz; 2.Satz;

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    Year: 2012

    Runtime: 30 min

    Anton Bruckner's Symphony No. 8 in C minor is the last Symphony the composer completed. When

    Bruckner sent it in 1897 to Hermann Levi, the conductor who had lead his 7th to great success, he did

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  • A Mexican Dream

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    Year: 2010

    Runtime: 59 min

    The film opens with a ride across the Mexican metropolis, home to eighteen million, in one of the famous green Beetle taxis. This is where the tenor Rolando Villazón was born. With a gaze that is part Mr. Bean and part Latin lover, he has sung his way into the hearts of opera fans around the world. Before Villazón’s thoughts ever turned to the stage, he attended school like every other boy. Twenty years later, he is now returning to his alma mater, the German Alexander von Humboldt school in Mexico City. “Somehow it’s strange,” says Villazón, standing among the small boys in the school courtyard. “I was one of them, and now I realize that the child I was back then still exists today. And now I know that this child must always have been within me, because he is who I am now.”
    It is with a nearly childish delight that he cavorts about the stage today - for instance, in the legendary La Traviata production at the 2005 Salzburg Festival. He and Anna Netrebko rehearsed and played probably the most passionate and tragic couple in opera literature.
    The filmmakers Daniel Finkernagel and Alexander Lück accompanied the tenor for two years, making a documentary that does not follow a strict timeline, but moves between present and past when it suits the film’s thematic focus.
    The visit to Mexico arouses many memories, and Villazón talks about special moments in his past for the first time with the camera crew: his first dressing room, the small stage at the Theatro de Bellas Artes in Mexico City, where Rolando sang in his first competition, his first bout of nervousness, the seminary where Rolando worked as a history teacher for five years and even considered becoming a priest himself.
    In addition to revisiting the past, the film shows everyday moments in the life of a tenor who is in demand around the world: acclaimed performances at the Liceo Barcelona, intense rehearsals with Anna Netrebko for the Salzburg Traviata, and his breakthrough performance in 2005 as a marvelously suffering Don Jose at the Staatsoper Unter den Linden in Berlin.
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  • Diva Of Dance

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    Runtime: 51 min

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  • They Came to Play

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    Chronicles the Fifth International Piano Competition for Outstanding Amateurs, hosted by The Van Cliburn Foundation. Players from all over the world, ranging from self-taught to classically-trained, aged thirty-five to almost eighty, convene in Fort Worth, Texas for a week of intense competition, music and camaraderie. The film the film provides an intimate look into the lives of these colorful, multi-faceted competitors as they strive to balance the demands of work and family with their love of music. Years of dedicated preparation culminate in critical performances before a professional jury and discerning audience during three nerve-wracking elimination rounds.

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  • A Tango Night - Live from Buenos Aires

    Daniel Barenboim

    Year: 2006

    Runtime: 1 hr 36 min

    On December 31, 2006, Daniel Barenboim came to celebrate the New Year in the Argentinean capital of Buenos Aires in the country where he was born and where he lived for the first nine years of his life. For the pianist and conductor the tango comes naturally and it was with passion that he conducted a huge concert that evening dedicated to this genre across between dance and song. Created and developed in the poor neighbourhoods of Buenos Aires from 1870, the tango very soon became a part of Argentina’s national heritage.

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  • Frauenkirche Concert Homage to Robert Schumann

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    Year: 2009

    Runtime: 1 hr 17 min

    Between 1844 and 1859 Robert Schumann lived in Dresden where he composed a third of his complete work. For the 200th anniversary of the romanticist in 2010 Daniel Harding conducts a programme consisting of three of Schumann’s compositions from the Dresden era (overture to “Genoveva”, “Requiem für Mignon“ and “Nachtlied”). Moreover, the “Rheinische Sinfonie”, composed by Schumann after leaving Dresden and widely influenced by his impressions of the Cologne Cathedral, blends in perfectly with the sacral architecture of the Frauenkirche.

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  • The Russian Journey

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    Year: 2013

    Runtime: 56 min

    The date is May 2nd, 1957. Stalin died only four years before and perestroika is still a long way off. However, the Canadian pianist Glenn Gould, who is just 24, arrives in Moscow for an exceptional tour: he is the first North American musician to play behind the iron curtain. This is the story that Glenn Gould in Russia tells by revealing documents from the Canadian Ministry of Foreign Affairs that had remained classified for years. Witness accounts from musicians such as Ashkenazy and Rostropovitch, parts of the original recordings of Gould’s concerts in Moscow and Leningrad, as well as a recording that had never been released before of his lecture-recital in Leningrad make this an invaluable documentary revealing an aspect of Glenn Gould’s artistry that few people are aware of.

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  • Dudamel conducts the Verdi Requiem at the Hollywood Bowl 2013

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    Year: 2013

    Runtime: 1 hr 38 min

    Gustavo Dudamel and the LA Philharmonic accent the colours, rhythms, and passion of music by leading composers from Argentina in this invigorating evening at the Hollywood Bowl. Master of the Tango Nuevo, Astor Piazzolla’s four tangos feature on stage the dance company Tango Buenos Aires, known worldwide as the most authentic and uncompromising representative of the tango. Alberto Ginastera, one of the most important twentieth century classical composers of the Americas and Piazzolla´s first teacher, is also represented on this brand new release from C Major Entertainment, along with Lalo Schifrin, whom, beside his concert music, is the composer of the famous scores of Mission Impossible and Dirty Harry. His Concerto for Guitar and Orchestra, a world-premiere recording, is composed for Ángel Romero, an iconic master of the classical guitar.

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  • Not this World

    Murray Perahia

    Year: 2010

    Runtime: 52 min

    In February 1977, Murray Perahia made his debut with the Berliner Philharmoniker with Mozart’s C minor piano concerto, conducted by Riccardo Muti. “A first-class soloist was introduced to us, with fantastic musicianship and a highly sensitive touch,” as the press wrote. Many wonderful performances with the Berliner Philharmoniker were to follow. And so it was only logical that the orchestra invited him, as Pianist in Residence, to give a series of joint concerts this current season. In this documentary by Holger Preusse and Claus Wischmann, you can now get to know this exceptional artist better.

    Perahia’s now legendary status means that he is often regarded as someone who is somewhat removed from normal life – which corresponds to the title of the documentary “Not of this world”. But it is only Perahia’s playing, with its otherworldly beauty, that seems to be beyond all earthly limitations. As this film shows, the artist engages in all facets of life as well as his work. In interviews on tour and in his Swiss vacation home, he talks about the works in his repertoire, and how he develops his interpretations. We experience him as an inspirational teacher, at work in the recording studio and, of course, at rehearsals and in concert. Perahia also discusses the injury to his hand, which has repeatedly forced to stop playing for periods of time – a terrible experience for a pianist. But Perahia has even come to terms with this difficult situation and has reached some surprising insights: “What seemed like a curse actually turned into a blessing, because it gave me a lot of time to think about music and to listen to it more. And so I felt I was actually growing as a musician, even though I was not playing.”

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  • Great Conversations in Music: The Composers

    Various Artists

    Year: 2002

    Runtime: 54 min

    The programs for "Great Conversations in Music" were created and hosted by the late Eugene Istomin (1925-2003), one of the world's most admired classical musicians. The four-part series was commissioned by the Library of Congress in 2001 and produced and directed by Peter Rosen of Peter Rosen Productions, Inc. Filmed between December 2001 and March 2003 at the Library of Congress and the American Academy of Arts and Letters in New York, the television series spotlighted distinguished pianists, string players, composers and conductors and offered engaging and informative discussions led by Istomin on the state of the art of music. During his more than six decades as a world-class pianist, Eugene Istomin developed close friendships with nearly all of the great names in classical music; he drew on some of these in the closing years of his life to make this series of programs for the Library of Congress. Some of the treasures from the Library's collections sparked lively dialogues among the participants in this series concerning performance practice and pedagogy; the Library of Congress is home to the world's largest repository of music manuscripts and memorabilia, including manuscripts of Beethoven, Brahms, Mozart, Rachmaninoff, Copland and Bloch. In this presentation composers Milton Babbit, Richard Danielpour, Lowell Liebermann, George Perle, Ned Rorem, and Ellen Taaffe Zwilich join Istomin to discuss and argue about the strong feelings and controversies surrounding modern contemporary music and the challenges that programming their music presents. The composers talk about their lifelong struggles to achieve recognition, but express pride in their collective status as representatives of the avant-garde.

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