Wiener Philharmoniker Concert Films
Summer Night Concert 2018
Valery Gergiev & Wiener Philharmoniker
Runtime: 1 hr 15 minFor many music lovers, summer means the Vienna Philharmonic’s annual concert at the city’s Schönbrunn Palace—a spectacular live performance of classical favorites in front of more than 100,000 people. Russian Valery Gergiev was 2018’s guest conductor, bringing a taste of Italy to the Austrian capital. Music by the great Italian composers, including arias from Verdi’s Aida, Puccini’s Tosca, and Leoncavallo’s Pagliacci, complement composers inspired by Italy itself—Prokofiev (Romeo & Juliet) and Julius Fučik (Florentiner Marsch) among them. The orchestra is joined by soprano Anna Netrebko for this thrilling, heartwarming, balmy evening of great music-making.
Summer Night Concert 2015
Runtime: 1 hr 33 minThe Vienna Philharmonic performed its annual Summer Night Concert Schönbrunn, an open-air concert with free admission, in the unique ambience of the gardens of Schönbrunn Palace on Thursday, May 14, 2015. Zubin Mehta conducted the Summer Night Concert with Rudolf Buchbinder as soloist.
This year's concert, which also represented the opening concert of the Vienna Festival, was attended by 100,000 visitors.
With this open-air concert in Schönbrunn, the Vienna Philharmonic wishes to provide all Viennese, as well as visitors to the city, with a special musical experience in the impressive setting of Schönbrunn Palace and its beautiful baroque gardens, a UNESCO World Cultural Heritage Site.
Wiener Philharmoniker Top Tracks
Making Of Piano Perfection in 3D
Runtime: 12 minLang Lang at Berghain – Piano in perfection in the third dimension! Legendary pianist Lang Lang performs Beethoven, Chopin, Albéniz, and Prokofiev in his very unique way. In personal interviews, he explains his access to the new technology and their connection to classical music. Original and extraordinary – these words describe both the artist and the setting of the shooting: the Berghain in Berlin, one of the most famous clubs all over the world.
The Goat Rodeo Sessions Live
Yo Yo Ma
Runtime: 56 minThe Goat Rodeo Sessions Live brings cellist Yo-Yo Ma, fiddler Stuart Duncan, bassist Edgar Meyer and mandolinist Chris Thile together for a one-night only concert filmed at the House Of Blues in Boston, MA.
The Club Album
Anne Sophie Mutter
Runtime: 1 hr 9 minIn May 2015 Anne-Sophie Mutter put her noble, impressively named “Lord Dunn-Raven” Stradivarius through more than its usual paces. For a change, rather than standing on stage in one of the world’s renowned well-tempered grand concert halls, she spent two evenings playing in a tiny graffiti-scrawled nightclub in the Friedrichshain district of Berlin. The name of the club was Neue Heimat, or “new home”, and on two evenings in early summer it was jam-packed with hip young people.
Not this World
Runtime: 52 minIn February 1977, Murray Perahia made his debut with the Berliner Philharmoniker with Mozart’s C minor piano concerto, conducted by Riccardo Muti. “A first-class soloist was introduced to us, with fantastic musicianship and a highly sensitive touch,” as the press wrote. Many wonderful performances with the Berliner Philharmoniker were to follow. And so it was only logical that the orchestra invited him, as Pianist in Residence, to give a series of joint concerts this current season. In this documentary by Holger Preusse and Claus Wischmann, you can now get to know this exceptional artist better.
Perahia’s now legendary status means that he is often regarded as someone who is somewhat removed from normal life – which corresponds to the title of the documentary “Not of this world”. But it is only Perahia’s playing, with its otherworldly beauty, that seems to be beyond all earthly limitations. As this film shows, the artist engages in all facets of life as well as his work. In interviews on tour and in his Swiss vacation home, he talks about the works in his repertoire, and how he develops his interpretations. We experience him as an inspirational teacher, at work in the recording studio and, of course, at rehearsals and in concert. Perahia also discusses the injury to his hand, which has repeatedly forced to stop playing for periods of time – a terrible experience for a pianist. But Perahia has even come to terms with this difficult situation and has reached some surprising insights: “What seemed like a curse actually turned into a blessing, because it gave me a lot of time to think about music and to listen to it more. And so I felt I was actually growing as a musician, even though I was not playing.”