The Avett Brothers
Thanks to relentless touring, a ferocious performance ethic and some flat-out kickass songs, the Avett Brothers have recently exploded onto the Americana scene. The young, mostly acoustic trio from Greenville, North Carolina comprises Scott and Seth Avett on banjo, guitar, and vocals, and honorary brother Bob Crawford on upright bass; they play Appalachian-style string band music with punk-rock abandon. If there was ever a band to make jaded rock 'n' rollers fall in love with acoustic music, it's the Avetts. From high and lonesome balladry to hip-hop inflected screamers to sweet, pop-grass harmonies, their sound spans styles and eras but always retains a disarming sense of honesty, passion and joy.
The Avett Brothers Concert Films
Live at Hangout Music Fest 2014
The Avett Brothers
Runtime: 1 hr 15 minThe Avett Brothers are an American folk rock band from North Carolina. The band is made up of two brothers, Scott Avett and Seth Avett, as well as Bob Crawford (double bass) and Joe Kwon (cello). Mike Marsh (drums), Tania Elizabeth (violin) and Paul Defiglia (keyboard) are touring members of the band, with Kwon featured on recordings from 2007's Emotionalism and later. In this full-length music feature the band takes up the stage at the Hangout Music Fest in 2014 to perform their most beloved hits such as “Head Full of Doubt/Road Full of Promise,” “Down with the Shine, ”Pretty Girl from Chile,” “I and Love and You,” and many more.
The Avett Brothers Top Tracks
How To Grow A Band
Runtime: 1 hr 29 minThis intimate documentary follows mandolin virtuoso (and MacArthur Foundation “Genius”) Chris Thile through a turning point in his life and musical career. By age 26, Thile had already reached some significant career highs, winning a couple of Grammys for both his solo records and his work with the platinum-selling, pop-bluegrass trio Nickel Creek. But, in a move that stunned fans, Thile and Nickel Creek went on “indefinite hiatus” while Thile paused to re-asses and, in many ways, start over. HOW TO GROW A BAND is about what happened next.
Live at The Metro Theatre
Runtime: 1 hr 41 minHailing from Portland, Oregon The Decemberists made their first Australian pilgrimage on the back of their 2009 release - The Hazards Of Love - the follow-up to their 2006 breakthrough, The Crane Wife. Here they are performing at The Metro Theatre, in Sydney, Australia, on January 19, 2010.
One Big Holiday
My Morning Jacket
Runtime: 31 minOne Big Holiday is a short documentary film about My Morning Jacket and their relationship with their hometown of Louisville, Kentucky. Shot over a period of one week in October 2010, it chronicles the preparations of the band as they readied for a homecoming concert in the newly constructed downtown arena.
Live at The Orange Peel and Tennessee Theatre
Old Crow Medicine Show
Runtime: 1 hr 14 minDirected by Lee Tucker (who also directed the band's videos for "Wagon Wheel" and "Tell It To Me"), Live at the Orange Peel and Tennessee Theatre was recorded over two nights in December 2008 and features performances of 20 songs-15 of which are from the band's three studio albums (OCMS, Big Iron World, Tennessee Pusher) - including "Tell It To Me," "Down Home Girl," "Alabama High-Test," and "Wagon Wheel." The video also includes five tracks from their live repertoire not found on their three studio albums: "Wheeling Breakdown," "Raise A Ruckus," "Reuben's Train," "Sally Anne" and "Shack #9."
Live At First Avenue
Trampled By Turtles
Runtime: 1 hr 14 minWith six albums to their credit and a word-of-mouth reputation that draws legions of die-hard fans to their must-see-to-believe live shows, Minnesota roots music hybrid Trampled by Turtles finally release their first ever, highly anticipated live concert recording – Live at First Avenue. Captured over 3 sold-out nights at the legendary Minneapolis rock venue, First Avenue, celebrating TBT's 10th Anniversary in 2013, this video features songs from all six of Trampled by Turtles' albums, including fan favorites like “Codeine”, "Wait So Long" "Midnight on the Interstate" and TBT's version of the Pixies’ classic, “Where is My Mind?”. While they never set out to be a “bluegrass” band, the band employs the same time-honored tools of the trade – guitar, acoustic bass, banjo, mandolin and fiddle – as their ‘grass-fed country cousins'. But their soul-deep differences in influences, attitude and attack, from their quicksilver, deadly accurate picking to their lonesome, hauntingly spare ballads, make for a very different musical beast indeed.
Live at the Lincoln Theater
The Milk Carton Kids
Runtime: 1 hr 13 minIn the past year The Milk Carton Kids have been nominated for a Grammy, appeared on Austin City Limits and Prairie Home Companion multiple times, performed at the Americana Music Awards, and appeared at T-Bone Burnett and the Coen Bros triumphant Inside Llewyn Davis concert at New York's Town Hall, later televised in a Showtime special. As the thousands of fans who have seen the band can attest, their live performance and between-song banter add a charming counterpoint to the music. Preserving the band's unique show for posterity, Live From Lincoln Theatre will appeal to both fans who have seen the band and want to relive the experience and the thousands of new fans encountering them on NPR and elsewhere who have yet to see them. live.
Live at Austin City Limits
Runtime: 1 hr 29 minNashville, TN – On August 19, 2013, Jason Isbell and his band The 400 Unit, stepped out onto the stage in front of a live audience in Austin, TX to film his first appearance on the longest running original music series in the U.S., Austin City Limits.
Isbell performs songs from his critically acclaimed, award-winning album Southeastern along with songs from throughout his career, including fan favorites “Outfit” and “Decoration Day”. The set closed with a rousing rendition of the Rolling Stones’ “Can’t You Hear Me Knocking”, a live staple.
In September, Isbell won Artist of the Year, Song of the Year (“Cover Me Up”) and Album of the Year for Southeastern. In October, Isbell reached a major milestone by selling out three consecutive nights at Nashville’s historic Ryman Auditorium.