Royal Philharmonic Orchestra
The Royal Philharmonic deftly maneuvers around a large songbook, handling with extreme ease both (quasi-) modern pop and classical. They have fun with the pop numbers, adapting their instrumentation to work in an orchestral context.
Royal Philharmonic Orchestra Concert Films
Royal Philharmonic Orchestra Top Tracks
The Goat Rodeo Sessions Live
Yo Yo Ma
Runtime: 56 minThe Goat Rodeo Sessions Live brings cellist Yo-Yo Ma, fiddler Stuart Duncan, bassist Edgar Meyer and mandolinist Chris Thile together for a one-night only concert filmed at the House Of Blues in Boston, MA.
Summer Night Concert 2015
Runtime: 1 hr 33 minThe Vienna Philharmonic performed its annual Summer Night Concert Schönbrunn, an open-air concert with free admission, in the unique ambience of the gardens of Schönbrunn Palace on Thursday, May 14, 2015. Zubin Mehta conducted the Summer Night Concert with Rudolf Buchbinder as soloist.
This year's concert, which also represented the opening concert of the Vienna Festival, was attended by 100,000 visitors.
With this open-air concert in Schönbrunn, the Vienna Philharmonic wishes to provide all Viennese, as well as visitors to the city, with a special musical experience in the impressive setting of Schönbrunn Palace and its beautiful baroque gardens, a UNESCO World Cultural Heritage Site.
Live at the Red Butte Garden
The Piano Guys
Runtime: 1 hrThe outdoor concert special from the remarkable classical/pop music stylists filmed at stunning Red Butte Garden in Utah, as seen on Public Television PLUS three bonus performances.
Gentleman of Music
Runtime: 1 hr 33 minRecorded on the final night of a hugely successful tour from 2000, this mixture of James Last originals and popular cover versions is the perfect blend of sweepeing orchestral arrangements and pop melodies. Including "Don't Cry for Me Argentina", "My Heart Will Go On" and a huge Beatles medley.
The Club Album Concert
Anne Sophie Mutter
Runtime: 1 hr 9 minIn May 2015 Anne-Sophie Mutter put her noble, impressively named “Lord Dunn-Raven” Stradivarius through more than ist usual paces. For a change, rather than standing on stage in one of the world’s renowned well-tempered grand concert halls, she spent two evenings playing in a tiny graffiti-scrawled nightclub in the Friedrichshain district of Berlin. The name of the club was Neue Heimat, or “new home”, and on two evenings in early summer it was jam-packed with hip young people.