Rap-metal kingpins Limp Bizkit's R-rated partycore hit its album-chart-topping pinnacle around the turn of the millennium. The Florida band had a solid underground following long before they were signed to Interscope in 1997. They have a singular approach to psychedelic guitars overdriven past the point of corrosive distortion into the realm of aural punishment, flanked by harsh funk basslines and hip-hop beats. Aggressive rap vocals occasionally venture into whiteboy soul-isms.
The Battle of Mexico City
Rage Against The Machine
Runtime: 1 hr 35 minOutside Mexico City's Sports Pavilion, hundreds of young Rage fans rattle metal fences and throw rocks at the increasingly nervous police. Inside, a seething crowd of 5,000 lucky ticket holders cram into the cavernous pavilion chanting anti-government slogans and poking their middle fingers into the thick, sweaty air while waiting for Rage Against the Machine to storm the stage.
One of the greatest live acts in music history, Rage only affirms that fact with this show. Whatever club, theater, arena, or stadium they're in, the opening of each Rage Against the Machine show always feels like a grenade has gone off. But this night it was as if a truckful of bombs blew up as the band tore into the opening salvo of "Testify." Fans cascaded toward the stage like rippling waves stopping only to pogo up-and-down like jackhammers.
Longtime supporters of various political causes in Mexico, Rage were performing for the very first time in Mexico City. The connection between the band and the audience is electric. From the early "all hell can't stop us now" chant in "Guerilla Radio" to the blood-curling screams in the finale of "Freedom," there is an urgency at this show that is unrivaled. This is live rock & roll as it's meant to be heard: fierce, funky, uncompromising. This is Rage Against the Machine in their finest hour.
Live from Mohegan Sun
Runtime: 1 hr 20 minFilmed in high definition at the Mohegan Sun Arena in Connecticut on November 25th 2011, this concert captures a typically raw and energetic performance by Staind on tour in support of their eponymous 2011 self titled album Staind. This was their first tour to feature new drummer Sal Giancarelli. The show features tracks from the new album mixed in with classic songs from across their career including many of their hit singles.
Day Of The Gusano: Live In Mexico
Runtime: 1 hr 29 minAfter more than a decade of patiently waiting, the Mexican Maggots finally welcome the most anticipated visit of Slipknot and Knotfest to Mexico. On December 8th, 2015, Knotfest took over Mexico City for the experience of a lifetime. The most passionate, powerful, dedicated and loud Maggots on Earth attended in hordes to witness in action their most inspirational figures: the 9 members of Slipknot. The band did not disappoint. This show will leave you speechless and craving more. The intensity of Slipknot and the love they have for their fans is palpable. The wait was well worth it.
All Access to All Things
Runtime: 1 hr 44 minRecorded live over their summer 2003 tour with heavy metal giants Metallica, this concert film features footage from shows in Los Angeles, San Francisco, Salt Lake City and Seattle. With candid backstage and behind the scenes footage, as well as a detailed look at the making of the video for "World So Cold," this is a fascinating look at the life of the band. Live tracks include "Dig," "Internal Primates Forever," "Death Blooms," and many more.
Road to Revolution
Runtime: 1 hr 25 minHelmed by noted director Blue Leach (R.E.M., Depeche Mode, Snow Patrol, Beck), Road To Revolution, Live At Milton Keynes captures Linkin Park on its acclaimed 2008 Projekt Revolution tour in front of 65,000 fans in England. The band's first live document in five years, the almost 80 minute concert DVD (and the accompanying CD version) will surely help fans survive a break after the group's recent touring and before the next Linkin Park studio album.
Live at Montreux
Runtime: 1 hr 15 minKorn came out of California in the early nineties and went on to become one of the most globally successful metal acts of their generation. They continue to play live to vast crowds and have record sales in the millions. This concert from Montreux in 2004 is their only performance at the festival to date. It was to be one of the last shows to feature the bands original line-up with guitarist Brian Welch leaving the group a few months later. The normally reserved Montreux crowd is transformed by Korn into seething, rocking mass with the largest an probably the first! mosh pit ever seen in the famous Stravinski Auditorium.
Live And Murderous In Chicago
Runtime: 1 hr 19 minPapa Roach: Live and Murderous in Chicago is the first concert released by Californian rock group Papa Roach. It was released in the United States on November 22, 2005 – and features the band performing live at "The Vic Theater" in Chicago, Illinois. The program captures alt-metal rockers Pap Roach thrashing away at their most intense during an exhilarating Chicago concert, bringing down the house with an energetic 75-minute set.
Live at the White River Amphitheater
Runtime: 1 hr 12 minAmerican nu metal heroes Godsmack are taking over the stage at the White River Amphitheatre in Auburn Washington. Completed in 2003, the 98-acre project cost more than $30 million and hosts musical events under an acoustically treated metal roof; it features two 30-by-40-foot video screens on either side of the stage. The band performs hit songs as “Locked and Loaded,” “Keep Away,” “Out of Line,” “Generation Day,” “Cryin' Like a Bitch, ” and many more. Sully Erna's singing style has been stated as "the snarl of James Hetfield", and "composed of dark harmony that sounds a lot like Alice in Chains". Merrill's bass style has been described as "bulldozer bottom with occasional slap-bass reverb". Larkin's drumming is thought to "worship at the twin altars of Neil Peart and John Bonham". And Rombola's guitar playing style has been praised as "guitars that sound like percussion instruments".