From the mid-1950s to the present, Etta James' powerful, soul-charged voice has become deeper and rougher, with a rich texture and heartfelt inflections. It goes without saying that the woman known as "Mama" is aging like California wine, and she can still open wounds in her songs and come out standing strong. When she was five years old, Jamesetta Hawkins amazed the congregation of her church choir. When she belted out Gospel songs with absolute spiritual fervor, it was clear that the child was a musical prodigy. Her career as a singer began when she recorded "The Wallflower" with Johnny Otis in 1954 for Modern Records. A year later, the song topped the charts. In 1960, she moved to Chess Records and soon began cranking out hits such as the driving, jiving, southern soul smash "Tell Mama," which Janis Joplin covered later that decade. Since then, she has recorded for Island and Elektra, experimenting with rock and jazz, but always returning to her Gospel-soaked roots and southern soul.
Etta James Concert Films
Live at Montreux 1993
Runtime: 1 hr 4 minIn the words of Ben Fong-Torres:
Etta James, who passed away in 2012, was such a magnetic singer and presence that she was a semi-regular at the Montreux Jazz Festival in Switzerland, which is pretty selective about its bills. After her crack band opens with a couple, including “Hold On, I’m Coming,” James kills on “I’d Rather Go Blind,” “I Just Wanna Make Love to You,” and several more. “Come to Mama,” indeed!
Etta James made many appearances at the Montreux Jazz Festival across her long and distinguished career from her first concert in 1975 through to her last in 2008. This film focuses on the concert from 1993 when she was at her absolute peak and complements it with selected tracks from many other Montreux appearances. It features many of her best loved tracks and songs that she is particularly associated with. Etta James was one of the most respected performers of her generation. In a career stretching over 60 years she was inducted into the Rock n Roll Hall Of Fame and the Blues Hall Of Fame, won 3 Grammys and received many more nominations and was named Female Blues Artist Of The Year on no less than 14 occasions. Sadly, Etta James passed away after a long illness in January 2012 and this film is a fitting tribute to one of the greatest female vocalists of the 20th century.
Burnin' Down The House
Etta James & The Roots Band
Runtime: 53 minEtta James, and her long time backing band The Roots Band, showcases her ability to take on any genre and conquer it. In Burning Down The House she goes from the sultry jazz of At Last to the RocknRoll of I Just Wanna Make Love to You, to the deep blues of Id Rather Go Blind to the funk of You Can Leave Your Hat On.
Etta James Top Tracks
Live at Soundstage
Runtime: 56 minMind, Body & Soul Sessions features R&B phenom Joss Stone live in concert in 2004. Recorded at New York's Irving Plaza, the show begins with an introduction by the legendary Betty Wright, who co-produced the Brit's stunning debut, The Soul Sessions, and co-wrote several songs on the second, Mind, Body & Soul. The barefoot singer then gets down to business, performing a solid selection of material from both albums, including "Super Duper Love" from the first and "You Had Me" from the follow-up. Stone receives strong support from a tight band, distinguished by powerful drummer Caesar Griffin.
The Lost Tapes
Runtime: 1 hr 16 minIn 1979, James Brown made a memorable comeback performance featuring an unbelievable 20 minute version of 'Sex Machine'. This performance is available after years of being 'lost'.
Got My Mojo Workin'
Runtime: 53 minIn these rare performances from 1968 to 1978, Muddy Waters, the father of the "Chicago blues sound," shows off his talent alongside his greatest sidemen in three different tours. This is some of the earliest footage available with Muddy, featuring such songs as "Country Boy," "Honey Bee," "Got My Mojo Working" "They Call Me Muddy Waters," and more.
I Can't Stand the Rain
Runtime: 46 minThis performance was recorded at Belgium's renowned Lokerse Feesten in 1996. As well as the classic 'I Can't Stand The Rain', the concert includes an awesome version of the autobiographical 'St. Louis Woman (With A Memphis Melody)'. She is best known for her inspirational recording of 'I Can't Stand The Rain', a 1974 classic which no less an icon than John Lennon described as "the greatest single ever." That clearly puts Ann Peebles right up there with soul divas like Aretha Franklin and Gladys Knight, and while the amount of her recorded work doesn't match up to theirs, it's hardly quantity that we're counting. This is all about quality and Ann Peebles has that aplenty.
Live at Montreux
Runtime: 1 hr 39 minMarvin Gaye blazed the trail for the continued evolution of popular black music moving from lean, powerful R&B to stylish, sophisticated soul to finally arrive at an intensely political and personal form of artistic self-expression. His work not only redefined soul music as a creative force but also expanded its impact as an agent for social change. Marvin Gaye recorded at the Montreux Casino on July 7, 1980, during the Montreux Jazz Festival.
Runtime: 1 hr 16 minStill Bill is an intimate portrait of soul legend Bill Withers, best known for his classics "Ain't No Sunshine," "Lean On Me," "Lovely Day," "Grandma's Hands," and "Just the Two of Us." With his soulful delivery and warm, heartfelt sincerity, Withers has written the songs that continue to resonate deeply within the fabric of our times. Filmmakers Damani Baker and Alex Vlack follow Withers and offer a unique and rare look inside the world of this fascinating man. Through concert footage, journeys to his birthplace and interviews with music and sports legends, his family and closest friends, STILL BILL presents the story of an artist who has written some of the most beloved songs of our time and who truly understands the heart and soul of a man.
Live in Montreux 1976
Runtime: 1 hr 12 minNina Simone one of the great female vocalists of the 20th Century, made four appearances at the Montreux Festival between 1968 and 1990. This film features the whole of the performance from 1976 as the main item, which is supplemented as bonus features by two tracks from her concert in 1987 and four from her final show in 1990. This is the definitive Nina Simone live film.
Live at Montreux 2006
Runtime: 1 hr 56 minSoul legend Solomon Burke delivers a twenty-song set in Montreux. He delivers renditions of such classics as "Georgia On My Mind," and "I Will Survive,", and he performs a number of medleys that include such recognizable standards as "When the Saints Go Marching In," "Sitting on the Dock of the Bay," and "Tutti Frutti."
Live At Montreux
Runtime: 1 hr 12 minRay Charles was one of the true pioneers of soul music. Born in Georgia in 1930 he was one of the first performers to mix gospel, R & B and jazz to create a new form of black pop music that would come to be known as soul. His voice and delivery were strikingly different and instantly recognizable. He had his first hits in the early 50’s and was still hitting the charts into the 21st century. His death in June 2004 from liver disease was front-page news around the world. This concert was filmed at the Montreux Jazz Festival
on July 19, 1997 and features Ray Charles and his orchestra, led by sax player Al Jackson, and of course The Raelettes. The set includes many of his most popular tracks such as Shadows Of My Mind, Georgia On My Mind, and the No.1 hit I Can’t Stop Loving You.
Runtime: 60 minAmy Winehouse was one of the most discussed singer-songwriters of her generation. Her soulful voice won her critical acclaim, scores of awards and fans from all walks of life, while her turbulent and decadent lifestyle made her an irresistible target for the press. In a time when photographs of Amy Winehouse in many states dominated the front pages, each new picture surpassing the last, as she appeared to incrementally crumble under the cocktail that was the magnitude of her success, it was her unique and heartfelt music that touched the hearts of millions of fans. Share her legacy.