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Because You Watched Barenboim - Beethoven Piano Sonata No. 3 24 Available Shows

  • Barenboim - Beethoven Piano Sonata No. 4

    Various Artists

    Year: 2011

    Runtime: 31 min

    Live recording from the Palais Lobkowitz, Palais Kinsky, Palais Rasumowsky and Schloss Hetzendorf, Vienna, 1983/84

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  • Barenboim - Beethoven Piano Sonata No. 7

    Various Artists

    Year: 2011

    Runtime: 26 min

    Live recording from the Palais Lobkowitz, Palais Kinsky, Palais Rasumowsky and Schloss Hetzendorf, Vienna, 1983/84.

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  • Barenboim - Beethoven Piano Sonata No. 1

    Various Artists

    Year: 1983

    Runtime: 18 min

    Live recording from the Palais Lobkowitz, Palais Kinsky, Palais Rasumowsky and Schloss Hetzendorf, Vienna, 1983/84

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  • Barenboim - Beethoven Piano Sonata No. 2

    Various Artists

    Year: 2012

    Runtime: 26 min

    Live recording from the Palais Lobkowitz, Palais Kinsky, Palais Rasumowsky and Schloss Hetzendorf, Vienna, 1983/84

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  • Beethoven: Piano Concerto No.2

    Various Artists

    Year: 2011

    Runtime: 35 min

    In time for his 65th birthday in 2007, Daniel Barenboim has completed a cycle of Beethoven's
    piano concertos. Recorded live at the prestigious Klavier-Festival Ruhr in May 2007, this
    recording reflects both a very individual and special reading of Beethoven’s music and the
    artist’s life-long dedication to the composer. Daniel Barenboim is one of the most prolific and
    high-profile artists performing on international stages today and Beethoven’s masterpieces
    have been a key part of his repertoire throughout his career, both as conductor and as pianist.
    Beethoven himself was a keyboard virtuoso of almost awesome abilities who created a
    sensation wherever he played. It is no wonder, therefore, that the piano was central to
    Beethoven’s overall output. Daniel Barenboim, artistic personality and former wunderkind,
    long an essential part of the international musical scene both on the conductor’s podium and
    at the piano, is the perfect match for this demanding music. Conducting and playing at the
    same time, Barenboim chose his orchestra of almost two decades, the Staatskapelle Berlin,
    which he has praised warmly for its exceptional, dark and warm sound. With a tradition
    reaching back to 1570, the Staatskapelle Berlin is one of the oldest orchestras in the world.
    Barenboim plays Beethoven brings together two musical masterminds.

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  • Barenboim - Beethoven Piano Sonata No. 6

    Various Artists

    Year: 1983

    Runtime: 44 min

    Live recording from the Palais Lobkowitz, Palais Kinsky Palais Rasumowsky and Schloss Hetzendorf, Vienna, 1983/84

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  • Berliner Philharmoniker: Beethoven: Symphony No. 2

    Various Artists

    Year: 2016

    Runtime: 38 min

    Recorded live in Rome at Santa Cecilia and at Philharmonie Berlin.
    La Repubblica called it: 'The most wonderful symphonic cycle of the past decade.'
    The Beethoven Symphonies mark the high-light of Abbado's relationship with the Berliner
    Philharmoniker and his 12 years as chief conductor.
    “Abbado lets loose all the conflicting elements of Beethoven's cosmos - nothing works anymore, the music threatens to explode once and for all, deliverance has to come from somewhere. A powerful moment of unsparing analysis of Beethoven and his own self...” Süddeutsche Zeitung.

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  • Berliner Philharmoniker: Beethoven: Symphony No. 4

    Various Artists

    Year: 2012

    Runtime: 39 min

    Recorded live in Rome at Santa Cecilia and at Philharmonie Berlin.
    La Repubblica called it: 'The most wonderful symphonic cycle of the past decade.'
    The Beethoven Symphonies mark the high-light of Abbado's relationship with the Berliner
    Philharmoniker and his 12 years as chief conductor.
    “Abbado lets loose all the conflicting elements of Beethoven's cosmos - nothing works anymore, the music threatens to explode once and for all, deliverance has to come from somewhere. A
    powerful moment of unsparing analysis of Beethoven and his own self...” Süddeutsche Zeitung

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  • Berliner Philharmoniker: Beethoven: Symphony No. 7

    Various Artists

    Year: 2016

    Runtime: 43 min

    Recorded live in Rome at Santa Cecilia and at Philharmonie Berlin.
    La Repubblica called it: 'The most wonderful symphonic cycle of the past decade.
    The Beethoven Symphonies mark the high-light of Abbado's relationship with the Berliner
    Philharmoniker and his 12 years as chief conductor.
    "Abbado lets loose all the conflicting elements of Beethoven's cosmos - nothing works anymore, the music threatens to explode once and for all, deliverance has to come from somewhere. A powerful moment of unsparing analysis of Beethoven and his own self...” Süddeutsche Zeitung

    Added to My Q

  • Berliner Philharmoniker: Beethoven: Symphony No. 1

    Various Artists

    Year: 2012

    Runtime: 30 min

    Recorded live in Rome at Santa Cecilia and at Philharmonie Berlin.
    La Repubblica called it: 'The most wonderful symphonic cycle of the past decade.'
    The Beethoven Symphonies mark the high-light of Abbado's relationship with the Berliner
    Philharmoniker and his 12 years as chief conductor.
    “Abbado lets loose all the conflicting elements of Beethoven's cosmos - nothing works anymore, the music threatens to explode once and for all, deliverance has to come from somewhere. A
    powerful moment of unsparing analysis of Beethoven and his own self...” Süddeutsche Zeitung

    Added to My Q

  • Berliner Philharmoniker: Beethoven: Symphony No. 8

    Various Artists

    Year: 2012

    Runtime: 32 min

    Recorded live in Rome at Santa Cecilia and at Philharmonie Berlin
    La Repubblica called it: 'The most wonderful symphonic cycle of the past decade.'
    The Beethoven Symphonies mark the high-light of Abbado's relationship with the Berliner
    Philharmoniker and his 12 years as chief conductor.

    “Abbado lets loose all the conflicting elements of Beethoven's cosmos - nothing works anymore, the music threatens to explode once and for all, deliverance has to come from somewhere. A powerful moment of unsparing analysis of Beethoven and his own self...” Süddeutsche Zeitung

    Added to My Q

  • Barenboim - Beethoven Piano Sonata No 6

    Various Artists

    Year: 2011

    Runtime: 13 min

    Live recording from the Palais Lobkowitz, Palais Kinsky, Palais Rasumowsky and Schloss Hetzendorf, Vienna, 1983/84

    Added to My Q

  • Barenboim - Beethoven Piano Sonata No. 8

    Various Artists

    Year: 1983

    Runtime: 20 min

    Live recording from the Palais Lobkowitz, Palais Kinsky, Palais Rasumowsky and Schloss Hetzendorf, Vienna, 1983/84

    Added to My Q

  • Beethoven: Piano Concerto No.5

    Daniel Barenboim

    Year: 2007

    Runtime: 44 min

    In November 2007, Daniel Barenboim completed a cycle of Beethoven's piano concertos. Recorded live at the prestigious Klavier-Festival Ruhr in May 2007, this DVD recording reflects both a very individual and special reading of Beethoven’s music and the artist’s life-long dedication to the composer. Daniel Barenboim is one of the most prolific and high-profile artists performing on international stages today and Beethoven’s masterpieces have been a key part of his repertoire throughout his career, both as conductor and as pianist. Beethoven himself was a keyboard virtuoso of almost awesome abilities who created a sensation wherever he played. It is no wonder, therefore, that the piano was central to Beethoven’s overall output. Daniel Barenboim, artistic personality and former wunderkind, long an essential part of the international musical scene both on the conductor’s podium and at the piano, is the perfect match for this demanding music.

    Added to My Q

  • Berliner Philharmoniker: Beethoven: Symphony No. 5

    Various Artists

    Year: 2012

    Runtime: 40 min

    Recorded live in Rome at Santa Cecilia and at Philharmonie Berlin.
    La Repubblica called it: 'The most wonderful symphonic cycle of the past decade.'
    The Beethoven Symphonies mark the high-light of Abbado's relationship with the Berliner
    Philharmoniker and his 12 years as chief conductor.
    “Abbado lets loose all the conflicting elements of Beethoven's cosmos - nothing works anymore, the music threatens to explode once and for all, deliverance has to come from somewhere. A
    powerful moment of unsparing analysis of Beethoven and his own self...” Süddeutsche Zeitung.

    Added to My Q

  • Berliner Philharmoniker: Beethoven: Symphony No. 9

    Various Artists

    Year: 2012

    Runtime: 1 hr 9 min

    Recorded live in Rome at Santa Cecilia and at Philharmonie Berlin.
    La Repubblica called it: 'The most wonderful symphonic cycle of the past decade.'
    The Beethoven Symphonies mark the high-light of Abbado's relationship with the Berliner
    Philharmoniker and his 12 years as chief conductor.
    “Abbado lets loose all the conflicting elements of Beethoven's cosmos - nothing works anymore, the music threatens to explode once and for all, deliverance has to come from somewhere. A
    powerful moment of unsparing analysis of Beethoven and his own self...” Süddeutsche Zeitung

    Added to My Q

  • Mahler - Symphony No. 1/Prokofiev - Piano Concerto No. 3

    Claudio Abbado

    Year: 2009

    Runtime: 1 hr 33 min

    Claudio Abbado: Mahler - Symphony No. 1/Prokofiev - Piano Concerto No. 3 movie was released Jul 27, 2010 by the Euroarts studio. This classical music performance release features the opening concert of the 2009 Lucerne Festival. Claudio Abbado: Mahler - Symphony No. 1/Prokofiev - Piano Concerto No. 3 video Claudio Abbado leads the Lucerne Festival Orchestra in interpretations of Sergey Prokofiev's Piano Concerto No.3 in C Major, Op. 26 and Gustav Mahler's Symphony No.1 in D Major, 'Titan'. World-renowned concert pianist Yuja Wang performs on the Prokofiev. Claudio Abbado: Mahler - Symphony No. 1/Prokofiev - Piano Concerto No. 3 film Claudio Abbado conducts the Lucerne Festival Orchestra with pianist Yuja Wang in works by Mahler and Prokofiev, summer 2009.

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  • Celebrate Germany's Peaceful Revolution

    Kurt Masur And The Gewandhausorchester

    Year: 2008

    Runtime: 1 hr 26 min

    On 9 October in 1989, 70,000 people staged a peaceful demonstration calling for more freedom and democracy in the GDR. Thanks to the claim "Peaceful Revolution", initiated by Kurt Masur as one of six prominent citizens of Leipzig, everything proceeded peacefully. That evening, the Gewandhausorchester played under his baton Brahms' Second Symphony at the St Nicolas Church. The following regular "Monday Demonstrations", which came to be described as the "Peaceful Revolution", became a major milestone on the way to open the Berlin Wall one month later on November the 9th in 1989 and paved the foundations for the reunification of the two German states. Exactly 20 years later, the Gewandhausorchester and Kurt Masur commemorate the beginning of the German reunification by presenting the same symphony at the same location.

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  • Live from Berlin

    Daniel Barenboim & West-Eastern Divan Orchestra

    Year: 2006

    Runtime: 1 hr 59 min

    A miracle, one would in light of the middle East conflicts believe: the worldwide respected West Eastern Divan Orchestra is made up of young musicians from countries that are engaged in war. The orchestra with youngsters from Israel, Palestine, Syria, Egypt, Lebanon, Jordan, and Spain was formed in 1999 in Weimar. In the following years there have been concerts among others in Berlin, Seville, Rabat, and in summer of 2005 even in Ramallah - a hotspot in the middle east conflict.

    A highlight of the summer tour 2006 was the performance of Beethoven's 9th Symphony conducted by Daniel Barenboim featuring star singers including Anglika Denoke and Burkhardt Fritz as well as Waltraud Meier and René Pape. The proceeds from this benefit concert will go to the Fundacion Barenboilm-Said and their music education programs in the Palestinian territories.

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  • Ballet's Greatest Hits

    Various Artists

    Year: 2013

    Runtime: 1 hr 38 min

    Presented by Youth America Grand Prix (YAGP), the world’s largest dance education initiative, and subject of the award-winning ballet documentary “First Position,” “Ballet’s Greatest Hits” presents a one-of-a-kind glimpse of ballet from today and yesterday. The film is hosted by “American Idol” and “So You Think You Can Dance” Executive Producer, Nigel Lythgoe, and stars leading figures from the world of ballet. Dancers such as Stella Abrera, Isabella Boylston, Skylar Brandt, Marcelo Gomes, Veronika Part and Hee Seo from American Ballet Theatre, Taras Domitro and Maria Kochetkova of San Francisco Ballet, New York City Ballet favorites Ashley Bouder and Daniel Ulbricht, Matthew Golding of Dutch National Ballet, Alejandro Virelles of Boston Ballet and Greta Hodgkinson of National Ballet of Canada perform iconic roles from the classical repertoire including Swan Lake, Nutcracker, Giselle, Flames of Paris and Don Quixote. Audiences will gain special insight from backstage interviews with the performers and ballet luminaries such as Alexei Ratmansky, Angel Corella, Benjamin Millepied, Edward Villella, Jose Manuel Carreño, Mathieu and Denys Ganio, Matthew Bourne, Susan Jaffe and many others. See them dance, hear them talk and feel their passion in a unique dialogue between ballet’s history and its present.

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  • Joni Mitchell’s The Fiddle and the Drum

    Alberta Ballet Company

    Year: 2012

    Runtime: 54 min

    Joni Mitchell's The Fiddle and The Drum explores Mitchell's life-long concerns about environmental neglect and the warring nature of mankind within a ballet performed to a select soundtrack of her eternal songs. The unique combinations of three art forms - music, dance and art - comprise an engaging spectacle that Joni calls "...the best project of her career."
    Legendary Canadian artist Joni Mitchell and internationally acclaimed choreographer Jean Grand-Maître of the Alberta Ballet Company are the co-creators of Joni Mitchell's The Fiddle and The Drum.

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  • Symphony No. 4 in G-Dur - The Royal Concertgebouw Orchestra (2010)

    Gustav Mahler

    Year: 2010

    Runtime: 1 hr 7 min

    Bernard Haitink is one of the most sought-after Mahler conductors of our day. In this concert of Mahler’s Fourth Symphony, recorded live at the Concertgebouw in Amsterdam, he conducts the Royal Concertgebouw Orchestra. The American Maria Ewing fascinates with her interpreation of the soprano solo featured in the work’s finale.

    Bernard Haitink first conducted the Concertgebouw Orchestra in 1956.

    Beginning in 1963, Haitink was chief conductor for 25 years, during which time the orchestra developed significantly. Particularly Haitink’s interpretations of Mahler and Bruckner made a worldwide impression. The Concertgebouw Orchestra was founded in 1888. On the occasion of its 100th anniversary in 1988, the orchestra officially received the appellation ‘Royal’.

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  • Symphony No. 5 in C Minor - The Royal Concertgebouw Orchestra

    Gustav Mahler

    Year: 1995

    Runtime: 1 hr 22 min

    After the two famous Mahler festivals in 1920 and 1995, the Royal Concertgebouw Orchestra, Amsterdam, presents a special two-season Mahler series, which includes Mahler’s ten large-scale symphonies, performed in chronological order by the world’s greatest orchestra under the direction of great conductors – all brought to life in the wonderful acoustics of the Main Hall of the Concertgebouw.

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  • St. Matthew's Passion

    Johann Sebastian Bach

    Year: 1985

    Runtime: 1 hr 33 min

    Johann Sebastian Bach composed the St. John Passion in Cöthen during the winter of 1722/23. The text is drawn from chapters 18 and 19 of the Gospel according to St. John, and includes some excerpts from St. Mathew and additional text from a Passion poem by the Hamburg town councillor Barthold Heinrich Brockes. The composer led the first performance at the Good Friday services on 7 April 1724 at St. Nicholas Church in Leipzig, where he had since become municipal music director and cantor of the Thomasschule. This Passion is heard less often today than the St. Matthew Passion, perhaps because the St. John Passion is in some ways more raw and evokes the anguish of the Passion more painfully than the St. Matthew work. A musician’s musician, an occasional firebrand and a constant paradox – Nikolaus Harnoncourt (born in 1929) is one of the most profound and intriguing conductors of our time. Considered one of the world’s leading specialists of Baroque music, he has long since turned his attention to Mozart, Beethoven, Schubert, and even to Jacques Offenbach and Johann Strauss. He spent many years as a cellist with the Wiener Symphoniker before founding the "Concentus Musicus Wien" with his wife Alice in 1953. It soon became one of the world’s most respected ensembles specializing in the performance of early music on original instruments. In the 1970s, Harnoncourt joined forces with Jean-Pierre Ponnelle to stage a series of Monteverdi operas at the Zurich Opera House. This universally acclaimed cycle contributed to a renaissance of Monteverdi’s music and set standards for early Baroque performance practice. He later began to turn his attention more and more to the music of Mozart, whom he considers "the most romantic of all composers". Harnoncourt did not make his official debut at the Salzburg Festival until 1992. He has been conducting there regularly since then and is a sought-after guest conductor of such reputable ensembles as the Berlin and Vienna Philharmonics, the Concertgebouw Orchestra of Amsterdam and the Chamber Orchestra of Europe.

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