The Disco Biscuits

The two and half hour concert film audio recordings feature over 20 once-in-a-lifetime performances honoring Jerry Garcia. Performers include Phil Lesh & Communion, Bob Weir, Bill Kreutzmann's Billy & the Kids, Mickey Hart, Eric Church, Jimmy Cliff, The Disco Biscuits, Peter Frampton, David Grisman, Jorma Kaukonen, Los Lobos, Buddy Miller, Moe., O.A.R., Grace Potter, Allen Toussaint, Trampled By Turtles, Widespread Panic, and Yonder Mountain String Band. Produced by Blackbird Presents blackbirdpresents.com

This film follows the Dave Matthews Band to Brixton Academy in London, on June 26, 2009. Dave Matthews, Carter Beauford, Stefan Lessard, Boyd Tinsley, Jeff Coffin, Tim Reynolds, and Rashawn Ross perform in front of a sold-out crowd and serve up fan favorites "Crash Into Me," "Funny the Way It Is," "#41," and many more.

Twenty years into their career as a hard-working, hard-touring band with some hard-won success under their collective belt, O.A.R. is in the studio to create their next single. Evolution of a Song offers an all access perspective on the sometimes winding route a song takes from idea to recording to release.

The bluegrass-based jam band the String Cheese Incident is comprised of mandolinist/violinist Michael Kang, guitarist Bill Nershi, bassist Keith Moseley, pianist Kyle Hollingsworth, and percussionist Michael Travis. Formed in Boulder, CO, in 1993, the group's self-described "sacrilegious mix of bluegrass, calypso, salsa, Afro-pop, funk, rock, and jazz" quickly built up a following on the local club circuit, and within six months of their formation they earned an invitation to open the legendary Telluride Bluegrass Festival.

From the opening note of "Wondering" all the way through to the set closing "Conrad," the band owned the opportunity. Sandwiched in between the opener and a divine "C. Brown," a very leggy "Surprise Valley" overwhelmed the crowd with an almost-anthemic presence. "Kiss the mountain air we breathe" sounds good standing anywhere, but beneath "ship" and "Creation" rocks it evoked magic. All weekend the boys in the band had worn smiling faces, but early in the day it was easy to see that Sunday "Funday" was going to be enchanting.

Words can difficultly describe the bands energy on this last day. As the band masterfully wielded a "Bowlegged Woman" into "Lawyers, Guns and Money," it started to become apparent that the second set would be no ordinary picnic. Call them fan favorites, Halloween treats, illustrious tour gems, whatever you want, but don't expect to hear "Mama Told Me Not to Come," "Knocking Around the Zoo" and "Walk On" in consecutive order too often. The only seemingly botched moment in the whole afternoon was a "Guilded Splinters" that by most standards was still great but just seemed to be lost for a bit before being revitalized by some

Set list for Part II of Day 3

1. No Sugar Tonight/New Mother Nature, 2. Bowlegged Woman , 3. Lawyers, Guns and Money, 4. Can't Find My Way Home, 5. Mama Told Me Not to Come, 6. Knocking 'Round the Zoo, 7. Walk On, 8. I Walk On Gilded Splinters, 9. Red Beans, 10. Fairies Wear Boots, 11. Sharon, 12. Wild Thing, 13. Encore: Wild Thing, 14. Sultans of Swing, 15. Goin' Out West, 16. End of the Show

There's no denying it; Umphrey's McGee is on fire. The band concluded a two-night live performance at Asheville, NC, treating crowds to their patented brand of improvisational rock and roll.

From modest beginnings in a Buffalo basement over two decades ago to today’s multifaceted success, the members of moe. have never lost sight of the earnest, elemental goals that they aspired to from their very first show: to deliver honest, heartfelt music and to ensure the audience has a good time. Considerate and conscientious in their actions and decision-making, moe.’s refreshingly unpretentious attitude has won them a devoted legion of dedicated fans (ranging from seasoned concert-goers to eager young newcomers) and has given rise to a thriving cottage industry – a self-contained nation-state in which the band and their audience live as equals, thriving on a reciprocal appreciation rare in today’s increasingly fragmented musical landscape. 2010 marks the twentieth anniversary of moe.’s frontline of Rob Derhak (bass, vocals), Chuck Garvey (guitar, vocals), and Al Schnier (guitar, keyboards, vocals), who continue to perform together with the addition of drummer Vinnie Amico and percussionist and multi-instrumentalist Jim Loughlin. Keeping a consistent lineup intact and productive over two decades is no small feat. moe.’s saga is made all the more remarkable because they have consistently done so on their own terms, as independent artists who actively manage their own affairs while staying well ahead of industry and technological developments, including successfully self-releasing their own music and offering instant on-site digital concert recordings at their shows.from seasoned concert-goers to eager young newcomers) and has given rise to a thriving cottage industry – a self-contained nation-state in which the band and their audience live as equals, thriving on a reciprocal appreciation rare in today’s increasingly fragmented musical landscape. 2010 marks the twentieth anniversary of moe.’s frontline of Rob Derhak (bass, vocals), Chuck Garvey (guitar, vocals), and Al Schnier (guitar, keyboards, vocals), who continue to perform together with the addition of drummer Vinnie Amico and percussionist and multi-instrumentalist Jim Loughlin. Keeping a consistent lineup intact and productive over two decades is no small feat. moe.’s saga is made all the more remarkable because they have consistently done so on their own terms, as independent artists who actively manage their own affairs while staying well ahead of industry and technological developments, including successfully self-releasing their own music and offering instant on-site digital concert recordings at their shows.