Waters has a sax sound light as air, floating above mellow, R&B-tinged jazz tracks. His album Sweet & Saxy set off his career, and he's followed up with similar hits like "Sax Appeal."
Runtime: 1 hr 50 minThe first live album by saxophonist Kenny G was released in 1989, peaking at number 2 on the Contemporary Jazz Albums chart and number 16 on the Billboard 200. This performance was recorded live at Humphrey's Concerts By the Bay in San Diego, California. The concert film includes one of his most popular recordings 'Songbird' as well as 'Don't Make Me Wait For Love'.
Live at Montreux
Runtime: 1 hr 27 minDavid Sanborn has been a frequent visitor to the Montreux Jazz Festival, either headlining in his own right, as a sideman or as part of nineties "super group" Legends. This program focuses on his second headlining appearance in 1984 when he was touring in support of his "Straight To The Heart" album, which would see him win the second of his six Grammy Awards to date. The set combines tracks from that album with others from across his career. It features a special guest appearance by Rickie Lee Jones on piano and vocals on the track "Autumn Leaves". In 2008 David Sanborn released his 23rd album and his diverse career continues to thrive both on stage and in the studio.
The Gospel According to Jazz, Chapter IV
Runtime: 2 hr 27 minAfter a six-year wait, the much anticipated The Gospel According To Jazz, Chapter IV is finally here with a benchmark for live recording, nuanced performance and deep improvisation at the most profoundly felt, thoughtfully conceived, personal level. Kirk Whalum’s insightful and revelatory narrative enriches the whole experience, with an up-close and personal look at the heart of the artist and his art. The Gospel According to Jazz, Chapter IV is an invitation to pause, hear and “see” in a fresh, prescient way; it is also a tribute album that is uniquely gospel-centric. Honored are heads of state (Mandela and Obama), departed and greatly respected and loved artists (George Duke, Wayman Tisdale and John Coltrane), alongside mothers (Kirk’s, and yours if you like) and a homeless woman Whalum came to call friend (“Nannette”). In myriad ways, the gospel’s welcome is declared and displayed with eloquence and power.